antonio telesio (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: Buono (Good). SAMMELBAND OF THREE HUMANISTIC WORKS4to. 323, [i.e. 319], [9] pp. Pp. 301-304 omitted in pagination. Collation: a-r4 s6 t-z4 A-E4 F6 G-M4 N6 O4 P6 Q4. Froben's devices on the title page and at the end. Colophon on l. Q4v. Woodcut decorative initials. Roman, italic, and greek type. With 33 in-text woodcut illustrations: 23 (4 of which are repeated) of ships, 3 of clothing (a female figure, a senator in a toga and a soldier), and 7 of vases.Second collected edition bearing the same dedication addressed by Lazare de Baïf to the King of France Francis I (Paris, 25 August 1536) and Charles Estienne's short preface as the first edition (Paris, Robert Estienne, 1536). Both editions include the De re navali, the De re vestiaria and the De vasculis by Baïf, as well as Antonio Telesio's treatise on colours, first published in Venice in 1528.Baïf scholarly reputation rests on these three Latin works: De re vestiaria (first edition: Basel, J. Bebel, 1526), dedicated to Jean de Lorraine, which contains his annotations to the law Vestis, ff. de auro et argento legato (Digest xxXIV il 23-5) and at the time of its publication earned him the second rank after Budé among the French scholars; De vasculis (first edition: Basel, H. Froben, 1531), dedicated to the chancellor Antoine du Bourg; and finally De re navali first appeared in Robert Estienne Paris edition of 1536. This latter edition, as well as the present Froben edition, is accompanied by illustrations derived from sketches of the pillar of Trajan and other monuments which had been obtained for Baïf by the French ambassador to Rome, François de Dinteville. After Froben reprint, another edition, expanded and revised by the author, was published posthumously by Robert Estienne (Paris, September 1549). Charles Estienne rearranged Baïf's work for the use of young students (various editions, 1535-37).Lazare de Baïf (Bayfius, Bayfus) was born around 1496 of a noble family of Anjou at the Château des Pins near La Fleche. After studying law, he went to Rome with Christophe de Longueil (c. 1516) and studied with Janus Lascaris and Marcus Musurus, no doubt at the recently established college on the Quirinal. After several years Baïf returned to France and taught law and letters at the University of Angers. In these years he laid the groundwork for his learned publications, investigating the practical side of ancient life on the basis of the Corpus juris, according to the method developed by Budé. In 1525 Baïf entered the service of Cardinal Jean de Lorraine. After taking part in the peasants war in Alsace, he followed the cardinal to Lyon. They were on their way to Spain, but the freeing of King Francis I made that further trip unnecessary. In 1527 he was named apostolic protonotary, a position which enabled him to receive two abbeys in commendam. In 1529 Francis I appointed him resident ambassador to Venice, and he left for his new post on 25 June. In Venice Baïf showed great zeal in producing scrupulous diplomatic dispatches. Baïf received Girolamo Aleandro, Giambattista Egnazio, and Lazzaro Bonamico, and appealed to Francis I in favour of Michelangelo. He also corresponded with Pietro Bembo, Jacopo Sadoleto, Germain de Brie, and Erasmus, and continued his philological and archeological research. He even began studying Hebrew, presumably with Elias Levita. From May 1530 Baïf employed as his secretary Pierre Bunel of Toulouse. In February 1532 his illegitimate son, Jean-Antoine, was born, a future poet of the Pléiade to whose education Baïf always paid careful attention, entrusting him to excellent tutors such as Charles Estienne and Jacques Toussain. At the beginning of 1534 Baïf was recalled from Venice at his own request. Returning to Paris, he set up house in the suburb of Saint-Marceau, keeping his son with him. On 17 November 1530 he had been appointed clerical councillor in the Parlement. In 1538 he was named master of requests in the royal household. In 1540 he was sent to the confere. Book.

First Edition. First Edition of the color theorist, classical scholar and playwright's first book of verse. In late 1523, Telesio (1482-1534) was called from Milan to Rome, where he immediately praised the newly elected Pope Clement VII in print, joined the humanist circles of Giovio and the future Pope Paul IV and secured the patronage of Gian Matteo Giberti, this book's dedicatee. The present collection includes two pieces that herald themes in Telesio's 1527 stage play. Other poems describe a bronze lamp given by a nobleman named Lampius (nomen omen), the 1521 explosion of a gunpowder depot in the Castello Sforzesco and the Archinto Gardens in Milan. Telesio cyclically imposed six different meters to create shaped poetry. The final leaf reveals printing practice. The recto's bearer type is the final six lines of page [56], and the blank verso's bearer type is the whole of page [60]. The bindery was closely connected to Calvo's shop, as the front pastedown and its conjugate stub are printer's waste from the edition. Apparently a presentation copy, this belonged to poet Francesco Antonio d'Amico (signed twice), who was, like Telesio, a native of Cosenza and a member of its Accademia Parrasiana (later Telesiana); signature of Neapolitan astronomer Agostino Ariani (1672-1748); two illegible signatures (one early, one late); pencil note dated November 1947 of Georges Petit de Grandvoir (1878-1956). I have not identified another example on vellum. In good condition. Conforti, "Antonio Telesio umanista e poeta" online; Osborne, Telesio and Morato on the Meaning of Colours (Renaissance Colour Symbolism II) (2018) 1-7; Ottaviani, "Da Antonio Telesio a Marco Aurelio Severino: fra storia naturale e antiquaria" in Bruniana & Campanelliana XVI (2010) 139-48; EDIT16 CNCE 53286; see de Marinis, La Legatura artistica in Italia 545 & Tav. XCIII. CONTEMPORARY BLIND- AND GILT-DECORATED ROMAN BINDING of brown morocco over paper boards, panels with straight and curved frames, branches, flames, daisies and a ropework central medallion (some gilding lost, corners and tips slightly defective), vellum pastedowns and their stubs (see below), evidence of eight green fabric ties, all edges gilt.

Basileae, Apud Frobenium et Nic. Episcopium, 1541, Splendida edizione illustrata. Esemplare molto buono (carte lievemente brunite in maniera uniforme, qualche leggero alone e fioritura), notevoli i margini (mm 210 x 150). Ex libris a p. [2] «Georgius Bergonci», importante patrizio veneziano (1646-1709). Piccola etichetta e firme di possesso al contropiatto anteriore. Alcuni marginalia in elegante grafia dell'epoca. Importante raccolta degli scritti di Lazare de Baïf: edizione magnifica, riccamente illustrata con gli stessi legni della precedente, stampata sempre a Basilea e sempre da Froben, a sua volta modellata sulla prima di Parigi del 1536, Ex officina Rob. Stephani: 23 bellissime tavole corredano il «De re navali», ritraendo numerosi tipi di imbarcazione, tanto più affascinanti perché in parte ricalcate sui bassorilievi della colonna Traiana (fu l'ambasciatore francese a Roma a inviare le illustrazioni all'autore); 3 tavole accompagnano il testo del «De re vestiaria», 7 il «De vasculis». -- «Grande umanista, uno dei più alti rappresentanti in Francia dell'umanesimo italiano», Lazare de Baïf fu «dottissimo conoscitore del latino e del greco, che aveva imparato dal Musuro, amico e corrispondente del Bembo, del Sadoleto, dell'Aleandro, di Erasmo, del Budé, di Giovanni Lascaris e degli Estienne [.]. Nel giugno del 1529 Francesco I lo nominò ambasciatore a Venezia, dove, più che agli affari politici, attese a trovar materiali per la vasta opera De re navali» (Enciclopedia Treccani, s.v. Baïf, Lazare de). -- Poiché Lazare de Baïf, nel suo «De re vestiaria», si era a lungo soffermato sull'importanza dei colori nei vestiti, Robert Estienne, il curatore dell'edizione del 1536, decise di porre in fine al volume il fondamentale trattato di Antonio Telesio «De coloribus libellus», opera talmente importante da essere ripresa da Goethe, a distanza di secoli, nel suo celebre saggio «La teoria dei colori» («Zur Farbenlehre», 1810), e che straordinaria fortuna ebbe fin dalla sua uscita nel 1528 (Venezia, Bernardino Vitale). Mosso da preoccupazioni filologiche, Telesio esaminava l'impiego di dodici colori nella letteratura latina, così da garantire la migliore comprensione dei termini impiegati dagli scrittori e dai poeti. In aggiunta, offriva una sorta di dizionario dei colori, composto da 102 voci latine e greche, con relativa esplicazione (l'edizione del 1541, come dimostrato dalla collazione di più esemplari, tra cui quello digitalizzato nell'Opac Sbn - IT\ICCU\CFIE\031446 - omette i fogli con il dizionario dei colori al termine del fascicolo N). in 4°, legatura in piena pergamena coeva, pp. 323 [9] (con errori di numerazione); capilettera finemente incisi e numerose tavole nel testo, molte a piena pagina. Splendida edizione illustrata. Esemplare molto buono (carte lievemente brunite in maniera uniforme, qualche leggero alone e fioritura), notevoli i margini (mm 210 x 150). Ex libris a p. [2] «Georgius Bergonci», importante patrizio veneziano (1646-1709). Piccola etichetta e firme di possesso al contropiatto anteriore. Alcuni marginalia in elegante grafia dell'epoca. legatura in piena pergamena coeva,

Buch. Zustand: Neu. Neuware.

Zustand: Ottimo. In-folio (cm. 26,7), legatura coeva in cartonato muto marmorizzato (alcune abrasioni); pp. LVI 61 [3] su carta azzurrina in ottimo stato, a fogli ancora chiusi, ricchi di illustrazioni di oggetti d'arte antica e museali in rame (testatine, finalini, vignette), 1 tavola di ritratto in rame f.t., frontespizio con grande vignetta sempre in rame (incisioni dell'acquafortista e ritrattista a bulino Raffaele Aloja su disegni del pittore siciliano Paolo Girgenti); lievissime e trascurabili fioriture. Pregevole edizione introdotta da una vita del filologo e poeta cosentino Antonio Telesio (1482-1534) scritta dal casertano Francesco Daniele (1740-1812). Cfr. Graesse VII, 156.Ottimo esemplare. (SO3).

Zustand: Gut. 2 parts in one volume. pp. i: [1-2 (title, verso blank)], 3-6 (dedication and address to the reader by Charles Estienne, 7-152; ii: [2 (part-title 'De re vestiaria" blank)I, [6 (dedication and prefatory text)], 1-90, [91-92 (section-title "De vasculis', verso blank)], [931-94 (dedication), 95-156, [157 (section-title Antonii Thylesii Consentini Libellus de coloribus')], 158 (address to the reader), 159-176, [9 (diglot index)], [1 (errata)], [2 (colophon, verso blank)]. Roman, italic, and Greek types. Woodcut printer's device on title P. Renouard, Les marques typographiques parisiennes des XVe et XVIe siècles, 295). 27 woodcut illustrations in the text, 19 full-page. Woodcut initials and woodcut diagrams in the text. (Occasional light marking, some Il. with light, marginal ink-or damp-marking, short marginal tear on A1 and A2.) Second Estienne edition. The French humanist scholar and diplomat Lazare de Baif (1496-1547) was one of King François I's Conseillers du roi and an ambassador to Venice. Among his literary works, he translated four of Plutarch's Bior apádn/or into French and produced a French translation of Sophocles's Hhéktpa in alexandrines. His son, Jean Antoine de Baif (1532-1589) was taught Latin by Charles Estienne, and became a noted French poet, who was a friend of Pierre de Ronsard and member of the Pléiade. Lazare de Baif's interest in the classical era extended to its history and culture, and this collection of works, which was first published by Estienne in 1536, gathers three of these titles. The first is De re navali, which was first published in this collection in 1536, and is a study of naval architecture and navigation in the ancient world, and the other two - De re vestiaria and De vasculis - are treatises on ancient costume and vases respectively, which were edited by Charles Estienne from Baif's works on the two subjects published at Basel in 1526 and 1531 respectively, Charles Estienne's editions were intended for the use of both juvenile and adult audiences, and were first published separately in 1535, before they were collected under the present title. These three works on classical engineering, fabrication, and arts are supplemented by De coloribus libellus, by the Italian humanist scholar, philologist, and poet Antonio Telesio (1482-1534). Antonio Telesio was born in Cosenza, but left in c. 1517 for Milan, where he was responsible for the education of his nephew, the philosopher Bernardino Telesio. A few years later Antonio Telesio moved to Rome, which he fled in 1527 for Venice to escape the invading forces of the Holy Roman Emperor, Charles V. At Venice in 1528 Telesio composed and published De coloribus libellus - a seminal monograph on colours, which examined the Latin terminology for colours. De coloribus libellus was repeatedly republished and translated throughout the following centuries; perhaps most notably, nearly three centuries after its first appearance, the Latin text was reprinted in its entirety in the second volume of J.W. von Goethe's Zur Farbenlehre (Tübingen, 1810). The volume is illustrated with numerous woodcuts, which were, according to Charles Estienne's preface, based upon ancient monuments (particularly those surviving in Rome). Bernard notes that four of the woodcuts were signed with Robert Estienne's device of the cross of Lorraine that on p. 22 of De re navali, which is repeated on p. 152, and those on pp. 3, 38, and 55 of De re vestiaria), but that all of the remaining woodcuts, although not signed, were from the studio of Geotroy Tory. Following the completion of the first edition of this collection in 31 August 1536, Baif sent a copy to his associate Erasmus, evidently unaware of the death of the great humanist on 12 July 1536; as van Gulik notes, the author 'must have sent a copy of his book to Basel immediately after its publication. The copy was conscientiously added to Erasmus' estate by his executor Bonifacius Amerbach' (E. van Gulik, Erasmus and his Books (Toronto, 2018), 'The Vers.

p.perg. coeva con tass. Ottimo stato generale di conservazione Si tratta dell'opera principale del Baif, considerato tra i pi?? importanti rappresentanti dell'Umanesimo italiano in Francia. L'opera contiene varie pregevoli illustrazioni di imbarcazioni nonch?® la descrizione di come veniva trasportato il vino via mare 323 + (9) con 31 tavv. xilografiche a piena pagina e alcune ill. n.t. p. 210x160 mm.

Soft cover. Zustand: Good. INFLUENTIAL BYZANTINE MEDICINE Basel, I: [per Robert Winter, 1540], II: apud Andreas Cratander (heirs of), [1563]. 8vo. 2 works in 1, first in 2 parts (half-title to second), second in 3 parts (drop-head title to second and third), I: pp. [16], 240, [80], 89, [7]; II: pp. [8], 443 [i.e., 447], [1]. Roman letter, little Italic, one section in Greek. Woodcut printer s device to last verso, ½-page woodcut of graduated glass for uroscopy to c4v of II, decorated initials and ornaments. Intermittent slight browning or minor spotting, a bit heavier to L8 of I, 2 tiny worm holes to outer blank margin of a dozen central gatherings, occasionally touching sidenote, small light water stain to lower outer blank corner towards end, clean tear to fore-edge of E3 touching couple of words repaired, minor traces of glue, the odd uncut edge, couple of early ms marginalia. Good copies in C18 carta rustica, title inked to spine, edges a trifle foxed, couple of early ms marginalia. A most interesting sammelband featuring two influential works, in good copies, on medicaments and urinoscopy. Johannes Zacharias (late C13?) was an Actuarius (official) at the Byzantine court, and the Emperor s personal physician. First published in 1539, in Ruellius s translation from the Greek, De medicamentorum compositione comprises Books 5-6, then deemed to be a separate work, of his Θεραπευτικὴ μέθοδος . Part I focuses types of medicaments (e.g., pills, powder, syrups, antidotes, theriacae, purgatives, ointments), with hundreds of entries listed in a final detailed index, each explaining the main ingredients and preparation. It includes substances, such as diasatyrion (from the roots of satyrion, a species of Orchis), for a great number of conditions, from podagra to diarrhoea, colics, breathing difficulties and rabies. The work of the physician and natural scientist Conrad Gesner, Part II ( Succiduorum medicamentorum tabula ) is concerned with antiballomena , i.e., quid pro quo medicaments which can replace others when the necessary ingredients cannot be found. The first section, in Greek, lists dozens of antiballomena from Galen, Discorides and Paulus Aeginetas; it is followed by an explanation with a Latin translation of the tabula , with a final part focusing on specific medicaments. First published in 1529 and translated by Ambrogio Leone, De urinis ( Περὶ οὔρων ) is entirely devoted to urinoscopy. It includes a woodcut illustration of the graduated glass which Actuarius was the first to employ for diagnostic purposes. It discusses the origin of urine, its various types and colours, their nature and causes, how to interpret its aspect, texture or residue using the graduated glass, how to study it according to age, sex, lifestyle, etc., and how to infer illnesses from its characteristics. To this are appended Antonio Telesio s De coloribus - the earliest printed treatise on colours, here translated from the Greek discusses the most important colours, providing their Latin and Greek etymology, and examples of everyday items which can clarify what the colour actually looks like (e.g., pullus is the colour of the soil or of a hare s back), and Paulus Aegineta s De crisi & diebus decretorijs , in Thomas Linacre s translation, focusing on the decisive days of illnesses, whereby a physician can understand whether the prognosis may turn to better or worse. I: USTC 600026; VD16 A 161; Durling 2583; Wellcome (earlier and later eds). II: Only Stanford and NLM copies recorded in the US. USTC 607733; VD16 ZV 66; Durling 2579; Wellcome (earlier and later eds).

Small 4to. 15 unnumbered ff. (lacking final blank). With several woodcut initials (including one depicting a pelican). Attractive 19th century red calf with giltstamped cover title and border. Rare first edition of this most copious 16th century Italian treatise on the theory of colours. Divided into 13 chapters, the work lists no less than 115 different names of colours. "Questo raro e singolare opusculo indica sul suo principio Toggetto con cui tu scritto, ed e forse l'opera più erudita che abbiasi, presa sotto l'aspetto seguente" (Cicognara). Cicognara described a 14-leaf edition without place or printer - very likely an incomplete copy of this present edition, which ends on f. 13 and is concluded by two leaves of poems. - Telesio (1482-1533), a native of Cosenza in Calabria, taught at Rome. Escapting the "Sacco di Roma", he fled to Venice, where he gained the chair of Latin at the Consiglio dei Dieci bekam. It was during these years that he composed his treatise on colours, the earliest of its kind ever to see print. Goethe quotes it in full in his own treatise on colours (Weimarana, pt. IV, pp. 174-193), following the 1545 Latin Basel edition; this is the longest quote in all of Goethe's works. - Telesio's nephew Bernardino, who had followed his uncle from Cosenza to Rome and Venice, would go on to publish his own treatise on colours in 1570. - Unappealing traces of moisture to the first five leaves. Spine somewhat sunned and rubbed. - Edit 16, CNCE 37986. Cicognara 216. Adams and BM-STC Italian list later eds. only.