Antonio visentini (43 Ergebnisse)

Zustand: Good. Oblong 4to., printed wraps. [92] pp. 1st ed. Eng. Ill. 50 black & white plates. Stamped ex-lib. P. Iannetti, int. fr. cover & title p. Shelf-wear; else VG.

Red Cloth. Zustand: Very Good. First Thus. [viii.], 141 pages, b/w illustrations, Italian text. A Facsimile of the 1771 Venice edition. Minor wear to covers, previous owner's discreet stamp to front endpaper & title page, otherwise contents fine, unmarked. [832] Size: 325mm. x 225mm.

Hardcover. Zustand: Good. No Jacket. 140pp. b&w line drawings. There is a bookplate.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Brochure. 4to. Folded Glossy Card, Very Good+. Illustrated. Price list in Lire. Text in Italian. This is the Prospectus for a book, not the book itself.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0486226271.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Facsimile of 1771 edition. Small folio. vii + 141pp. B/w. frontispiece and illustrations, Italian text. Very good in original gilt lettered red cloth Please note that additional postage charges may be necessary. US$15.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Zustand: bon. RO20264433: NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 91 pages - nombreuses planches en noir/blanc - en anglais - texte sur deux colonnes. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. No Jacket. 141pp. b&w illustrations. Facsimile of the 1771 edition. Gold stamped red cloth, some foxing.

Vecchie tracce di possesso a prima bianca, frontespizio e tassello cartaceo al dorso 482 + (1) p. in-8.

Zustand: Good. Fo. [ca. 80 pp.], Soft Cover, Very Good, Some Wear at Corners, Creasing, Scuffing, Toning. B&W Plates. Some Plates have adhesive red-dots attached at corner margin. Ex-Library Oversize Volume may Cost Extra for Shipping.Provenance: Pasquale Iannetti.

Couverture souple. Zustand: Bon état. In-12 à l'italienne broché sous emboitage éditeur bleu. Non paginé, XII planches en noir hirs-texte in-fine. Exemplaire en italien. in-12°.

Zustand: Very Good. Italian. Contained in original slipcaseFrom the Library of Tim Llewellyn, OBE.

Book Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Gregg, 1970. 1st Edition . Very Good/No Jacket. pp141. Foolscap. Red cloth binding with gilt lettering. Facsimile of Venice 1771 edition. Ripple in bottom of leaves as if kept in a damp environment previously (only just noticable).

Cm. 32, pp. 21 (3). Vignetta al frontespizio. Bross. orig. decorata. Ottima conservazione.

Taschenbuch. Zustand: Neu. Neuware - L'Augusta ducale basilica dell'evangelista San Marco nell'inclita dominante di Venezia colle notizie delves into the history and architectural splendor of St. Mark's Basilica in Venice. This detailed account, originally published in 1761, explores the basilica's construction, its stunning mosaics, the precious relics it houses, and its overall artistic significance. Authored by Antonio Zatta and Antonio Visentini, this historical work provides a rich tapestry of information about one of Venice's most iconic landmarks. A valuable resource for anyone interested in the art, architecture, and religious history of Venice, this book offers a glimpse into the enduring legacy of St. Mark's Basilica.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - L'Augusta ducale basilica dell'evangelista San Marco nell'inclita dominante di Venezia colle notizie delves into the history and architectural splendor of St. Mark's Basilica in Venice. This detailed account, originally published in 1761, explores the basilica's construction, its stunning mosaics, the precious relics it houses, and its overall artistic significance. Authored by Antonio Zatta and Antonio Visentini, this historical work provides a rich tapestry of information about one of Venice's most iconic landmarks. A valuable resource for anyone interested in the art, architecture, and religious history of Venice, this book offers a glimpse into the enduring legacy of St. Mark's Basilica.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware.

Large oblong folio 14 1/2 x 20 1/2 inches, calf backed boards a bit worn, upper board detached. Title, (viii), general index- text in French, plate with a portrait of Canaletto and Visentini and 38 FINE ENGRAVED VIEWS OF VENICE, complete. Title with a light crease and only very minor and occasional marginal spotting, mainly to the text - basically internally a good copy on thick wove paper. Battaggia (active Venice 1817-1845) acquired the original plates and changed the title page and the titles from Latin to Italian and French. He apparently reworked the plates so they were clearer and stronger than the original eighteenth century edition, which had become somewhat worn. He changed the order of the plates and added the letterpress. There is a detailed description available online in Italian by Salamon Fine Art. A very rare issue of Canaletto/Visentini fabulous views of Venice- with none found at auction (rarebookhub) and none found in institutional libraries via COPAC.…

Legatura coeva in mz. pelle con titolo oro su tassello al ds. (tracce d usura, soprattutto marginali). Etichetta cartacea al centro del piatto anteriore con titolo ms. Venedig von Canale . Qualche lieve alone e minime fioriture ma, nel complesso, esemplare di assoluta freschezza e nitidamente impresso. Edizione definitiva e completa del Prospectus . La sola prima Parte fu pubblicata nel 1735 per cura e a spese del console inglese Smith. Le vedute furono poi modificate e rielaborate, anche dallo stesso Canaletto, per essere pubblicate dall editore veneziano Pasquali insieme alla seconda e terza Parte qui in prima edizione. Opera di straordinaria bellezza e grandissimo successo, più volte ristampata fino alla seconda metà del XIX Secolo. Per un accurata descrizione delle singole vedute e dei relativi rami, cfr. il catalogo della Mostra (a cura di Giulio Lari) tenutasi al Museo Correr di Venezia nel 1990. Album in Folio oblungo (cm. 52x34,4), 2 cc.nn. entrambe incise su rame (frontespizio allegorico e carta con i ritratti di Canaletto e Visentini), frontespizio, Indice delle tavole, 14 tavole numerate; 1 c.nn. (frontespizio della seconda Parte), 12 tavole numerate; 1 c.nn. (frontespizio della terza Parte), 12 tavole numerate. I tre frontespizi stampati in rosso e nero con grande vignetta calcografica.…

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Good. Original etching. Light crease in the middle. Good condition. Paper size 15 x 21 inches.

2 volumi in uno, 32 cm, rilegatura in tela, titolo in oro al piatto e dorso, p. xii, 81; vii, 141, numerose tavole f.t Come nuovo.

Zustand: Very Good. Rare 18th-century view of Venice depicting the Grand Canal from the Palazzo Michiel dalle Colonne to the Palazzo Civran. Plate 7. It is beautifully framed. This is from the work Urbis Venetiarum Prospectus Celebriores (Famous Views of Venice). , Image Size : 252x414 (mm), 9.92x16.30 (Inches), Platemark Size : , Paper Size : , Hand Colored, Copper Engraving. …

3 parts in 1 volume. First complete edition of a series of engraved views of Venice by Visentini after Canaletto's paintings, which were in the collection of the book collector, patron of the arts and British Consul of Venice Joseph Smith (ca. 1673/4-1770). Canaletto, also known as Giovanni Antonio Canal (1697-1768) was an Italian painter renowned for his paintings depicting Venice and its canals. Visentini's plates are not only the best known among the many engravings made after Canaletto's famous views of Venice, but also the best and most influential: "crucial to forming the image of Venice in the mind of its visitors" (Millard). The British Consul Smith commissioned the painter, engraver and architect Antonio Visentini (1688-1782), connected to the Academia and to the artistic and publishing circle around Smith, to engrave the plates after Canaletto's paintings.The series of 38 plates is divided into three suites of respectively XIV, XII and XII numbered prints, each suite with its own letterpress title-page. The first set of plates is entirely focussed on the Grand Canal, as is promised by the original title-page, the Prospectus Magni Canali. The prints of the second suite particularly show the banks of the Grand Canal. The third suite shows views of campi and the Piazza San Marco. Besides Saint Mark's Basilica itself and the Piazza we see for example the campo of Santi Giovanni e Paolo, the Piazza San Polo and San Niccolo on the Lido. All prints are captioned in Italian.The present 1742 edition is the first to include all 38 prints of the complete three suites, but Visentini had completed and published the first suite of views already in 1735. The present complete series proved very succesfull, with further editions in 1751, 1754 and 1773. Even in the 19th century it ran through new editions: an 1833 edition with French and Italian captions was reprinted in 1838. The present first edition of the complete series is quite rare: we have traced only 6 copies worldwide in WorldCat and it rarely appears on the market.Binding a little rubbed: spine a little damaged, paper sides frayed around the edges and chipped in the right lower corner of the front board, boards a little stained. Book block slightly loose in the binding. Some marginal tears professionally repaired. Prints only slightly browned along the edges of the margins, but otherwise in very good condition. The rare complete first edition of one of the most influential print series in shaping the image of Venice.l Kat. Ornamentstichsammlung Berlin 2695; Millard, Italian 153; WorldCat (6 copies in 5 entries); for Canaletto: Thieme & Becker V, pp. 455-486; for Visentini: Thieme & Becker XXIX, p. 419. Contemporary half morocco, brown paper sides, manuscript title(?) and two old shelfmarks on the spine. With 3 letterpress title pages printed in red and black with engraved vignettes by Visentini, the original engraved title page for the first series (Prospectus Magni Canali), a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV, XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto, engraved by Visentini, showing the Grand Canal, public buildings, renowned places in Venice and regatta scenes. Pages: [8]; [1]; [1] ll. plus the part-title, double portrait and XIV, XII, XII prints.…

Acquaforte originale (cm. 43x27 più ampi margini bianchi) tratta dalla celebre opera 'Urbis Venetiarum Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII'. Esemplare in eccellente stato di conservazione nel primo stato (di quattro). Cfr. 'I rami di Visentini per le vedute di Venezia del Canaletto', Catalogo della mostra. Museo Correr, Venezia 1990.…

Acquaforte originale (cm. 42,5x27 più ampi margini bianchi) tratta dalla celebre opera 'Urbis Venetiarum Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII'. Esemplare in eccellente stato di conservazione nel primo stato (di quattro). Cfr. 'I rami di Visentini per le vedute di Venezia del Canaletto', Catalogo della mostra. Museo Correr, Venezia 1990.…