anderson percy (19 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Graham Percy (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Good. Rare antiquarian book! Book shows some age & wear, including; cover scuffing, edge wear, fading/color discoloration, and some spine bumping. Pages are worn on their edges and are lightly foxing, minimal markings present inside preliminary pages, text and main interiors remain unmarked. Binding intact but is slightly loose/worn.

Zustand: New. In.

Hardcover. Zustand: Good. VARIOUS including: William Walcott; Henry Rushbury; Stanley Anderson; Percy Robertson; Randolph Schwaabe; Ian Strang;Job Nixon; Hanslip Fletcher; (illustrator). Good condition, quarto, tan boards printed in red and black, some wear to the edges of the spine, gift inscription dated 1927 on the verso of the front free end paper, some moderate foxing to edges and outer leaves (illustrations clean), 2 plus 7 pages of text then 12 tipped in plates. [QP].

Zustand: New. Whymper, Charles (illustrator). KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Zustand: New. Anderson, Percy (illustrator). KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Zustand: Neu. Anderson, Percy (illustrator). Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Buch. Zustand: Neu. Neuware - 'Costume: Fanciful, Historical and Theatrical' by Mrs. Aria offers a fascinating exploration into the world of historical dress, theatrical costume, and fashion design. This meticulously prepared republication delves into the history of costume, providing a rich resource for those interested in fashion history and the evolution of dress. From fanciful creations to historically accurate representations, the book examines the diverse aspects of costume across different periods and contexts. Whether you are a student of design, a theater enthusiast, or simply captivated by the artistry of historical clothing, this volume provides a comprehensive overview. Discover the intricate details and cultural significance of garments throughout European history. A timeless study for anyone interested in the art and history of costume.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New.

Hardcover. Zustand: Very Good. No Jacket. Percy Anderson (illustrator). First Edition. This is a Very Good Copy of this book in Publisher's original beige hardcover cloth boards with gilt title lettering to the front cover and spine with further gilt decorations present to the upper cover.This copy has NO previous names or inscriptions present.The book has a firm binding with no hinge weakness.Rare work and the time of listing no other copies in the original state of this book were available online.It's complete with some 16 coloured plates and over 80 drawings wrapped in and around the text and drawn by Percy Anderson.It';s a hugerly comprehensive work with dress from the medieval times,to the 12th Century and then each century through to the 20th Century,also Chapters on Corsets and masks,bridal wear,oriental dress theatrical dress etc.Top edge of the book is in gilt.There is just an odd foxing mark,some offsetting in brown to the endpapers.Outer boards remain clean and vibrant in colour tone.Great copy for the collector of this uncommon treatise,(xiii) 8vo 259pp First Edition [1906].

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in "Joan of Arc." | Period Charles XII of France ( he reigned from 1403 to 1461.) The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them?' Were the dresses 'fanciful' it would be easy for Anderson to describe them, but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the "M[?]"'. Ends: 'I thought everything as good as it cd be I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle. It was most thoughtful of you.' He ends in the hope that 1913 will be a crowning success you for [sic] & that you will have a very happy time'. THREE: 19 January [no year]. He is seeing 'Mr. Simmons' at 11 am the following day, and will 'look in' on Clarkson afterwards. He thanks him 'for all the good work' on 'The Country Girl', adding: 'I want you to put all yr "guts" please into the "Ulysses" wigs'. FOUR: 10 September [no year]. 'It is too kind of you to send me those lovely figs. There's nothing I like better, & I am most grateful.' FOUR: 31 December [1912]. The recipient William Clarkson was the owner of Clarkson's Wigs, Wellington Street, London. James Morton, in his 'Gangland Soho' (2012), alleges that Clarkson (who has a blue plaque to his name at 41-43 Wardour Street) was not only a repeated insurance fraudster, but a notorious homosexual blackmailer, after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'. RE Anderson & G & S: "The artist and costume designer Percy Anderson (1851-1928) was based in London where he exhibited watercolours at the New Water Colour Society in 1886. He designed costumes for the original productions of the last four Gilbert and Sullivan operas at the Savoy Theatre - The Yeomen of the Guard (1888), The Gondoliers (1889), Utopia, Limited (1893), and The Grand Duke (1896), and for several D'Oyly Carte revivals including that for Utopia, Limited considered by Rupert D'Oyly Carte in 1926 and but never realised. Given Gilbert's exacting attitude to his productions it is an accolade to Anderson that he worked with Gilbert on so many, including Gilbert and Edward German's Fallen Fairies (1909), when Gilbert said Anderson: 'surpassed himself'".