Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, USA, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Very Good. New Ed. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. New Ed. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
hardcover. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
Sprache: Englisch
Verlag: Oxford University Press Inc, United States, New York, 2000
ISBN 10: 0195134265 ISBN 13: 9780195134261
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 10,00
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. Andrew Sarris has long been one of America's most celebrated writers on film, author of the seminal work The American Cinema, and for decades a highly regarded critic, first for The Village Voice and more recently for The New York Observer. Now comes Sarris's definitive statement on film, in a masterwork that has taken 25 years to complete. Here is a sweeping--and highly personal--history of American film, from the birth of the talkies (beginning with The Jazz Singer and Al Jolson's memorable line "You ain't heard nothin' yet") to the decline of the studio system. By far the largest section of the book celebrates the work of the great American film directors, with giants such as John Ford, Alfred Hitchcock, Charlie Chaplin, Orson Welles, and Howard Hawks examined film by film. Sarris also offers glowing portraits of major stars, from Garbo and Bogart to Ingrid Bergman, Margaret Sullavan, Spencer Tracy, Katharine Hepburn, Clark Gable, and Carole Lombard. There is a tour of the studios--Metro, Paramount, RKO, Warner Brothers, 20th Century Fox, Universal--revealing how each left its own particular stamp on film. And in perhaps the most interesting and original section, we are treated to an informative look at film genres--the musical, the screwball comedy, the horror picture, the gangster film, and the western. A lifetime of watching and thinking about cinema has gone into this book. It is the history that film buffs have been waiting for. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Museum of Modern Art, New York, 1966
Anbieter: Abacus Bookshop, Pittsford, NY, USA
Erstausgabe
softcover. Zustand: Very good copy. Well-illustrated (illustrator). 1st. Small 4to, 56 pp.
Sprache: Englisch
Verlag: Secker & Warburg, 1971
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschland
Broschiert. Zustand: Gut. 180 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 320.
Anbieter: Southampton Books, Sag Harbor, NY, USA
Paperback. Zustand: Very Good. FIRST THUS. First Edition Thus, First Printing. Published by Oxford University Press, 1999. Octavo. Paperback. Book is very good with errata slip laid inside and light shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Anbieter: Southampton Books, Sag Harbor, NY, USA
Erstausgabe
Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Not price-clipped ($35.00 price intact). Published by Oxford University Press, 1998. Octavo. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Sprache: Englisch
Verlag: Oxford University Press, New York, 1998
ISBN 10: 0195038835 ISBN 13: 9780195038835
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. x + 573pp., thick 8vo, cloth-backed boards, d.w. New York: Oxford University Press, 1998. Gift inscription on front free endpaper, else a fine copy in a near fine dust wrapper.
Verlag: New York: New York University School of the Arts, 1968., 1968
Anbieter: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, USA
Zustand: Good. - Octavo, softcover bound in pictorial brown & white wraps. The wraps are lightly bumped, soiled & foxed. 175 pages plus ads. Black-and-white illustrations. The first 18 pages [ads & table of contents] are detached. Good only. Among the contents of this issue are "Peer Gynt and the Dissolving Self" by Rolf Fjelde; "Prof. Welhaven on Mythological Poems", an 1851 article by Ibsen; "Naturalism in Context" by Martin Esslin; "Strindberg and the Greater Naturalism" by Evert Sprinchorn; "Film: The Illusion of Naturalism" by Andrew Sarris; and John Lahr on Pinter and Chekhov.
Hardcover. Zustand: Good. Zustand des Schutzumschlags: used good. 2025 janlight surfaxe wear.
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Used good. 2022 janSurface wearSmall tears on dust jacket.
Verlag: New York: Oxford University Press, 1998, 1998
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Erstausgabe
Sarris, Andrew. "You ain't heard nothing yet": the American talking film, history and memory, 1927-1949. New York: Oxford University Press, 1998, 1st printing number line starting with 1, x, 573pp., very good dust-jacket with one small tear, attractive copy, very good black half-cloth. Here is a history of American film, from the birth of the talkies (beginning with The Jazz Singer and Al Jolson's memorable line "You ain't heard nothin' yet") to the decline of the studio system. By far the largest section of the book celebrates the great American film directors, with the work of giants such as John Ford, Alfred Hitchcock, Charlie Chaplin, Orson Welles, and Howard Hawks examined film by film. Sarris also offers glowing portraits of major stars, from Garbo and Bogart to Ingrid Bergman, Margaret Sullavan, Spencer Tracy, Katharine Hapburn, Clark Gable, and Carole Lombard. There is a tour of the studios - Metro, Paramount, RKO, Warner Brothers, 20th Century-Fox, Universal - revealing how each left its own particular stamp on film., And in perhaps the most interesting and original section, we are treated to an informative look at film genres - the musical, the screwball comedy, the horror picture, the gangster film, and the western. - CONTENTS: 1. The Hollywood Studios. The Studio Mystique. The Myth of Metro. The Panache of Paramount. Warner Brothers. 20th Century-Fox. RKO. Universal. Columbia Pictures -- 2. Genres. The Musical. The Gangster Film. The Horror Film. The Screwball Comedy. The Western. The Film Noir. The War Film -- 3. The Directors. D.W. Griffith. King Vidor. Charles Chaplin. Buster Keaton. Harold Lloyd. John Ford. Josef von Sternberg. Alfred Hitchcock. Howard Hawks. Orson Welles. Ernest Lubitsch. Preston Sturges. Billy Wilder. Leo McCarey. George Cukor. William Wyler. Frank Capra. George Stevens. Frank Borzage. John Stahl. Max Ophuls -- 4. Actors and Actresses. Greta Garbo. James Cagney. Edward G. Robinson. Humphrey Bogart. Bette Davis. Cary Grant. Margaret Sullavan. Ingrid Bergman. Irene Dunne. Myrna Loy. Norma Shearer. Jean Harlow. Barbara Stanwyck. Claudette Colbert. W.C. Fields. The Marx Brothers. Spencer Tracy and Katharine Hepburn. Clark Gable and Carole Lombard. Vivien Leigh -- 5. Guilty Pleasures. The B-Picture. Louise Brooks. Mary Astor. Anne Baxter. Wanda Hendrix. Gaslight. Lost Horizon. My Foolish Heart -- App. I. Academy Awards: Nominations and Winners, 1927-1949 -- App. II. New York Film Critics Circle Awards, 1935-1949 -- App. III. Best Directors, 1927-1949 -- App. IV. Best Performances, 1929-1949. 9780195038835 ISBN 0195038835.