Art morris william (11 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Morris MD, William (illustrator).

Paperback. Zustand: Brand New. clr edition. 48 pages. 11.00x8.50x0.25 inches. In Stock. Morris MD, William (illustrator).

Paperback. Zustand: Brand New. clr edition. 48 pages. 11.00x8.50x0.25 inches. In Stock. Morris MD, William (illustrator).

Stapled. Zustand: Near Fine-. overall near fine, catalog has a stamp for the Michener Art Museum store on the lower right title page, and one interior page has a 1/2" tear from side edge connected to a 3.25" crease, otherwise interior is free of writing and highlighting with colors bright and vibrant, 8.5 X 11 inches. * Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. If actual shipping cost is less than the AbeBooks estimate, it is our practice to REFUND the difference to the buyer. *.…

Soft cover. Zustand: Good. No Jacket. 47 pages : illustrations ; 22 x 27 cm ; ISBN 9780815006831, 0815006837 ; OCLC 1733131 ; LC N6487C64.M376 1973 ; Artists include: Alfred Leslie, Adolph Gottlieb, Sam Francis, Allan Kapnow, Alex Katz, Karel Appel, James Brooks, Albert Burri, Willem de Kooning, Richard Diebenkorn, Jim Dine, Archie Gorky, Marsden Hartley, Hans Hofmann, Paul Jenkins, Lester Johnson, Morris Louis, Joan Mitchell, Jackson Pollock, Marca Relli, William Scoitt, Julian Stanczak, Antoni Tapies, John Chamberlain, Henry Moore, Louise Nevelson, Claes Oldenburg, Gio Pomodoro, Franz Kline, Christo Javacheff, John Mann, Marino Manni, Marcia Millares, Robert Motherwell, Mark Tobey; [Exhibition organized by] the University of Maryland Dept. of Art, University of Maryland Art Gallery, June 22 through September 30, 1973, the Finch College Museum of Art, October 16 through November 25, 1973, Albright Knox Art Gallery, January 8 through February 10, 1974 ; ex-library, marks, stamps, labels ; G. Book. …

Softcover. Zustand: Very Good. Magazine. Small quarto. 116pp. Illustrated paper wrappers. One tipped-in illustration loose and laid in, creases on wraps and spine, tears at spine ends, very good. A literary magazine feature prose, poetry and artwork from Stephan, Boris Paternak, Kenneth Rexroth, W.J. Parrish-Martin, Raymond Queneau, William Jay Smith, H. Richard Chew, Mary Barnard, Weldon Kees, K.O. Hanson, Doris B. Branch, Thomas Cole, John Nerber, Mario Carreño, Paul Goodman, Harvey Curtis Webster, Philip Murray, Herbert Cahoon, Paul Valley and art from by Leon Kelly, Photographs by Alexander Hammid, Kay Sage, Theodoros Stamos, William Baziotes, René Magritte, Milton Avery, Hokusi, Morris Graves, Max Ernst, and Adolph Gottlieb. …

Zustand: Fine. 8 titles (9 books) printed in association with the William Morris Society, Grolier Club, etc. Fine. 5 hardcover and 3 paperbacks (as issued). Extra shipping required on international orders.

Cloth. Zustand: Very Good. A smart volume that celebrates the decorative art of three artists, with colour plates. This scarce volume contains three essays, The Decorative Art of Sir Edward Burne-Jones, Bart, William Morris and His Art and The Work of Walter Crane.Edward Burne-Jones was a British painter and designer associated with the Pre-Raphaelite Brotherhood. William Morris was a British textile designer and was associated with the British Arts and Crafts Movement. Walter Crane was an English artist and book illustrator and considered one of the most influential and proflific children's book creators of his generation.With ten colour plates.Collated, complete. In the publisher's original cloth binding. Externally, very smart with some marks to the boards and some light bumping to the head and tail of the spine. with a bookplate for J. P. Foster to the front free endpaper. Front hinge is starting but remains firm. Internally, generally firmly bound with bright and clean pages. Very Good. E. Burne-Jones; William Morris; Walter Crane (illustrator). book.…

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense'). 'At the Junction, Solomon Andrews has been busy building houses, but as they are sinking into the peat bog he has had to pull part of them down again; or else they fell down, which they seem to have done to judge by the chaotic confusion of the ruin.' He describes a visit to a 'nearly unspoilt bit of county where Progress is unknown' and 'even the name of Dreyfus signified nothing'. He has 'marvelled' at Capel Curig, 'wished for a month there amongst the crags, to do slaylines & bee-lines. Talk about MacLure on Richmond Hill! Your true mountain scenery is in the neighbourhood of the Glyder Fawr. Lord!' TWO: 27 December 1899. 4pp., 12mo. Thanking him for the Christmas present to his family, and praising the 'dainty talent in design' of 'Mrs Easkin', and commenting on one of her compositions. 'Are you girding your loins, buckling on your sword & preparing for the "front"? Of course, I allude to the "outburst of patriotism" & mobilising of volunteers' (in the Second Boer War). He jokes that 'married men with families are ineligible, so you must eat your heart out at Compton'. Expresses a hope that 'our forces will score soon. Lately, I have been afraid of opening the paper, lest "British Reverse", or "Check to Butler" in large type should meet my eye.' He ends by describing Dolgelly, as seen on a recent visit. THREE: 3 May 1906. 2pp., 12mo. He discusses the state of a house: 'The barn door is in a bad state, quite beyond repair. What is left of the ivy will hold up the slates for the present. R. Roberts is putting the new floor in. A built-up fire place, & chimney have come to light (no pun intended).'.…

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, 'By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.' For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin's edition of Webb's letters. The present item is 1p, landscape 8vo, and consists of eighteen lines written in a tiny hand in pencil, with a number of ink additions that raise the possibility that it may be a draft. Addressed to 'Dear Mr. Holliday' and signed 'Ph: W.' In fair condition, on worn paper with a block of sunning. Folded into three equal sections by two vertical creases. He begins by stating that on 16 August Sydney Cockerel sent him [in a letter now in the British Library] an extract of one of Holliday's letters to him, beginning 'I suppose we are getting nearer to the time when Philip Webb will be at liberty to think about my book plate'. Webb's reply is: 'Now, & at this time, I can only answer with your word 'nearer' - for there is one in hand (or rather in rough idea) which has to be done before yours, on the principle of "first come, first served".' On the wider question he writes: 'I need scarcely add, that to do anything for you - which I thought passably fit to let go, would please me much; & therefore, I write the following with that not too forlorn hope. Cannot you think of something in your life, or of belongings, or fancy, or fact, which would be a hook on which to hang my [last word underlined] "fancy"? You see - or wd. guess, that I do not like to make such a design which has not some sufficient significance in it - great or small, - as the case may be - and for motive: when I have this it tethers me to some positive instead of a negative course; though I might add to or deduct from my brief according to the demands of decorative art - or my own wilfulness?' He turns to the 'third to be served' with a bookplate, John Feeney, proprietor of the Birmingham Daily Post. In that case 'the spirit is willing but the time and aptitude are but small. There is always a load on my spirit of things undone, when undoing to get into bed 365 nights in the year, so that I long to unship my pack of sin as Bunyan's "Christian" did his. What fellows these Cockerells & Walkers are for getting me into this "slough of despond"!' A postscript refers to 'Catterson Smith & the mace' (explained in John Apin's edition of Webb's letters). See Image.…