andre arbus (10 Ergebnisse)

Paris, Institut de France 1965. In-4 broché de 15 pages. Bord de couverture insolée. Séance du mercredi 19 mai 1965. Académie des Beaux Arts.

Couverture souple. Zustand: bon. R200115187: 1931. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Pagination de 304 à 444. Quelques ilustrations en noir et blanc, dans et hors texte. Rousseurs sur les plats et le dos. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Leineneinband. M.zahlr.z.T.farb.Abb. 231 S. 31,5 x 25 cm. Beigefarb.,farb.bedruckte (Blätter) OLwd.m.weinrotem Deckelschild. Sehr gut erhalten. 1.500 Gramm.

First edition. 399 pp. Illus. with color & b/w plates. 4to. The first and only substantial monograph on this most important French Art Deco and modernist architect, designer, furniture maker, and sculpture (other than two very short works by George Waldemar in 1948 and 1956). Arbus (1903-1969) trained at the Ecole des Beaux Arts, Toulouse and at his family's cabinetmaking workshop. His career as an architect took off when his design of a single family house was exhibited at the 1937 International Exposition. A beautiful production. We could find no other copies bound in leather offered at sale or auction. Faint rubbing to rear board else a fine copy in original raw cardboard slipcase. Blind embossed maroon morocco, gilt spine letters, silk bookmark.

Carton d'invitation illustré (15x21cm) en 4 volets + dossier de presse de 30 pages + copie d'articles de presse. Le tout sous chemise illustrée en couleurs (21,3x30,5 cm). Joints le le programme et le Journal de l'exposition L'invention d'un regard (1839-1918) au musée d'Orsay. Ensemble en bon état. Livres.

[32] pp.; 26.7 x 21 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the United States Pavilion designed by Chermayeff & Geismar and related exhibits at the Japan World Exposition, held in Osaka, Japan, in 1970. Includes statements by Richard Nixon and Howard Chernoff. American photographers featured include Andre Kertesz, Diane Arbus, William Garnett, Garry Winogrand, Duane Michals, Lee Friedlander, Joel Meyerowitz, Paul Vanderbilt, Bruce Davidson, and Ansel Adams. Eight additional artists were included as part of the "New Arts pavilion," with work by Claes Oldenburg, Robert Whitman, Boyd Mefferd, Tony Smith, Newton Harrison, and Rockne Krebs. "In a completely enclosed area in the United States Pavilion stands the results of a pioneer experiment in which industrial corporations sheltered artists in residence and gave them the opportunity to explore advanced technology and transmute it into art." -- from the catalogue. Texts in English and Japanese. Fair / Good. 8.4 cm. of creasing, bumping, and handling wear to top right corner of publication with 2.8 cm. crease/bumping to top edge of covers; rubbing of spine edge; 2.4 cm. of bumping and creasing to bottom right corner of publication; and 7 cm. embossed markings on recto carrying through to title page. Bumping also carries through to pages, contents otherwise clean and unmarked.

[32] pp.; 26.7 x 21 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the United States Pavilion designed by Chermayeff & Geismar and related exhibits at the Japan World Exposition, held in Osaka, Japan, in 1970. Includes statements by Richard Nixon and Howard Chernoff. American photographers featured include Andre Kertesz, Diane Arbus, William Garnett, Garry Winogrand, Duane Michals, Lee Friedlander, Joel Meyerowitz, Paul Vanderbilt, Bruce Davidson, and Ansel Adams. Eight additional artists were included as part of the "New Arts pavilion," with work by Claes Oldenburg, Robert Whitman, Boyd Mefferd, Tony Smith, Newton Harrison, and Rockne Krebs. "In a completely enclosed area in the United States Pavilion stands the results of a pioneer experiment in which industrial corporations sheltered artists in residence and gave them the opportunity to explore advanced technology and transmute it into art." -- from the catalogue. Texts in English and Japanese. Very Good. Light rubbing of covers and cover edges. Light dinging: 2 mm. and 7 mm. to first page and 2 mm. to first six pages. contents otherwise clean and unmarked.

Zustand: Good. Original board portfolios, slightly soiled, with cloth ties. Vol. 1 is large format 32 x 45cm. with 32 plates, but Vol. 2 is printed on the cover. Vol. 2 is 4to format 25 x 32.5 cm, with 48 plates but vol. 1 is printed on the cover. Thick paper sheets loose as issued.OCLC Number 469712851.

Paris, Charles Moreau, 1953. (8) pp. et 48 planches en héliotypie, sous chemise cartonnée, dos toile. Couverture de J. DESNOS. Complet des 48 planches. Intérieurs et créations de LELEU, Albert GUENOT, Paul BEUCHER, Pierre VILLAIN, René GABRIEL, Jeanne COUTURIER, Maurice RINCK, Jacques DUMOND, Jean LESAGE, Louis SOGNOT, Maurice PRE, Gustave GAUTIER, Marcel GASCOIN, Gilberte COUTANT, Jean-Paul GUEL, BERTHAUX, Maurice JALLOT, Suzanne GUIGUICHON, BAILLON, SPADE, Roger LANDAULT, RAPHAEL, Pierre BLOCH, Jean PASCAUD, Jacques HITIER, Jean FRESSINET, Jean ROYERE, GAUBERTI, CAILLETTE, Pierre GUARICHE, SEIGNEUR, MOULIN D'ANGLES, Pierre PAULIN, André RENOU, Jean GENISSET, André ARBUS, GENEVRIERE, DOMIN, MARTIN, Jacques KLEIN, Jean SOUVRAIN. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Zustand: Good. Original board portfolio, slightly soiled, 25 x 32.5 cm. Thick paper sheets loose as issued. 48 plates.