andrew kenney (18 Ergebnisse)

Zustand: Very Good. 1992nd Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 348 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. 327 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 896032132 Sprache: Englisch Gewicht in Gramm: 1150.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. 327 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L07621 896032132 Sprache: Englisch Gewicht in Gramm: 800.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Cloth. Zustand: Gut. 327 S. Chromatografie Molekularbiologie guter Zustand/ good Ex-Library. ha1086767 Sprache: Englisch Gewicht in Gramm: 750.

Zustand: New. In.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Practical Protein Chromatography | Andrew Kenney (u. a.) | Taschenbuch | x | Englisch | 2013 | Humana | EAN 9781489940162 | Verantwortliche Person für die EU: Humana Press in Springer Science + Business Media, Heidelberger Platz 3, 14197 Berlin, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Gebunden. Zustand: New. Thiophilic Adsorption Chromatography. Immobilized Metal Ion Affinity Chromatography. Histidine Ligand Affinity Chromatography. Boronic Acid Matrices for the Affinity Purification of Glycoproteins and Enzymes. Calcium-Dependent Hydrophobic Interaction Chroma.

Paperback. Zustand: Brand New. 337 pages. 9.10x6.00x0.80 inches. In Stock.

Zustand: New. Series: Methods in Molecular Biology. Num Pages: 327 pages, 7 black & white illustrations, biography. BIC Classification: PSB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 499. . 2013. Softcover reprint of the original 1st ed. 1992. Paperback. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - 0ne 0fthe many 1mpact5 0frec0m61nant DNA techn0109y 0ver the 1a5t 15 year5 ha5 6een a 5tr0n91y refre5hed 1ntere5t 1n meth0d5 f0r the 5eparat10n and pur1f1cat10n 0f pr0te1n5.7h15 1ntere5t ha5 enc- pa55ed n0t 0n1y ana1yt1ca1 5eparat10n5, 6ut a150 5ma11- and 1ar9e-5ca1e preparat1ve meth0d5 d1rected t0 60th pure and app11ed re5earch thr0u9h0ut 610109y and 610med1c1ne. Many 0f the new 0r 5u65tant1a11y m0d1f1ed techn14ue5 deve1- 0ped have 6een rep0rted 1n the 11terature, 6ut a 5uff1c1ency 0f deta11ed pract1ca1 he1p 1n e5ta6115h1n9 the5e meth0d5 f0r the f1r5t t1me 1n a new 1a60rat0ry ha5 0ften 6een d1ff1cu1t t0 f1nd. W1th the5e pr061em5 1n m1nd, we expect that Pract1ca1Pr0te1n Chr0mat09raphy, de519ned a5 a key v01ume 1n the Meth0d5 1n M01ecu1ar 810109y 5er1e5, w111 pr0v1de c0nc15e pract1ca1 he1p t0 th05e carry1n9 0ut new techn14ue5 f0r the f1r5t t1me. Each chapter ha5 6een wr1tten 6y expert auth0r5 kn0wn t0 have d1rect and re9u1ar pract1ca1 exper1ence w1th the1r ch05en techn14ue5. 7he 5tructure 0feach chapter 15 de519ned t0 make 1t ea5y f0r a w0rker new t0 the meth0d t0 f0110w 1t t0 an effect1ve c0nc1u510n. An 1nt- duct10n treat5 the the0ry 6eh1nd the meth0d 6e1n9 de5cr16ed. 7he Mater1a15 and Meth0d5 5ect10n5 a110w the reader t0 prepare f0r, and then perf0rm techn14ue5 1n a rat10na1 5tepw15e manner. 7he N0te5 5ect10n5 pr0v1de the 50rt 0f6ack9r0und h1nt5 and tr1ck5 that are 50 0ften e55ent1a1 f0r 5ucce55, 6ut are rare1y rep0rted 1n the 11terature.

Hardcover. Zustand: Very Good. Robert Cruikshank (illustrator). no dates, circa 1829. 145x95mm. Contemporary half leather. *13 Georgian dramatic comedies bound together all with their original frontispieces, and " Printed from the Acting Copy, with Remarks, Biographical and Critical, ----- to which is added, a description of the costume, cast of the characters, entrances and exits, relative positions of the performers on the stage, and the whole of the stage business. As now performed at the Theatres Royal, London: Embellished with a Fine Engraving, By Mr. Bonner, from a Drawing taken in the Theatre, By Mr. R. Cruikshank."* ** Caroline Boaden : William Thompson or, Which is He - A Farce in Two Acts; J. B. Buckstone : Happiest Day of My Life - A Farce in Two Acts; Butler, Richard (Earl of Glengall) : The Irish Tutor, or, New Lights - A Comic Piece in One Act; Andrew Cherry : The Soldier's Daughter - A Comedy in Five Acts; Mrs Inchbald : Animal Magnetism - A Farce in Three Acts; James Kenney : The Illustrious Stranger or, Married and Buried - An Operatic Farce in Two Acts; W. T. Moncrieff : Giovanni in London or, The Libertine Reclaimed - An Operatic Extravaganza in Two Acts; Thomas Morton : Town and Country - A Comedy in Five Acts; W. C. Oulton : The Sleep Walker or Which is the Lady? - A Farce in Two Acts; John Howard Payne : Charles the Second or, the Merry Monarch - A Comedy in Two Acts; John Howard Payne : The Lancers - An Interlude in One Act; R. B. Peake : The Duel or, My Two Nephews - A Farce in Two Acts; J. Thomas G. Rodwell : A Race for a Dinner- A Farce in One Act.** Previous owner's stamp on front free endpaper, otherwise a very good collection, without any damage, library stamps, inscriptions or other markings. Images available on request.

Vintage program for the 1978 National Lampoon music and comedy roadshow. Six page, gate fold program, with show credits on verso of first leaf and recto of second, recto and verso of third leaf is a two page add for their forthcoming film "Animal House" (the verso being a full-color photo of the "Animal House" cast), and on verso of program (verso of second leaf), two, two-color ads, top for the 1977 National Lampoon comedy album "That's Not Funny, That's Sick," and bottom, a subscription coupon for the magazine. In 1977 National Lampoon magazine released their sketch comedy album "That's Not Funny, That's Sick," developed largely from sketches from the 1973-1974 "National Lampoon's Radio Hour," and began production on, what would be, their phenomenally successful, 1978 film, "National Lampoon's Animal House." In 1978 National Lampoon began touring their second music and comedy theatrical production (their first being the widely acclaimed "Lemmings" from 1973). Named after, and featuring some of the sketches from their 1977 comedy album, the "That's Not Funny, That's Sick!" music and comedy roadshow toured college campuses throughout the US in the spring of 1978, in anticipation of and to promote the summer release of "Animal House." Featuring Rodger Bumpass, Sarah Durkee, Lorraine Lazarus, and Andrew Moses as The National Lampoon Players, with skits, songs, and music from Christopher Guest, Tony Hendra, Doug Kenney, Paul Shaffer, Brian Doyle-Murray, Gilda Rader, John Belushi, and many, many other National Lampoon alumni. 5.5 x 8.5 inches. Gate fold program, with two folds. Near Fine.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.