Anzai shigeo (13 Ergebnisse)

First Edition. First edition. Softcover. Exhibition catalog for a show that ran November 27 through December 22, 1989. Text in English and Japan with contributions by Isamu Noguchi, Yoshiaki Tono, and Tadayasu Sakai. Includes numerous black and white photographs by Shigeo Anzai of Rodin's sculpture. A clean very near fine copy in wrappers and with laid in complimentary slip. …

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Green cloth with gold lettering, in full-color dustjacket ; 192 pp. ; "This.book explor[es] the close links between the artists, their works and their gardens and local landscapes." ; features the gardens of Renoir, Henry Moore, Jennifer Bartlett , Frida Kahlo, Gustave Caillebotte, William Morris, Isamu Noguchi, Patrick Heron, Childe Hassam, Rubens, Paul Cezanne, Joaquin Sorolla, John James Audubon, Kim Ondaatje, Monet, Carl Milles, Barbara Hepworth, Frederick Carl Frieseke, Gertrude Jekyll, and Emil Nolde ; FINE/FINE. Book.…

kartoniert m. SU, 4°, unpaginiert, SU berieben, Ecken u. Kanten bestoßen, sonst in Ordnung. Englisch u. Japanisch.

Zustand: gut. 1985. Kyoko - Bildband von Skulpturen. In deutscher Sprache. pages.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.…

Softcover. Zustand: gut. 2011. L'atelier de Ufan Lee In deutscher Sprache. pages.

Card covers, spiral spine. Zustand: Very good. First Edition. 17 x 24cm very good black card-covered exhibition catalogue with spiral binding, a couple of minor nicks at left side of front board. Beautifully presented black and white images featuring artists Laurie Anderson, Daniel Buren, Hans Haacke, Lee Ufan and others.…

Zustand: Very Good. 119 pp., Hardcover, small sticker to front cover, else fine in a very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

[2] pp.; 43 x 27.8 cm; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Poster / mailer for the Kitchen / poster for "New Music, New York : A Festival of Composers and Their Music," held at The Kitchen Center, June 8-16, 1979. The event included nine concerts featuring works by 54 composers including: Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, John Adams, Barbara Benary, Don Cherry, Charles Dodge, Tony Conrad, Charlemagne Palestine, Jon Hassell, Laurie Anderson, Rhys Chatham, Peter Gordon, Ned Sublette and many others. The verso of the poster has information about a show on view in the gallery: "Recording: Photographs by Shigeo Anzai as well as the "Institute of Contemporary Experimental Music, Music Critics Association," held at New York University, Experimental Intermedia Foundation, and Collective for Living Cinema, June 8 -17, 1979, in conjunction with the festival. Good. Folded in four as issued. Mailed copy with mailing marks and wear including removed staples and light edge-wear. Moderate yellowing of paper along center fold with a 6 mm. tear 3 mm. yellow stain on recto and verso with an additional 3 mm., 2 mm. and 3 mm. stain on verso.…

2. Tokyo, Galerie Tokoro, 1989, in-4°, 29 x 23,5 cm, ca. 65 nn pp, original soft wrapper. Texts in Japanese and English.

Archive of eighteen self-published postcards of performances by Stelarc, 1976-1984, eight SIGNED (seven also dated) by the artist on the versos, a flyer, printed on the recto and verso for a 1981 performance of "The Third Hand Event" at Galeria Sloane Racotta, a flyer for "Suspensiones 1976-1981," a 1981 photography exhibit documenting Stelarc performances at Centro Teotihuacan S.A., and a program for "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Technologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC), a 1981 multi-media lecture by Stelarc and photographer Mario Mutschlechner. Stelarc is a Cyprus-born, Australian based performance artist whose work explores body suspensions, robotics, medical instruments, prosthetics, and the internet, to test and extend the limits of the human body which Stelarc defines as "obsolete." The archive includes: Eighteen self-published postcards of performances by Stelarc: "Event for Stretched Skin" at the Maki Gallery, Tokyo on May 16, 1976. Unmailed. "Event for Penetration/Extrapolation" at Museu Universitario, Mexico City on August 14, 1976. Unmailed. "Event for Stretched Skin No. 4" at Art Academy, Munich on August 8, 1977. Unmailed. "Event for Lateral Suspension" at Tamura Gallery, Tokyo on March 12, 1978, SIGNED and dated "24/4/1978" on the bottom of the verso by the artist, addressed to librarian, archivist, lecturer, and author Judith Hoffberg and curator Joan Hugo. "Event for a Propped Body" at Tokiwa Gallery, Tokyo on May 14, 1978, SIGNED and dated "23/8/1978" on the bottom of the verso by the artist, addressed to Hoffberg and Hugo. "Event for Inclined Suspension" at Tamura Gallery, Tokyo on January 1, 1979. Unmailed. "Event for Support Structure" at Tamura Gallery, Tokyo on July 9-15, 1979. Unmailed. "Event for Amplified Tension" at Tenjo Sajiki, Tokyo on August 6, 1979. Unmailed. "Pull Out/Pull Up: Event for Self Suspension" at Tokiwa Gallery, Tokyo on March 2, 1980. Unmailed. "Sitting/Swaying: Event for Rock Suspension" at Tamura Gallery, Tokyo on May 11, 1980. Unmailed. "Event for Obsolete Body" at La Mama, Melbourne on August 13, 1980. Unmailed. "Up/Down: Event for Shaft Suspension" at Hardware Str. Studio, Melbourne on August 17, 1980. Unmailed. "The Third Hand / The Third Hand" at Tamura Gallery, Tokyo on May 8, 1981, SIGNED and dated "18/6/1981" on the bottom of the verso by the artist. Unmailed. "Handswriting (Evolution)" at Maki Gallery, Tokyo on May 22, 1982, SIGNED and dated "6/12/82" on the bottom of the verso by the artist, addressed to curator Bob Smith, curator at LAICA (Los Angeles Institute of Contemporary Art). "Moving/Modifying: Suspension for Obsolete Body" at Espace DBD, Los Angeles on July 17, 1983, SIGNED and dated "5/1/1983" on the bottom of the verso by the artist, addressed to Smith. "Prepared Tree Suspension: Event for Obsolete Body No. 6" at Black Mountain, Canberra on October 10, 1982, SIGNED and dated "9/5/1983" on the bottom of the verso by the artist, addressed to Smith. "Event for Amplified Hands No. 2" at City Art Institute, Sydney on October 15, 1982, SIGNED on the bottom of the recto by the artist, addressed to LAICA. And "Street Suspension" at Mo David Gallery on July 21, 1984, SIGNED and dated "'84" on the bottom of the verso by the artist. Unmailed. A long rectangular flyer, printed with matte black and white photographs on the recto, and illustrated on the verso, for "Evento Para La Tercera Mano (The Third Hand)" at Galeria Sloane Racotta on August 25, 1981. A flyer for "Suspensiones 1976-1981," a photography exhibit documenting Stelarc performances, at Centro Teotihuacan S.A., on August 18-25, 1981. And a four page program for the multi-media lecture by Stelarc and photographer Mario Mutschlechner, "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Tecnologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC) on August 20, 1981. Postcards, 6 x 4 inches. Near Fine overall with faint soiling, six with address labels and stamped with postmarks, one with a brief pencil annotation on the verso, and one with a small chip to the top left corner. "Evento Para La Tercera Mano (The Third Hand)" Flyer, 9.25 x 5.25 inches. Near Fine. "Suspensiones 1976-1981" Flyer, 8.5 x 12.25 inches. Very Good plus, with light edgewear and a tiny bruise to the top right corner. "Modified Man" Program, 8.5 x 11 inches, saddle-stapled. Light toning, else Near Fine. Signed.…