arthur bourgeois (31 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

423 pp.; 23.4 x 15.7 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of critical theory texts on beauty, edited by Bill Beckley with David Shapiro. Texts by John Ashbery, Louise Bourgeois, Hubert Damisch, Arthur C. Danto, Max Fierst, David Freedberg, Jeremy Gilbert-Rolfe, John Hejduk, Dave Hickey, James Hillman, Kenneth Koch, Julia Kristeva, Donald Kuspit, Jacqueline Lichtenstein, Ariane Lopez-Huici, Agnes Martin, Thomas McEvilley, Robert C. Morgan, Frank O'Hara, Carter Ratcliff, William Rubin, Meyer Schapiro, Peter Schjeldahl, David Shapiro, Robert Farris Thompson, Kirk Varnedoe, Marjorie Welish, and John Yau. Includes contributors biographies and an index. Fine. Dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Near Fine. Softcover, 136 pgs. Color illus. Near fine+ with very minimal wear.

Paperback. Zustand: Very Good. Light shelf wear. U.S. orders are shipped from Lewiston, NY location.

Original publisher's sewn brown paperback, title spine and frontcover, small 4to: viij, 26pp. text, 48pp. 72 photographs, bibliography, abbreviations, catalogue of illustrations. Very fine copy - as new., Volume VII nr. 1. Series: Iconography of Religions. State University Groningen.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 239 pages with 115 illustrations in color. Foreword by Josef Helfenstein. Introduction by Kristina Van Dyke. Works Cited. Index of Objects. List of Contributors.

Paperback. Zustand: Brand New. 216 pages. 9.00x6.00x5.00 inches. In Stock.

Leiden, E.J. Brill, 1985. Stiff printed wrappers. 26 p. text and 48 plates. New copy. (Iconography of Religions; Section VII: Africa. Fascicle D: Congo-Basin, 1).

2014, African Art, 5 Continents, 132 p, 52 color platesm very good paperback.

Zustand: Fine. - Quarto [approximately 10-1/2 inches high by 8-1/4 inches wide], softcover bound in pictorial wrappers. 189 & [12] pages. Profusely illustrated in color. Near fine. Catalog for an auction held on November 13, 2007 at Bonhams in New York City. Items 2500 to 2615 are catalogued with estimated prices.

Zustand: Very good.

Paperback. Zustand: As New. ix, 26 pages of text plus 48 black & white plates of 72 black & white photos). U.S. orders are shipped from N.Y. state.

26 pp. text + 48 b/w plates, bibliography. Series: Institute of Religious Iconography State University Groningen, Iconography of Religions VII, D,1. Leiden, 1985. Pbk. KEYWORDS: 007 Africa: Central.

Hardcover. Zustand: Good. No Jacket. First Edition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Moderate shelf wear to boards due to age and use. Some bowing to top front corner of boards. All pages are intact, binding is sound. Secure packaging for safe delivery.

Hardcover. Zustand: Brand New. 288 pages. 12.80x9.30x1.25 inches. In Stock.

Peter Blum Edition NY, 2 volumes sous coffret.

Hardcover, 288 pages, ENG, 325 x 235 mm, dustjacket, 325 illustrations in full colour, New, . ISBN 9780847845217. The first publication of the Barnes Foundation?s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes?s socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France?s African colonies?Mali, C te d?Ivoire, Gabon, and the Congo?as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes?s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume. 2135 g.

Hardcover. Zustand: New. 469 pages in French : illustrations (chiefly colour), maps ; 31 cm.

Zustand: Assez bon. BOURGEOIS (illustrator).

2 vols. I: (2), 30, (4)pp. 10 plates hors texte, after drawings by Louise Bourgeois. 1 photographic plate by Inge Morath, of the collaborators. II: (2), 30, (2)pp. 8 double-page color collages by Louise Bourgeois hors texte. 4to. Cloth. Slipcase (boards). Regular edition, limited to 1100 copies. The text of Miller's story is repeated verbatim in the second volume, but with passages selected by Bourgeois printed here in red. The whole finely printed in letterpress and offset lithography at the Stinehour Press.

Hardcover. Zustand: As New. 2 vols. I: (2), 30, (4)pp. 10 plates hors texte, after drawings by Louise Bourgeois. 1 photographic plate by Inge Morath, of the collaborators. II: (2), 30, (2)pp. 8 double-page color collages by Louise Bourgeois hors texte. 4to. Cloth. Slipcase (boards). Regular edition, limited to 1100 copies. The text of Miller s story is repeated verbatim in the second volume, but with passages selected by Bourgeois printed here in red. The whole finely printed in letterpress and offset lithography at the Stinehour Press.

Hardcover. Zustand: As New. 2 vols. I: (2), 30, (4)pp. 10 plates hors texte, after drawings by Louise Bourgeois. 1 photographic plate by Inge Morath, of the collaborators. II: (2), 30, (2)pp. 8 double-page color collages by Louise Bourgeois hors texte. 4to. Cloth. Slipcase (boards). Regular edition, limited to 1100 copies. The text of Miller s story is repeated verbatim in the second volume, but with passages selected by Bourgeois printed here in red. The whole finely printed in letterpress and offset lithography at the Stinehour Press.

Soft cover. Zustand: Fine. 2014 , 133 pp Arthur P. Bourgeois Series directed by Constantine Petridis Photos with Artifacts in it 5 Continents Soft Cover.

English-french edition. 247 b/w illustrations and 16 color plates. 271 pp. Quarto, cloth-bound, illustr. dust jacket in slipcase. Very fine condition. African Arts Yaka and Suku Arts d'afrique.

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

288 S., 355 meist farb. Abb. Reg. 4° Ln *sehr gutes Expl.*.

Soft cover. Zustand: Good. Iconography of religions VII, D, 1 Published by Leiden E. J. Brill Institute of Religious Iconography State University Groningen 1985 26 pp with 48 Plates in b. w.

First Edition. Limited to 1200 copies. 2 volumes; large quarto (29.5cm.); original cloth, spines lettered in red, grey board slipcase; 19 color plates, including 8 double-paged photographs in Vol. II. Printed at the Stinehour Press; designed by Klaus Baumgärtner.

BOURGEOIS, Louise. Homely Girl, A Life. By Arthur Miller. Two volumes. With 10 drypoints by Bourgeois. Folio, 290 x 215 mm., original beige half morocco over grey cloth, preserved in a grey cloth slipcase. New York: Peter Blum, 1992. A fine copy of this highly effective example of contemporary bookmaking. The playwright Arthur Miller gave Louise Bourgeois an unpublished story for which she provided two sets of illustrations. The publisher issued both, hence the two volumes, one containing original drypoints, and the other a series of offsets from colour photographs. The publisher also issued two versions. The one most commonly encountered consisted of an edition of 1200 copies with reproductions of the etchings. The limited edition, of which this is one, illustrated with original drypoints, is extremely scarce. One of an edition of 100 copies with the colophon signed by Miller and Bourgeois. The American Livre de Peintre 8.