Arms john taylor (116 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good.

hardcover. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket.

hardcover. Zustand: Good. minro wear creasing staining pages yellowed.

27 pages. Paper covered boards; Paper is almost completly tron off spine, otherwise sound and clean copy.

paperback. Zustand: Good. Harbor Gallery Staplebound. Tight and clean.

Hardcover. Zustand: Very Good. First Edition. First Edition, 2nd Printing (1955). Not price-clipped. Published by The Macmillian Company, 1937. Octavo. Hardcover. Book is very good with previous owner's label on front flyleaf. Dust jacket is very good with stains on dust jacket.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Tenth edition. Very good in an about Very good dust jacket. Corners slightly rubbed. Shelf rubbing to dust jacket Edges of dust jacket have minor tears.

Zustand: Good. Good condition. No Dust Jacket (plants, flowers, flower arranging) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Very Good.

Hardcover. Zustand: Very Good. P. & D. Colnaghi & Co December 1929 Binding: Hardcover.

Softcover. Zustand: Near Fine. Single issue. Stapled wrappers. [16]pp. Wrappers lightly age-toned, near fine. Contributions by William Shakespeare, Paul N. Siegel, Walter L. Meyers, George Herbert, Sheldon P. Zitner, Edwin B. Benjamin, John Donne, Walter Gierasch, Thomas Gray, Rene Rapin, L.C., Samuel Taylor Coleridge, Louise Schutz Boas, Francis Thompson, Arthur Dickson, George G. Williams, and Dan G. Hoffman. …

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. First Edition. Spine sunned. Light wear to boards. Previous owner's inscription to front pastedown; With 51 reproductions of etchings and drawings by John Taylor Arms. A beautiful early style coffetable book.; B&W Illustrations; 4to 11" - 13" tall; 179 pages. Illustrated by Arms, John Taylor (illustrator). …

hardcover. Zustand: very good(-). Illustrated throughout in black and white. xv, 179 pages. 4to, blue buckram. New York: Macmillan, 1929. Fairly heavy sunning and wear around edges, text block evenly toned, internally clean. A very good(-) solid copy. John Taylor Arms (illustrator).

Taschenbuch. Zustand: Neu. Neuware - 'Churches of France' offers a profound exploration of the architectural splendor and historical significance of the sacred monuments that define the French landscape. This work delves into the intricate beauty of the nation's ecclesiastical heritage, ranging from the majestic Gothic cathedrals of the north to the Romanesque treasures of the southern provinces. Through detailed descriptions and sensitive observation, the text captures the essence of these stone structures, highlighting the delicate balance between structural engineering and artistic expression.The work examines the evolution of religious architecture across centuries, providing context for the cultural and spiritual movements that shaped the construction of these iconic landmarks. Particular attention is paid to the interplay of light and shadow, the complex geometry of vaulted ceilings, and the symbolic power of sacred spaces. By focusing on the structural details and the atmosphere of these buildings, 'Churches of France' serves as a timeless tribute to the craftsmanship and devotion of the builders. This volume is an invaluable resource for enthusiasts of architecture, art history, and French culture, inviting readers to appreciate the enduring legacy and aesthetic brilliance of France's most revered religious sites.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - 'Churches of France' offers a profound exploration of the architectural splendor and historical significance of the sacred monuments that define the French landscape. This work delves into the intricate beauty of the nation's ecclesiastical heritage, ranging from the majestic Gothic cathedrals of the north to the Romanesque treasures of the southern provinces. Through detailed descriptions and sensitive observation, the text captures the essence of these stone structures, highlighting the delicate balance between structural engineering and artistic expression.…

Hardcover. Zustand: Very Good. No Jacket. Condition: Very Good; Hardcover, no dustjacket as issued. One of 1000 copies issued. Green cloth. 319 pages. A Catalogue Raisonne. The book is in Very Good condition with clean covers and pages, sharp corners and a tight, square binding. Light wear only. Photos upon request. …

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. HILL TOWNS AND CITIES OF NORTHERN ITALY 1932 56 PLATES BY ARMS & ARMS. Staying with the illustrated travel books about Italy, I am pleased to offer yet another (and there will be many more) , titled: Hill Towns and Cities of Northern Italy with Text by Dorothy Noyes Arms with fifty-six reproductions of etching, aquatints, and drawings by John Taylor Arms. This large hard cover book (9 x 11 ¾ inches, 217 pages with the plates and their captioned tissue-guards not included in the count) was published by The Macmillan Company of New York dated 1932 and the First Printing of the First Edition. The book is bound in light burgundy boards with gilt titles on cover and spine. Condition: This book is in very good condition. The hard covers are clean and bright, and their gilt titles too. Inside the book is unmarked except for a neat book plate of a former owner on the front endpaper. The interior pages, plates and tissue-guards are clean and bright throughout. Both hinges are intact, and the binding is tight and sound. This book is not ex-library or a remainder.…

Zustand: Good. 8vo. c. 30pp. Very good. Black and white plates, color cover.

Hardcover. Zustand: Fine. No Jacket. A Sportsman's introduction by Gifford Pinchot, and an Etcher's introduction by John Taylor Arms. Unpagenated, 60 plates (8 color), quarto (4to), hardcover, gilt stamped cloth, limited to 1500 numbered copies of which this is 871. Generally a clean solid book, small stain on the front cover lower right. Inventory #36091-1. …

University of Wisconsin - Madison., 1975. Essay by Ben L. Bassham. Exhibition catalog with list of lenders. Descriptive catalog of the complete etchings of John Taylor Arms. 8mo. 74 pp. Paperbound.

Hardcover. First edition. 179 pages. 29.5 x 22.5 cm. With fifty-one reproductions of etchings and drawings by John Taylor Arms. Reproductions are brilliant and with lettered tissue guards. Wide text margins, interior contents clean, fresh and bright. Orig. aquamarine boards front cover and spine lettered in gilt. Fine in original printed dust wrapper. Spine of latter spotted. Arms, John Taylor (illustrator).…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. First Edition. 6 lbs Color Illustrations; 217 pages; 56 full page etchings, aquatints and drawings. 9 X 12". Publisher's salmon cloth. Spine somewhat darkened, contents clean and unmarked. DJ chipped with 2" loss ar upper left corner. Clipped DJ. Illustrated by John Taylor Arms (illustrator). …

Zustand: Excellent. Etching with drypoint on fine F.J. Head Japon laid paper, 6 7/8 x 4 15/16 inches (175 x 126 mm), full margins. Edition 96. In excellent condition with paper tape remnants at the top right and left corners, verso. [Fletcher 204; Demonstration series #18]. Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.…

Zustand: Excellent. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II" in pencil in the lower margin. In excellent condition. One of nine trial proof impressions of the second state (of 2), printed by Charles S. White, aside from the regular edition of 365 signed impressions, and 250 unsigned impressions. [Fletcher 369]. Comission of Alfred Fowler, The Miniature Print Society of Kansas City, MO., Ed.; 200. No. 30 from the Minature Series; No. 9 European Series.…

Zustand: Excellent. Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churches series; number 37 from the Miniature series. In superb condition with all of the fine lines printing clearly. With the John Taylor Arms collectors stamp in the lower-center margin. [Fletcher 409]. Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.…

The total edition was 356 examples of which 53 were destroyed. 8 1/2 x 9 3/4", 15 x 20 inches matted. A very detailed etching typical of the meticulous style of Arms, renowned for his prolific printmaking, specifically of Gothic architecture. Julian P. Boyd was a librarian (1940-52), and later history professor at Princeton University. His preservation work regarding the site of the Battle of Hastings led to his appointment of honorary Commander of the Order of the British Empire. His scholarship of The Papers of Thomas Jefferson, edited from 1944 until his death, have been deemed most influential, and have set a new standard for reliability and accuracy in historical editing. Signed in pencil in lower right corner "John Taylor Arms 1947". Inscribed in pencil in lower left corner "To J. From John Taylor Arms, 1948", very slight foxing to matte else fine condition 8 1/2 x 9 3/4", 15 x 20 inches matted The total edition was 356 examples of which 53 were destroyed.…

Zustand: Superb. Etching on antique cream laid paper, 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed by the artist and with a "#" in pencil the area of the left margin. A proof impression aside from the edition of 260 printed by David Strang for the Miniature Print Society, Kansas City, Mo. With the John Taylor Arms collection ink stamp in black on the lower-center margin on the recto. Mounting tape tabs at the top right and left corners (well outside of image area), as well as some marginal toning. There is a 19th century inscription in brown ink on the verso which predates the impression. Miniature series, no. 34. [Fletcher 398]. Paper: Arms was typical of the artists of this period - he was obsessed with paper, a mania for collecting paper that could/would improve an edition. The quantity he left after his death, distributed by his wife to fellow artists, witnesses his love for finely made paper -paper interesting because of texture, color, distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung, The Reformed Church, Middletown, Dauphin County, Pennsylvania, 1708, bought in a bookshop in Philadelphia. His early prints, 1915-1919, evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy, still bearing the estampe of the office or department; others carry penned ink page numbers, taken from old ledgers of the Eighteenth Century-all beautiful shades of grey, blue and green, handmade, ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum, giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England, France, Italy and the United States. -William Dolan Fletcher, A Man For All Times, p. 15. …

Zustand: Fine. In envelope. Second State. Second State. Signed lower right "John Taylor Arms, 1949 ". 19 x 14-1/2 inches. Signed lower right "John Taylor Arms, 1949 ". 19 x 14-1/2 inches. Signed.