Arthur e popham (10 Ergebnisse)
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
The drawings of Leonardo da Vinci / A.E. Popham
Leonardo da Vinci (1452-1519). Popham, A.E. (Arthur Ewart) (1889-1970)
- Softcover
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3rd Impression. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series: Pimlico. Physical description: xx,168p., 320p. of plates ; 22cm. Subjects: Leonardo da Vinci (1452-1519). Drawings -- Italy. 1 Kg.
- Hardcover
Anbieter: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Vereinigtes KönigreichHay-on-Wye Booksellers
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Zustand: Good. Some dirt marks to the cover, foxing also. The inside page is tanned. The content is clean and readable throughout, a decent enough copy. Antonio Da Correggio (illustrator).
Old master drawings from Chatsworth : a loan exhibition from the Devonshire Collection circulated by the Smithsonian Institution, 1962-1963
Chatsworth (England). Popham, A. E. (Arthur Ewart) (1889-1970). Smithsonian Institution.
Verlag: Washington: Smithsonian Institution, 1962
- Softcover
- Erstausgabe
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In den WarenkorbFirst Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Publication date is suggested. Physical description: 46 p., 114p. of plates : ill. ; 26 cm. Notes: Bibliography: p. 14. Subjects: Devonshire, Andrew Robert Buxton Cavendish D…uke of 1920- Art collections. Devonshire, Andrew Robert Buxton Cavendish Duke of 1920-2004 Art collections. Drawing, European ; Exhibitions. 1 Kg.
Sprache: Englisch
Verlag: Trustees of the British Museum, London, 1950
- Hardcover
Anbieter: Carothers and Carothers, Albany, CA, USACarothers and Carothers
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In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. xiv, 230 pages, xviii, plates i-cclxxxvi. Plates and Catalogue volumes. Bindings square, boards clean, faint offsetting to front boards of both volumes from image on dust wrapper, light wear to corners, sunning to head of spine of Catalogue volume; splatter-stain to to…p-edge of textblock of Plates volume, not affecting contents; offsetting to free endpapers, previous owner's signature to front free endpaper of both volumes, else contents fine, plates excellent. Dust wrappers show edgewear, shelfwear, and sunning, with several tears, and with loss of ca one square inch to head of spine of Catalogue volume. Additional postage will be required for shipment outside the United States. 2320 grams.
Verlag: London : Phaidon, 1954
- Hardcover
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In den WarenkorbFirst Edition. Fine copy in the original gilt-blocked, cloth-backed, decorated boards. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 0 pages; Physical desc. : [ii], 42 leaves : ill ; 32cm. Subjects: Raphael, 1483-1520… - Catalogs. Michelangelo Buonarroti, 1475-1564 - Catalogs. Windsor Castle - Art collections - Catalogs. Drawing, Italian. 1 Kg.
Weitere BilderVerlag: Published for the British Academy by Oxford University Press, London, 1957
- Hardcover
- Erstausgabe
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes KönigreichJoseph Burridge Books
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In den WarenkorbHardcover. Zustand: Fine. 1st Edition. xix, 218 pages illustrations, 110 plates : 30 cm. owner's inscription. FOREWORD : not AM under the impression that the name Correggio, universally familiar as it is, does today evoke in the mind of the ordinary cultured Englishman any very distinct image, or any great enthusiasm. It is to h…im a rather vague concept, which he cannot satisfactorily visualize. The names of the other four in the conventional quintette of great Renaissance artists, Leonardo, Michelangelo, Raphael and Titian, call up a much clearer picture; he can place them more or less exactly in their context of place and time. But Correggio's reputation has been passed down from the middle of last century, when it was at its height, and taken on trust, in the absence of any determined effort to explode it. This feeling of uneasiness about Correggio's position in the hierarchy is due to a number of causes and circumstances. The pre-Raphaelite reaction against the High Renaissance naturally shook his pre-eminence, as it did that of Raphael. Ruskin hardly mentions him and that with disapproval. The swing back from the pre-Raphaelite position, even the revived appreciation of the baroque, which might, one would have thought, have rehabilitated his reputation, did not do so. His art seemed to belong neither to the period of the High Renaissance, in which he lived, nor to that of the baroque, which it anticipated in so disturbing a manner. People have, therefore, tended to avert their eyes from this enigmatic phenomenon and interest in Correggio's life and works has not kept pace with that devoted to his great contemporaries. The present work does not, of course, aim at a revaluation of Correggio's art in general or attempt any appreciation of his greatness as a painter. The admirer of Correggio may even, I fear, be disappointed that the enthusiasm, which he himself feels for the artist, finds little actual expression in the pages which follow. He must be content to believe that the undertaking of this work is evidence of such enthusiasm. To give expression to it with the eloquence of a John Addington Symonds or an Adolfo Venturi is not within my capacity; to pay tribute to Correggio's greatness in conventional and hackneyed phrases would be offensive to his memory. This book, as its title makes clear, is concerned with the artist's drawings, and his paintings are spoken of and reproduced in explanation of the drawings. It would no doubt have been more satisfactory, from the point of view of the ordinary reader, that the book should have dealt with the whole of Correggio's work, frescoes, oil-paintings and drawings. But to produce such a comprehensive study would be a particularly formidable undertaking. A large part of my life has been spent in the study of drawings and in contact with them; it is necessarily from this angle that I approach Correggio. An exact knowledge and appreciation of the paintings is, I am very much aware, a prerequisite to the study of the drawings. Nevertheless those whose concern has been primarily the study of paintings do not always seem to be equally successful in their judgement of drawings and the approach to Correggio through them should have its value and contribute to the illumination of his art in general.
Italian drawings in the Department of Prints and Drawings in the British Museum : artists working in Parma in the sixteenth century : Correggio, Anselmi, Rondani [and others] [2 volume set]
Arthur E. Popham, British Museum Department of Prints and Drawings
Verlag: Trustees of the British Museum, London, 1967
- Hardcover
- Erstausgabe
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes KönigreichJoseph Burridge Books
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 2 volumes : plates ; 26 cm. Contents: V. 1. Catalogue v. 2. Plates.
Weitere BilderVerlag: Published for the British Academy by the Oxford University Press, London, 1957
- Hardcover
- Erstausgabe
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In den WarenkorbCloth. Zustand: Near Fine. First edition. A first edition of Arthur E. Popham's fascinating study of the drawings of the renowned sixteenth century artist Antonio da Correggio. Arthur E. Popham was a renowned British art historian, renowned for his catalogue work at the British Museum. Antonio Allegri was the leading Emilian pai…nter, and one of the greatest Italian artists of the Renaissance. He is often considered as the pioneer of illusionistic fresco decoration, but also painted many influential altarpieces and smaller scale religious paintings. This work not only explores more generally Correggio's technique and methods, but also provides a comprehensive catalogue of Correggio's drawings, and an incredibly detailed contextual and artistic study of the following works Drawings for the Cupola, Apse and Frieze of S. Giovanni Evangelista, Parma Drawings for the Del Bono Chapel in S. Giovanni Evangelista, Parma, and other Works Drawings for the Cupola of Parma Cathedral Drawings for the great Altarpieces Drawings for the Mythological and Allegorical Paintings This work also provides a fascinating study of Correggio's contemporaries, followers, and imitators. Copiously illustrated throughout with in-text black and white illustrations, and one hundred and ten black and white plates . In the publisher's original cloth binding with gilt title to spine. Externally lovely, with only minor shelfwear to extremities and slight fading to spine, as usual with this colour binding. Internally firmly bound. Pages very bright and clean throughout. Near Fine. Antonio da Correggio (illustrator). book.
- Hardcover
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In den WarenkorbLondon, Printed by order of the Trustees, 1915-1932. 5 vols. VIII,111, XVII,181, XIII,162, XXIII,228, XVII,255 pp. [386] plts with b./w. ills. Orig. uniform hardcovers (Burgundy red cloth, gilt lettered on spines). Complete set of 5 volumes: Vol 1: Drawings by Rembrandt and his school; Vol 2: Drawings by Rubens, Van Dyck and oth…er artists of the Flemish school of the XVII Century; Vol 3: Dutch drawing of the XVII century (A-M); Vol 4: Dutch Drawings of the XVII century (N-Z & Anonymous); Vol 5 (by A. E. Popham): Dutch and Flemish Drawings of the XV and XVI Centuries.
