Arnold edwin l (80 Ergebnisse)

paperback. Zustand: Good. Ace Books Mass market paperback. Creasing and scuffing to wraps but overall crisp and clean. Light tearrubbing to upperlower spine. Old price in pencil on front fly leaf. Tanned pages.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Paperback. ORIGINAL 1964 PRINTING. Cover Illustration by Frank Frazetta. Pages are clean and unmarked. Slightly tanned. Covers show very minor shelving wear, rubbing to corners and edges. AN EXCELLENT READING OR REFERENCE COPY! COVER MAY NOT MATCH THE PICTURE ON THIS SITE.; 100% Satisfaction Guaranteed! Ships same or next business day.…

Paperback. Zustand: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.

Zustand: New.

Paperback. Zustand: Very Good. FIRST THUS. First Edition Thus, First Printing. Published by ACE BOOKS, INC., 1950. 12mo. Paperback. Book is very good.

Hardcover. Zustand: Fair - Cash. Heavy wear to cover, corners and edges, exposes the boards.Top and bottom of spine shows some heavier wear, fraying and small pieces left. Rubbing to the edges of spine. Has soiling to cover and pages, with creases. Front hinge is completely loose, you can see the webbing and inside of spine. Back cover inner hinge is exposed, showing the webbing underneath. Previous owner's initials inside. Pages have tanning on the edges, majority of pages have foxing. Unmarked pages. Stock photos may not look exactly like the book.…

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: New.

Soft cover. Zustand: Good. Softcovers journal; light foxing of edges; otherwise contents are in very good condition. Journal.

Soft cover. Zustand: Very Good. Softcover; this is NOT ex-library; in very good condition. Journal.

Zustand: New.

Zustand: good. good Ace Books 1964 edition paperback book In stock shipped from our UK warehouse.

Paperback. Zustand: Brand New. 246 pages. 8.00x5.00x0.62 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Zustand: New. In English.

Paperback. Zustand: Brand New. 304 pages. 7.00x4.25x0.64 inches. In Stock.

Zustand: New. Wood, Stanley L (illustrator).

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

[unpaginated]; 25.5 x 20.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. Hannau, Stanford Gifford, William Cameron Menzies, Ricahrd Bergh, Winslow Homer, Joseph M. Newman, Stanley Kubrick, Hugh Ferriss, Arnold Genthe, Mark Innerst, Eugene Medard, Eugene Chaperon, Joseph Wright of Derby, David Deutsch, Thomas Eakins, Charles West Cope, Charles Lewis Fusell, C.E. Swaye, Thomas Anshutz, George Pal, Virgil Mirano, Howard Hawkes, Jack Conway, Charles H. Stephens, Johann Zoffany, John Ferguson Weir, Walter Dorwin Teague, Thomas Cole, Jan Christiaensz, Virgil Mirano, Jack Goldstein, Komar & Melamid, William L. Sonntag, Hubert Robert, Bonfils, Elihu Vedder, Edwin Dickinson, William Bradford, Jospeh Mallord, William Turner, Frederic Edwin Church, Michael Zwack, Arnold Böcklin, Alain Resnais, Karl Friedrich Schinkel, George Caleb Bingham, Thomas Wilmer Dewing, Joseph Hirsch, Fernand Khnopff, James Rosenquist, Giuseppe Pellizza Da Volpedo, Chuck Rogers, Angelo Morbelli, Gustave Caillebotte, Michele Zalopany, Edward Hopper, John Singer Sargent, and Rembrandt van Rijn. Includes an image index. Fair. Water damage to top right corner of second half of the catalogue with light staining and rippling; final four pages are stuck together and previous page was also stuck but has been separated resulting in surface tearing of page. Rubbing of cover edges. 7 mm. tear and bumping to spine and 2 mm. tear to bottom edge of spine. Sold "as-is." Due to the size of this item, additional shipping charges will be required for international orders.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. In this collection of interviews, Robert Aldrich (1918-1983) tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Lee Marvin, Jack Palance, Robert Mitchum, Bette Davis, Joan Crawford, James Stewart, Charles Bronson, Eddie Albert, and Burt Reynolds. As he speaks of them, of his on-going battles with censors, and of his audacious but failed attempt to create his own studio, he talks bluntly, sometimes ferociously, about struggling to make movies that accented his uncompromising view of life. Among Aldrich's interviewers are Richard Combs, Peter Bogdanovich, Alain Silver, Pierre Sauvage, and David Sterritt. In dialogue with these critics and film scholars he recounts a life in filmmaking that encompassed both old Hollywood's studio system and the spirited independence that took American cinema in a new direction in the 1960s and '70s. Although he was a member and a kinsman of wealthy, powerful families (the Aldriches of Rhode Island and the Rockefellers of New York), he gained a reputation as an anti-authoritarian maverick whose films condemned corruptive power. While succeeding as popular entertainment, they also were personal attacks on hypocrisy and intolerance. Aldrich redefined genres and undercut the conventions they portrayed. Kiss Me Deadly transformed the detective film into a satire on Cold War America. Vera Cruz disclosed the corruption at the heart of the traditional western. The Dirty Dozen and Twilight's Last Gleaming rendered the ambiguous underside of combat and the military. Whatever Happened to Baby Jane? and Hush . . . Hush, Sweet Charlotte shaped horror films into psychological studies of female loneliness and alienation. Eugene L. Miller is the author, with Edwin T. Arnold, of The Films and Career of Robert Aldrich. Edwin T. Arnold, a professor of English at Appalachian State University, is co-editor of Perspectives on Cormac McCarthy and A Cormac McCarthy Companion: The Border Trilogy (both published by the University Press of Mississippi).…