ant farm (13 Ergebnisse)

CD. Zustand: Sehr gut. B1021-164 600445088726 Sprache: Deutsch Gewicht in Gramm: 150.

126 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. Balfour; "Fire Cycles," by Anthony McCall; "Architectural Prospects," by Richard G. Stein; "Tomorrow's Energy: Glowing Prospect," by Jerry Grey; "Interview with Fred S. Dubin," by Alison Sky; "The ID Monster," by U.F.O.; "Towards a Zero Energy Architecture," by John Lobell; "Personal Mobility in the U.S.A.," by David J. Neuman; "Travelog," by Allan Kaprow; "A Subjective Study of the L.A. Freeway Grid," by O.M. Ungers; "Railroad Young Men's Christian Association," by Andrew MacNair; "Autorama," by Chip Lord & Ant Farm; "The Energy of Reuse," by Hugh Hardy; "Spatiology," by Vittorio Giorgini; "Premises for Future Planning," by Percival Goodman; "People in Glass Houses," by Witold Rybczynski; "Architecture for a New Era," by Jeffrey Cook; "The Seagram's Building and it's Plaza," by Marilyn Wood & the Celebrations Group; "The Liberation of Human Energy," by Barbara M. Hubbard; "Transformations of a SOHO Street," by Ruth Heller Coron; "Performance as Energy," by M. Paul Friedberg; "Image's Identity, by Francesc Torres; "This man lives in my building," by Donald Lorimer; "Interview with Denise Scott Brown," by Alison Sky; "On Energy," by Jean Dupuy; "Los Angeles: Architecture of the Cinema," by Kip K. McBane; "Video," by Nam June Paik; "Set Timer," by Jim Cobb; "Television Delivers People," Richard Serra; "Pickin' Up the Pieces of Universal Order and Architecture," by Mimi Lobell; "The Washington Monument Sundial," by Yuri Schwebler and "Biographical Notes." Cover photo Michelle Stone. Good. Significant rubbing of covers and cover edges with bumping and wear to corners. Contents clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.

Hardcover. Zustand: Brand New. 256 pages. 11.00x8.50x1.00 inches. In Stock.

Zustand: New. 2017. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 256 pages. 11.00x8.50x1.00 inches. In Stock.

Softcover. Zustand: Fine. Profusely Illustrated (illustrator). First Edition. Softcover in illustrated wraps. First edition. Fine condition, with a whisper of wear at edges. A visionary book. Illustrated throughout. 4to. 108 pp.

No Binding. Zustand: Good. AUTOMERICA announcement postcard featuring The Cadillac Ranch. Invitation to the Autograph Party in San Francisco for the Ant Farm's new book. 4 x 6 inches. Postmarked 10 NOV 1976. Creased from top to bottom. General wear and color aging.

Zustand: NEW.

softcover. Zustand: Very good. first edition, as stated. Softcover, quarto (approx.8" wide by 10 5/8" tall), 143 pages. Color covers. Illustrations in text in black and white. Includes a bibliography. A bit of yellowing at page edges, small stain on rear cover, still very good condition. Inscribed by the author. Also, laid in is a leaf from a magazine (Home and Away) that has a small, inset article about "Carhenge" in Nebraska. keywords: Cadillac Ranch, Amarillo, Texas, Media Burn. 122615C.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

4to. pp. xiii, 188. numerous illus. (some colour). biblio. index. cloth. dw. First Edition.

First edition, first printing, one of only 2,000 copies of Ant Farm's handmade architectural manual. The guide offers practical advice on building temporary inflatable structures alongside philosophical and conceptual statements on experimental architecture. Ant Farm was a San Francisco-based collective formed in 1968 by the architects Chip Lord and Doug Michels. They championed nomadic plastic architecture: space age inflatables made from as little as polyethylene, tape, and household fans. The Inflatocookbook includes "recipes" for various inflatable structures; detailed remarks on the importance of air supply; photographs of completed projects; psychedelic illustrations of imagined projects (including the "World's Largest Snake"); and advertisements for Ant Farm DIY structures, ranging from an affordable inflatable classroom for $75 to a giant custom vinyl pillow structure starting at $2,000. The loose-leaf format allowed updates to be inserted during and after the publication process and there is inevitable variation between copies. In Ant Farm 1968-1978 (2004), Caroline Maniaque describes the first edition as containing 22 sheets, notably fewer than the present copy. While well-represented institutionally in the US, this radical countercultural manual is rare in commerce, and the present copy has more leaves than most copies in institutions. Quarto (290 x 233 mm). Illustrated in black and white, 8 pp. in colour. Original transparent vinyl jacket with interior pockets containing 30 loose sheets, comprised of title leaf (464 x 285 mm) ink-stamped in blue and purple; front cover illustration (loose as issued, 242 x 191 mm); 18 leaves approx. 280 x 212 mm, one printed on coated paper; 10 leaves approx. 464 x 285 mm, one printed on green paper, one printed on card. A few marks to vinyl, top edge of title sheet rubbed and toned: a near-fine copy.