Andrews robert hardy (26 Ergebnisse)

Hardcover. Zustand: Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show minor shelving wear. Binding is tight, hinges strong. Dust jacket shows edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Zustand: Edgeworn. Zustand des Schutzumschlags: Edge & Shelfworn Dust Jacket. Standard ex-library flaws, otherwise unmarked. Binding firm.

Red Cloth. Zustand: Fine. No DJ. First Edition (stated). Bright, clean, unmarked, fresh.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good. First edition. 8vo, 368 pages, red cloth Journalist and editor's memoirs of Chicago in the Twenties and Thirties, when he shared an office at the Chicago Daily News with Carl Sandburg. He created Jack Armstrong, the All-American Boy, who daily ate Wheaties, "The Breakfast of Champions," a slogan invented by Andrews himself. He also pioneered Soap Operas on the radio with "Ma Perkins", "Just Plain Bill", and "The Romance of Helen Trent".…

Zustand: Good. First edition copy. . Good dust jacket. (autobiography, journalist, soap opera, robert hardy andrews).

Hardcover. Zustand: Very Good. Little, Brown and COmpany January 1963 Binding: Hardcover WITH VERY GOOD DUST JACKET.

Zustand: Good. Coward-McCann, Inc. New York 1950 ex-library copy.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. DJ shows moderate edgewear and scuffing, with stray ink marks on front panel; Binding is sound, with a slight spine lean; Secure packaging for safe delivery. …

Very good with very good dust jacket. Dust jacket is bumped at spine tips and corners and has a two inch tear at bottom front edge. 365 pages.

Hardcover. Zustand: Fair. No Dust Jacket. 342 pages. Stains to the covers and page edges; frayed spine tips; a couple library stamps; a reading copy only. No jacket. Illustrator: . Quantity Available: 1. Category: Fiction; Inventory No: 201070.

1 365 p. Good in fair dust jacket. Signed by author. MODERATE SHELFWEAR, HEAVY WEAR TO THE DJ PAGE END SPOTTING, DJ IS TONED SPOTTED AND THE EDGES ARE HEAVILY CHIPPED AND TORN, inscribed by the author to Harriet with thanks from the author sor sending him such won.

Zustand: Good. 1967. No Edition Remarks. 406 pages. Illustrated dust jacket over black cloth boards. Gilt lettering. Contains black and white illustrations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Gilt lettering is bright and clear. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking. Minor loss to spine and edges. …

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Little, Brown & Company, 1963. Octavo. Hardcover. Book is very good with light shelf wear. Dust jacket is very good with price whited out on left flap.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: Good. 1967. Hardcover. Clean copy. Fine in dustjacket. DJ has some wear and tear to edges but remains good. . . . . Books ship from the US and Ireland.

Zustand: Good. 1967. Hardcover. Clean copy. Fine in dustjacket. DJ has some wear and tear to edges but remains good. . . . .

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 406 pages; Description: 406 p. Ports. 24 cm. Subjects: Pandit, Vijaya Lakshmi Nehru (1900-) . Notes: Includes bibliography p. 390-394 and index. 1 Kg. …

Hardcover. Zustand: Very Good+. Very Good+ dj. First Edition. [modest wear to extremities, very light foxing to edges of text block; jacket moderately edgeworn]. Novel about an ambitious businesswoman, the "pretty, fragile Rita Martin, who beneath her charming exterior is hell-bent for personal success and who tramples with small, well-shod feet on all who stand in her way." The story is set against the background of "a high-powered advertising agency specializing in soap operas," a milieu the author knew as well as anybody: he wrote thousands of scripts for radio serials and soap operas from the early 1930s through the mid-1950s, while also finding time somehow to rack up several dozen screenwriting credits as well. He was often credited for his movie work under the name Robert D. Andrews -- possibly a calculated effort to confuse future bibliographers (if so, it worked), but maybe just as a way to keep better track of his multi-media accomplishments. The New York Times reviewer called it a "weird novel," commenting that the author "shows no mercy as he lays his victims on the operating table and exposes their stony hearts.".…

Vintage publicity photograph from the 1951 film, showing a shirtless Ricardo Montalban holding a sword. Based on the 1939 serial novel "Don Renegade," by Johnston McCulley. In 1820s California, a man goes undercover as a pirate in order to expose an avaricious political leader. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.…

Vintage studio still photograph from the 1936 film. A career criminal purposefully gets himself arrested and jailed to keep himself from committing more crimes. He struggles to try and get parole. 8 x 10 inches. Very Good, slightly wavy from water damage along the sides.

0 342 p. Very good in good dust jacket. Signed by author. moderate shelfwear, tiny closed tears and chips to the dustjacket, inscribed by the author.

Hardcover. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Vintage publicity photograph of actors Pat Sims, Mary McKenzie, Betty Scott, Bonnie McKenzie, and Ellen Rey before and after a wardrobe transformation into "harem girls" for the 1949 adventure film. Printed mimeo snipe affixed to the verso. An adventure film about a Bedouin princess who is educated in England, later returning to Baghdad, where she discovers that her father has been murdered by renegades. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good.…

Final script for the 1935 film, seen here under the working title "Romance in a Glass House." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A famed stage diva wants her untalented lover as her leading man. To prevent this from occurring, the producers select a handsome novice from the streets and declare him the new, contracted lead in their production. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, stamped copy No. 4, noted as FINAL, with receipt removed. Title page present, dated 6/25/35, with credits for screenwriters Jerry Wald, Julius J. Epstein, and Robert Hardy Andrews. 109 leaves, with last page of text numbered 105. Mimeograph duplication, rectos only. Pages Fine, binding about Fine.…

Final script for the 1935 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). After her parents are murdered by mobsters, a young girl endears herself to her newfound caretakers, a pair of kindhearted, small-time confidence men. Set in New York. Bound in full red leather, with gilt titles on the front board and spine. Distribution page present, stamped copy No. 95 and noted as Final, with receipt intact. Title page present, dated 5/14/35, with credits for screenwriters Robert Andrews, Julius J. Epstein, and Jerry Wald. 125 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, binding Very Good plus, lightly worn at the corners and spine.…

Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page, likely as used or issued. First, an early Draft script, under the working title "Sherlock Holmes vs. Lord Haw-Haw," by screenwriter John Bright, noted as "Contract File Copy" on front wrapper. Carbon typescript, preceded by a four page ribbon copy typescript outline, dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page, in manuscript pencil. Several annotations throughout, of Bright's name, page numbers, strikes, question mark, and dates (ranging from 3/10/42 to 3/27/42), in manuscript pencil and ink. Second is a Draft script, under the working title "Sherlock Holmes #1," by screenwriter Lynn Riggs, dated April 2, 1942. Annotations in red and graphite manuscript pencil on front wrapper, some illegible, citing Arthur Conan Doyle and the story upon which script is based, and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin stock, with annotations in manuscript pencil and ink throughout, primarily amending page numbers, scene numbers, and character names, as well as striking the "#1" on title page title and adding "Saves London," amending title to "Sherlock Holmes Saves London," another early working title. Third is a Draft script, under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'," credited as "A Free Adaptation" by Robert Andrews, and credits for screenwriters Lynn Riggs and John Bright, dated May 4, 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107, likely a stenographer. Lastly, the post-production Dialogue and Contitnuity script, here under the working title "Sherlock Holmes and the Voice of Fear," dated July 28, 1942. Annotation on front wrapper, in manuscript pencil, striking "Fear" in title, adding "Terror," amending title to it's release title. Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes," by Sir Arthur Conan Doyle, and loosely, on the real-life exploits of Lord Haw-Haw, (several broadcasters, but most notably) William Joyce, a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946, the last person executed for treason in the UK. The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" (1939), directed by Alfred L. Werker, and followed by "Sherlock Holmes and the Secret Weapon" (1942), directed by Roy William Neill. Watson and Holmes, transplanted from their usual Victorian setting, and from the WWI setting of the original story, are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror," apparently from Nazi Germany, warning of acts of terror moments before their occurrence. 3/10/42 script, "Sherlock Holmes vs. Lord Haw-Haw": Gray titled wrappers, with credits for screenwriter John Bright. Title page present, with credits for screenwriter John Bright. 126 leaves, with last page of text numbered 121. Carbon typescript, rectos only. Pages Near Fine, wrapper Very Good plus with some chipping, creasing, and closed tears at extremities, primarily to front wrapper, bound with three gold brads. April 2, 1942 script, "Sherlock Holmes #1": Gray titled wrappers, dated April 2, 1942, with credits for screenwriter Lynn Riggs. Title page integral with first page, with credits for screenwriter Lynn Riggs. 127 leaves, with last page of text numbered 122a. Carbon typescript on onionskin stock. Pages Near Fine, wrapper Very Good plus, with some creasing and small closed tears to extremities on front wrapper, bound with three gold brads. May 4, 1942 script, "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'": Gray titled wrappers, dated May 4, 1942, with credits for adaptation by Robert Andrews, author Sir Arthur Conan Doyle, and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves, with last page of text numbered 113. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 5/8/42 and 5/14/42. Pages Near Fine, wrapper Very Good, with some chipping, creasing and closed tears to extremities, bound with three gold brads. July 28, 1942 Dialogue and Contiuity post-production script: Title self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper, dated July 28, 1942. 117 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads. …

Zustand: Good. Folio. 4pp. 37 x 28cm. Calligraphy on cover. Signatures on pp. 2 and 3.Losses of some signatures at to pand bottom.Schedule for the first fourteen weeks of the 1950 Shakespeare Festival; the Festival was under the direction of Anthony Quayle, and five plays were in the repertoire: MEASURE FOR MEASURE, KING HENRY VIII, MUCH ADO ABOUT NOTHING, JULIUS CAESAR, and KING LEAR; the company consisted of:John Gielgud, Peggy Ashcroft, Gwen Ffrangcon-Davies, Leon Quartermaine, Anthony Quayle, Harry Andrews, Andrew Cruickshank, Rosalind Atkinson, Barbara Jefford, Alan Badel, Michael Gwynn, George Rose, Maxine Audley, Cecil Winter, Paul Hardwick, Nigel Green, Mairhi Russell, Evelyne Volney, Jean Short, Romany Evens, Michael Bates, Geoffrey Bayldon, Eric Lander, Robert Hardy, Richard Dare, David Lytton, John Money, Ronald Hines, Harold Siddons, Michael Atkinson, Peter Jackson, James Lund, Harold Kasket, Peter Norris, Robert Shaw, Timothy Bateson, John Dunbar, John Gay, Cyril Conway, Peter Halliday, Michael Ney, Ward Williams, David Woodman, Charles Lepper; the directors were Peter Brook, Tyrone Guthrie, Anthony Quayle, Michael Langham and John Gielgud; the designers were Peter Brook, Tanya Moiseiwitsch, Warwick Armstrong, Mariano Andreu, and Leslie Hu.Gwen Ffrangcon-Davies (1891-1992) played the following roles in 1950: Regan, King Lear, Royal Shakespeare Company 18th July 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Beatrice, Much Ado About Nothing, Royal Shakespeare Company 6th June 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Portia, Julius Caesar, Royal Shakespeare Company 2nd May 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Queen Katherine, Henry VIII, Royal Shakespeare Company 28th March 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon. .Appointed Dame Commander of the Order of the British Empire (DBE) in 1991,?at the age of 100. …