Andrew davidson illustrator (8 Ergebnisse)

Paperback. Zustand: Brand New. uncorrected proof edition. 96 pages. 8.00x5.25x0.25 inches. In Stock. Davidson, Andrew (illustrator).

Paperback. Zustand: Fair. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDAcceptable copy with clean pages. Creased from water. Andrew Davidson (illustrator).

Paperback. Zustand: Brand New. 208 pages. 9.50x6.25x1.00 inches. In Stock. Davidson, Andrew (illustrator).

dj. First Edition. [Short stories] FIRST EDITION. Octavo (25 x 16cm), pp.[6] 122. With numerous in-text illustrations by Davidson. Publisher's black cloth, white titles to spine. With the pictorial dust-jacket priced at £5.95 to front flap. Internally bright and clean. The faintest offsetting to endpapers. Some minor shelfwear to jacket extremities. Near fine. A series of creation myths regarding how different animals came to be. In Hughes' version of creation, God is often surprised by the spontaneity and will of his inventions.…

dj. First Edition. [Children's fiction] FIRST EDITION. Octavo (24 x 17cm), pp.87. Publisher's black cloth in black pictorial dust-jacket priced £9.99. Internally clean and free from spotting; spine-ends a touch bumped. Dust-wrapper is rubbed with minor chips and tears at spine ends. Very Good. Ted Hughes' classic of environmental children's fiction, following as a sequel to The Iron Man (1968), known as "The Iron Giant" in the United States.…

dj. First Edition. [Children's fiction] FIRST EDITION. REVIEW COPY with illustrated press release and review slip loosely inserted. Octavo (24 x 17cm), pp.87. Publisher's black cloth in black pictorial dust-jacket priced £9.99. A fine copy in slightly nicked and rubbed jacket. Ted Hughes' classic of environmental children's fiction, following as a sequel to The Iron Man (1968), known as "The Iron Giant" in the United States.…

ONE OF 50 COPIES, with a copy of the book signed by both illustrator and author, this with a signed print of one of the engravings tucked into the rear flap (numbered to match the edition), the title leaf (a bifolium of card) also signed and numbered by the author, and with the eleven other engravings printed by Paul L. Kershaw in large format (29.5 x 24 cm sheets), each signed by the illustrator and numbered and titled in pencil, interleaved with tissue guards, pp. 86, [2] (the book), 8vo; + Prints, 4to, the book and prints together in a black board box, title sticker to lid, fine. Lawrence's re-telling of the Alice story proceeds from the coincidence of the opening of the first underground railway in London in 1863 and the early development of Dodgson's tale; it places the familiar characters in a modern setting. The deluxe portfolio version provides a separate suite of Davidson's wonderful engravings, allowing their many witty details to emerge, alongside the original text (itself replete with many witty details).…

ONE OF 50 COPIES, with a copy of the book signed by both illustrator and author, this with a signed print of one of the engravings tucked into the rear flap (numbered to match the edition), the title leaf (a bifolium of card) also signed and numbered by the author, and with the eleven other engravings printed by Paul L. Kershaw in large format (29.5 x 24 cm sheets), each signed by the illustrator and numbered and titled in pencil, interleaved with tissue guards, pp. 86, [2] (the book), 8vo; + Prints, 4to, the book and prints together in a black board box, title sticker to lid, fine. Lawrence's re-telling of the Alice story proceeds from the coincidence of the opening of the first underground railway in London in 1863 and the early development of Dodgson's tale; it places the familiar characters in a modern setting. The deluxe portfolio version provides a separate suite of Davidson's wonderful engravings, allowing their many witty details to emerge, alongside the original text (itself replete with many witty details).…