And tilman osterwold (10 Ergebnisse)
Verlag: Stadtische Galerie Ravensburg, 2004
- Hardcover
Anbieter: COLLINS BOOKS, Seattle, WA, USACOLLINS BOOKS
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Zustand: Gebraucht - Gut
EUR 17,85
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In den WarenkorbHARDCOVER. Zustand: Very Good. Hardcover edition. 128pp, octavo hardcover in deep red boards. book covers clean, light lean to book yet binding strong and solid, interior clean.
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- Softcover
Anbieter: Kepler-Buchversand Huong Bach, Weil der Stadt, DeutschlandKepler-Buchversand Huong Bach
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EUR 17,00
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4°, Broschiert. Zustand: Sehr gut. Auflage: 1. 213 S., lll. Gebraucht: sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 1130.
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- Softcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
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EUR 22,31
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First Edition. First edition thus. Softcover. 159 pages. Text in German with contributions by Hannah Weitemeier, Wulf Herzogenrath, and Tilman Osterwold. Includes some color and numerous black and white illustrations, a list of illustrations, a bibliography, and an index. A clean near fine copy in French style wrappers with some… slight toning to the edges. Internally a clean copy.
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Verlag: Stuttgart : Württembergischer Kunstverein, 1987
- Softcover
Anbieter: Klondyke, Almere, NiederlandeKlondyke
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EUR 16,50
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In den WarenkorbZustand: Good. Paperback, numerous (full page) colour and b/w illustrations (including photographs), text in German, 4to.
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Verlag: Stuttgart : Württembergischer Kunstverein, 1987
- Softcover
Anbieter: Klondyke, Almere, NiederlandeKlondyke
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 16,50
EUR 20,00 VersandVersand von Niederlande nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Paperback, numerous (full page) colour and b/w illustrations (including photographs), text in German, 4to.
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Max Beckmann, a dream of life : [in conjunction with the Exhibition Max Beckmann - a Dream of Life, Zentrum Paul Klee, Bern, March 31 - June 18, 2006]. ed. by The Zentrum Paul Klee, Bern, with Tilman Osterwold. [Authors Cornelia Homburg . Transl. Paul Aston ; Julia Bernard]
Homburg, Cornelia (Mitwirkender), Tilman Osterwold (Herausgeber) and Max Beckmann (Illustrator):
- Hardcover
Anbieter: Antiquariat Rohde, Hamburg, DeutschlandAntiquariat Rohde
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EUR 12,90
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Pp. Zustand: Wie neu. 159 S. : überw. Ill. ; 33 cm ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz auf Vortitel Sprache: Englisch Gewicht in Gramm: 1290.
Verlag: Wurttembergischer Kunstverein, 1980
Anbieter: Zubal-Books, Since 1961, Cleveland, OH, USAZubal-Books, Since 1961
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EUR 31,97
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In den WarenkorbZustand: Very Good. 64 pp., paperback, minor library markings else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
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Marlene Dumas Wet Dreams Watercolors
DUMAS, Marlene, Jean-Christophe Ammann, Thomas Knubben, and Tilman Osterwold
Sprache: Englisch
Verlag: Hatje Cantz and Stadtische Galerie Ravensburg, Ostfildern-Ruit and Ravensburg, Germany, 2003
- Hardcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
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EUR 111,53
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First Edition. First edition and first printing. Hardcover. 126 pages. Exhibition catalog for a show that ran September 28 through December 4 at Stadtische Galerie Ravensburg. Text in English and German. Features contributions by Jean-Christophe Ammann, Thomas Knubben, Marlene Dumas, and Tilman Osterwold. Includes numerous color… illustrations, biographical information, a list of previous exhibitions, and a selected bibliography. A fine copy in illustrated boards. No dust jacket as issued.
Sprache: Englisch
Verlag: Hatje Cantz and Stadtische Galerie Ravensburg,, 2003
- Hardcover
Anbieter: Design Books, New York, NY, USADesign Books
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EUR 133,84
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Hard Cover. Zustand: Fine. This is a fine hardcover copy without dust jacket as issued with almost no wear. Completely clean. Text in English and German. Illustrated in color. 10" high X 7" wide, 125 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Verlag: Wurtembergischer Kunstverein Stuttgart, Stuttgart, 1988
- Softcover
- Erstausgabe
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Ausreichend
EUR 89,23
EUR 4,33 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbTrade paperback. Zustand: Fair. Presumed First Edition, First printing. The format is approximately 11 inches by 12.5 inches. 223, [1] pages. Illustrations (some in color). Biography. Catalogue of Work. Index. Text is in German. Short sections in English. Images are in a universal optical language. The cover has front and rear f…laps, tears, creases and other wear and soiling. Some edge soiling. Marco Polo di Suvero (born September 18, 1933), better known as Mark di Suvero, is an abstract expressionist sculptor and 2010 National Medal of Arts recipient. He moved to New York City in 1957 to begin a career as a sculptor. He worked part-time in construction and began to incorporate wood and metal from demolition sites into his work. By 1965, he was able to walk without assistance. He is one of the 16 artists featured in Chronicles of Courage: Very Special Artists, a book that featured the accident and the subsequent effect it had on his health. In 1975, his sculptures were exhibited in the Tuileries Garden in Paris, the first living artist to hold an exhibition there. He returned to the United States and opened a studio in Petaluma, California in 1975. While the Petaluma studio is still active, di Suvero also and opened a studio in New York. In 1976, the Whitney Museum of American Art in Manhattan housed a retrospective exhibition of di Suvero's smaller structures, while the city of New York exhibited some of his larger sculptures all around town. His 1966 sculpture, Praise for Elohim Adonai, was erected in front of the Seagram Building. In January 2024, the work was permanently installed adjacent to David Chipperfield's East Building for the Saint Louis Art Museum. Includes essays in English: Donald Goddard Mark di Suvero: An epic reach and Thomas B. Hess: Mark Cones in Like a Lion and and SidneyGeist: A New Sculptor" Mark di Suvero. The Württembergischer Kunstverein, founded in 1827 and located in the center of the city of Stuttgart directly on Schlossplatz, is one of the largest art associations in Germany with its approximately 2,500 members, exhibition and event space of over 1,700 square meters, workshops and a studio building. Its program, which is both local and global in its orientation and constantly tries out new and unusual forms of presentation, mediation and participation, is not only respected in Stuttgart, but also on a broad international level. The Kunstverein sees itself as a place of open, even controversial engagement with the diverse methods and practices of contemporary art and with its far-reaching socio-political fields of reference. Exhibition and debate, art and theory, research and production are just as important as fathoming collective and participatory working methods and opening the house to diverse communities. It is about a space of action in which the relationships between art, artists, the institution, socio-political issues and various publics are constantly renegotiated: in conversations, discussions, working groups, workshops or actions, as well as through access to publications and other materials and infrastructures. These infrastructures include not least the rooms of the Kunstverein itself, which are available to local actors and groups as shared spaces for their own meetings, events and articulations. In addition to its own program, numerous activities of other local initiatives also take place in the Kunstverein's rooms. The Kunstverein does not have a collection, but can and must constantly redefine itself and its focal points. This allows it to work close to the agendas of contemporary art and leaves room for an open concept of art.
