antelo suarez sandra (10 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

[1-879128-07-1] [no date]. (Mass market paperback) Near fine. 119pp, [1]. Short 8vo, square. B&W and colour photos. Faint reading crease to spine, else entirely unblemished. Bright and clean. Text in English and Spanish. Artwork by Carlos Altamirano, María Fernanda Cardoso, Saint Clair Cemin, Meg Cranston, Kim Dingle, Victor Estrada, José Gabriel Fernández, Félix González-Torres, Ken Lum, Lari Pittman, Marcelo Pombo, Paul Ramírez-Jonas, Rosângela Rennó, Pablo Siquier, Jana Sterbak, Diego Toledo, and Meyer Vaisman. Essays by Sandra Antelo-Suarez, Thomas McEvilley, Alisa Tager, and John Yau.

Softcover. Zustand: Fine. 149, [19] p. 26 cm. B&w and colour illustrations. Multilingual magazine published by PASSIM, a not-for-profit organization instended to promote understanding among the many cultures of the Americas. Text in Spanish and English.

145 pp.; 25.4 x 20.5 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 5 of Trans> edited by Sandra Antelo-Suarez. Essays include: "Performing Citizenship: Vivo Rio Counters Urban Violence," by George Yúdice; "Country Cousins: The Relative Peripheries in Contact," by Maria Lind; "Analogies and Confrontations: A Museography Polemologic?" by Luis Enrique Pérez Oramas; "The Poetics Project: A Special CD Project for Trans>" by Mike Kelley and Tony Oursler; "Serei A?" by Tungar; "Valentina's Paintings," by José Antonio Hernández Díez; "Continuation from the Representations of Violence in Issue 3&4," Moderator Rubén Gallo; "The Necessity of Revolt," by Julia Kristeva; "Intellectuals and Memoricide," by Juan Goytisolo; "Political Pop," by Luis Camnitzer; "Facing Territory," by Dan Cameron; "Oyvind Fahlström : He Burns Himself on Fires of Nine," by Maureen Sherlock; "Rafael Viñoly or the Problematics of the Late-Capitalist Architect," by Noah Chasin; "Alex Alberro in Conversation with Liisa Roberts," by Alex Alberro; "A Thing is a Thing is a Thing, Agnaldo Farias writes about María Teresa Hincapié," by Agnaldo Farias; "Reflections on Candice Breitz 'Rorschach Series'," by Octavio Zaya; "Ann-Sofi Sidén" by Sabine Russ; "Irán do Espírito Santo," by Félipe Chaimovich; "José Gabriel Fernández: Tauromachy and Maculature," by Luis Enrique Pérez Oramas; "The Ruined Map," by Matthew Ritchie and "Clandestine Installation II," by Roberto Obregón. Includes contributors biographies. Text in English and Spanish. Very Good. Light bumping of cover corners and rubbing of covers, otherwise Fine. Does not include audio CD. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Broschiert. 203 S. Helle Buchklappen vefärbt und berieben, Schnitt mit Lagerungsspuren, Seitenränder im Bildteil zum Teil angeschnitten, sonstiger Zustand sauber und gepflegt. - White cover discoloured and with some shelf wear, cut edges slightly discoloured by age, art pages in the middle with some cuts at the margins, otherwise a well kept copy in view of its age. 9781888209037 Sprache: Englisch Gewicht in Gramm: 750.

Soft cover. Zustand: Fine. Quarto, un paginated (282 pages) illustrated throughout in black and in color. Illustrated wrappers with original wrap around band + attached, a brush, a sheet of stickers and a garland made up of small printed flags. - First edition. Reproduction of articles and photographs of works by the following artists: Lia Gangitano, Tacita Dean, Paul Ramirez Jonas, Marjetica Potrc, Janet Cardiff, Arturo Herrera, Bonnie Collura, Beatriz Milhazes, Artur Barrio, Katarzyna Josefowicz, Jarbas Lopez, Valdirlei Dias Nunes, Michael Elmgreen, Ingar Dragset, Olafur Eliasson, Gabriel Orozco, Koo Jeong-a, Georges Bures Miller, Glenn Ligon, Jeff Wall, Valerie Export, Dave Muller, Rirkrit Tiravanja, Paul McCarthy, Vik Muniz, the Telesymposium collective. Contains articles by curators, art critics, writers and architects Barbara London, Milena Kalinovska, Jana Sevcikova, Jiri Sevcik, Josef Pleskot, Peter Lacko, Maia Damianovic, Gotan Tomcic, Thyrza Nicols Goodeve, Hou Hanru, Pat Kalt, Thilo Fuchs, Adam Szymczyk, Veronica Cordiero, Adriano Pedrosa, Jens Hoffmann. The audio CD presents the artist Janet Cardiff's "sound hike", "Drogan's nightmare". Also included are two interviews with Hans-Ulrich Obrist, one by Arata Isozaki and one by Johannes Cladders, an interview with Kiki Smith by Deirdre Summerbell, an interview with Surasi Kusolwong by Jérôme Sans.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Zustand: Fine. Quarto, unpaginated (323 pages). illustrated throughout. Illustrated wrappers. Shrink-wrapped together with McCarthys edible multiple with silk screen drawing. Fine. - First edition. Summary: A conversation between Hubert Damisch and Hans-Ulrich Obrist/une conversation entre Hubert Damish and et Hans-Ulrich Obrist by Hubert Damisch and Hans-Ulrich Obrist; Life, Interrupted/Vida interrumpida by Dominic Molon; Something Between the Two/Algo entre los dos by Jeremy Millar; ARTE/CIDADE: Interventions in Megacities | Intervençãoes em Megacidades by Nelson Brissac; The performer is in all of us. Living Interdisciplinarity | El actor vive en todos nosotros. Vivir lo interdisiplinario. by Jens Hoffmann; Afterthoughts on Dissin the Real/ Pensamientos Posteriores sobre Dissin the Real by Maia Damianovic; A conversation between Johannes Cladders and Hans-Ulrich Obrist/ Una conversación entre Johannes Cladders y Hans-Ulrich Obrist by Hans-Ulrich Obrist; Luminist Suprematism | Suprematismo Luminico by Karen Schneider; Jonas Mekas and Peter Kubelka: A Diary | Jonas Mekas y Peter Kubelka: Un Diario by Jonas Mekas; Hélio Oiticica and cinema's de-realized image | e a imagem desrealizada do cinema by Claudio Da Costa; On the Museum as Film Decor | Sobre el museo como cine decor: Marcel Broodthaers and | y La Bataille de Waterloo by Eric de Bruyn; Headlands by Lee Mingwei; Tokyo Santa, 1996 by Paul McCarthy; Mejor Vida Corp. by Minerva Cuevas; Ruth Benzacar 1932-2000 by Adriano Pedrosa; TRANS> by Sandra Anterlo-Suarez; Franklin Cassaro. Introduction | Introducio by Ernesto Neto.

Softcover. Zustand: Fine condition. First edition. Folio. [5] 168pp. Original textured off-white stiff wraps with gray lettering on cover and spine. Photo-illustrated endpapers. Frontispiece photograph. Half-title printed in brown, title page in brown and black. Two folding plates. "In the present exhibition's title, Autobiography of a Line, we find the poetic reverbarations of one of Gego's closest friends: Alfredo Silva Estrada, a Venezuelan pioneer of cocrete poetry. Silva Estrada once referred to Gego's work as tejida luz (woven light), and he is one of the main sources of the lyricism that surrounds her worka lyricism that she must have enjoyed, given her manifest love for language. Today, from our point of view, such lyrical language remains relevant, since it offers a historical explanation for the continuous metaphorical projections that are so common in the readings og Gego's oeuvre." (Antelo-Suarez/Fuenmayor). This spectacular exhibition catalog is illustrated with high quality reproductions of Gego's installations, objects and works on paper in color and b/w as well as b/w photographs provided by the Gego Foundation, institutions and private lenders. A detailed list of photographs with credits and provenance on imprint page. Contains a selected chronology and checklist of the exhibition as well as a list of public collections containing works of Gego. Gego (Gertrud Goldschmidt) was born in 1912 in Hambrug, Germany. She graduated in engineering and architecture at the University of Stuttgart. With the advent of W. W. II she migrated to Caracas, Venezuela, in 1939 to excape Nazism. During the 1960s and 1970s she was a leading figure of Venezuelan abstract art. With firm grounding in the universal laws and language of physics, she devoted her artistic career to exploring the line. Her unique geometric understandings were expressed in configurations of various materials that allowed viewers to enter an unlimited, fascinating space of perceptual interaction.