Arroyo richard (19 Ergebnisse)

Paperback. Zustand: Very Good. Johns Hopkins University January 1993 Binding: Trade Paperback.

Paperback. Zustand: New.

Paperback. Zustand: New.

Hardcover. Zustand: Brand New. 36 pages. 9.25x9.50x0.25 inches. In Stock. Richard Cowdrey (illustrator).

Hardcover. Zustand: Brand New. 36 pages. 9.25x9.50x0.25 inches. In Stock. Richard Cowdrey (illustrator).

Paperback. Zustand: Brand New. 273 pages. 8.00x5.25x0.69 inches. In Stock.

Hardcover. Zustand: Brand New. 36 pages. 9.25x9.50x0.25 inches. In Stock. Richard Cowdrey (illustrator).

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: Brand New. 128 pages. 9.25x6.50x0.31 inches. In Stock.

Zustand: New. 1999. Illustrated. paperback. . . . . .

Zustand: New. 1999. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: New.

1ª ed., 1ª imp. 299 p. Profusamente ilustrado. 29*25 cm. Tela editorial decorada. Excelente estado. IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío.

Paperback. Zustand: New.

HARDCOVER. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Quarto size (4to) in embossed black cloth, 195pp, colour plates, etc. Text in French . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy in an AS NEW complete Dust Jacket. An excellent copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover, 291 pages, 26 x 20.5 cm. ISBN 0079497x. ?The Dead are Watching Us?: A Landscape Study of Prehistoric Rock-cut Tomb Cemeteries in Ossi, Sardinia, Italy Guillaume Robin, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley Article Select Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Article Select Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Article Select El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia Article Select Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Select Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Article Select Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Article Select The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management Article Select Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Article Select Beyond Newgrange: Brú na Bóinne in the later Neolithic Beyond Newgrange: Brú na Bóinne in the later Neolithic Article Select A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland Article Select Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Article Select Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales 0 g.…

Santiago de Chile: Edición Francisco Zegers - V.I.S.U.A.L., 1980. Quarto (26.7 × 18.4 cm). Original pictorial wrappers; 113, [11] pp. With numerous, partly full-page photographic reproductions, printed on art paper and a few pages on glassine. Very good. First edition of the richly illustrated publication, important for the self-image of the "Escena de Avanzada." It was published on the occasion of a retrospective by Carlos Leppe in the Galería Sur in Santiago de Chile in November 1980. The elaborately produced monograph is the result of the joint work of Carlos Leppe, Nelly Richard, and Carlos Altamirano. The book is divided into four parts. Richard wrote the first two parts, in which she sets out her theoretical foundations, before finally examining six performances by Leppe in detail: "Happening of the Hens" (1974), "The Coat Rack" (1975), "Gertrude Stein" (1976), "Reconstitution of a Scene" (1977), "StarAction" (1979), and "Waiting Room" (1980). The third part is a printed text of the script read aloud by Leppe's mother, Aurelia Arroyo, during the projection of a video of the performance "Waiting Room"; and the fourth part is a future epitaph on the death of Aurelia Arroyo, written by her son, Carlos Leppe. At first Carlos Leppe was a student of Eugenio Dittborn, Carlos Altamirano, and Nelly Richard, but then became one of their most outstanding colleagues. After early sculptural works, he turned to performance, influenced by Dadaism, Happening, and Fluxus. While Leppe initially worked with simple materials such as wood and stones (Arte Povera), he now began to use his own heavy body as a material. He not only used his body as a printing matrix or experimented with different social, aesthetic and gender norms by means of clothing, gestures, and contexts, but also had himself completely plastered, for example. Leppe is considered one of the most influential artists of Latin American action art. (Cf. Michael Nungesser, AKL XXVIII, 2001, p. 18.).…