Art and language (10 Ergebnisse)

Softcover. Zustand: Sehr gut. 1. Auflage. Paperback, printed in Chinese (short) Characters; for Students, libraries and teachers of Chinese language and culture. 304 pp., Prosa and Verse; CONTENTS in English and Chinese, e.g. Approching the goddess and the psychological construction of its production by J.Li; On the Manchu Shaman myth of heaven, Totem and the theory of indefinite sex, The different influences of Religion and Witchcraft on the spread of myths. On the ethnological study of myths during the War of Resistance against Japan, On the influence of Indian Naga tales on Chinese tales about Dragonking and his daughter, etc.; clean pages, no markings, in stock. Sofort lieferbar.…

Orig.-Pp. Zustand: Sehr gut. 108 Seiten, zahlr. Abb. Sehr gutes Exemplar, Einband minimal bestossen. - Very good copy, cover with a minimal bump. / Language: English and French. / Art & Language, the shadowy collaborative author of the works in this show, has in its own words been thought of as an esoteric and disturbing monastic brotherhood. The collective, in the manner of a true commune, does not distinguish individual contributions, sharing the name of a journal founded in 1968 to promote research into the relationship between visual image and written text. Today Art & Language officially consists of two artists Michael Baldwin and Mel Ramsden and a critic and art historian, Charles Harrison, with whom they collaborate on literary and academic projects. This remaining gang of three continue to create works and theoretical texts that merge language with art using analytical tools drawn from a broad philosophical base as well as from language theory. What they do not do is illustrate bits and pieces of Wittgenstein's philosophy a practice that characterises some forms of conceptual art. / Contents: L'art après la fin de l'art -- Barbara Rose -- Pas tout à fait la pose de Belacqua - Conversation à trois voix -- Art & Language -- Liste des ¼uvres/List of works -- Drawing for Six and Four Suprematist Squares, 1965 -- Drawing for Untitled Painting (Mirror), 1965 -- Art in America, 1966 -- Layout drawing for Hot-Cold book (1), 1967 -- Layout drawing for 'Hot-Cold book (II), 1967 -- Drawing for Map to Not Indicate, 1967 -- Map, 1967-1991 -- Elements of an Incomplete Map, 1968 -- 100% Abstract, 1968 -- Study for Index 003 (Bxal), 1973 -- Study for Projekt 74 (Index), 1974 -- Study for 'Projekt 74 (II), 1974 -- Dialectical Materialism, 1975 -- Study for Poster for Kangaroo LP, 1981, 1981 -- Study after Gustave Courbet's Origine du Monde, 1992 -- Now they May be, 1992 -- Index 17, 2002 -- Now They Are Elegant Again, 2002 -- Drawing for Index 18, 2002 -- There were Sighs Trapped by Liars (1), 2003 -- Songs for Sighs Trapped by Liars (1), 2003 -- There Were Sighs Trapped by Liars (II-V), 2003 -- One of these Strings is Exhausted XVI, 2004 -- Songs Held in Offices, 2006 -- Sighs Trapped by Liars (Sandi and Eliza), 2007 -- Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote, 2007 -- Portrait and a Dream, 2007 -- Art after the end of Art -- Barbara Rose -- Not quite the Belacqua pose - A talk in three voices -- Art & Language -- Biographie -- Colophon. ISBN 9783901935374 Sprache: Englisch Gewicht in Gramm: 228.…

Zustand: Good. 4to. 68 pp. Soft Cover. Good. Tiny tears along Spine. Smudges on Back Cover. BW Photographs. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

Zustand: Good. 4to. [68] pp. Very good in comb-bound vinyl covers.

21 x 15cm. Side-stapled paperback, unpaginated [approx. 100pp]. Contributions from Art & Language, Abigail Diamond, Chris Smith, Fred Orton, Ian Robertson, Linden Reilly, Molly Yes, Neil Ferguson, Phil Baker, Philip Pilkington, Sandy Craine, Sue Bradshaw, and Tim Oelman. One copy only located at the Courtauld Institute. Good condition.…

21 x 15cm. Paperback, 69pp. The first issue of a new series of the Art-Language journal which originally ran from 1969 to 1985. Essays by Paul Wood, Michael Baldwin, Charles Harrison, and Mel Ramsden. Good condition.

Soft cover. Zustand: Good. 28 x 23 cm, 96 pages, illustrated throughout in color and black and white.Wrappers with some wear to the edges, corners bumped, else good.

Franstalig, uitvoerig geïllustreerd in kleur en zwart-wit. Goed exemplaar, omslag met gebruikssporen.

Zustand: Very Good. LP 33' Artist Cover.