And shepard sam (16 Ergebnisse)
- Softcover
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes KönigreichReuseabook
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EUR 2,89
EUR 11,59 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Aged book. Tanned pages and age spots, however, this will not interfere with reading.
Verlag: New York: Bantam 1968
- Softcover
Anbieter: Plurabelle Books Ltd, Cambridge, , Vereinigtes KönigreichPlurabelle Books Ltd
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EUR 7,16
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Paperback. Zustand: Good. Series: Bantam World Drama 211p white paperback, purple illustrated front cover shows two creases otherwise very well preserved, eight Off-Off Broadway plays by Shepard, van Italie, Mednick, Sankey et al Language: English.
- Hardcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
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EUR 22,54
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First Edition. First edition and first printing. Oblong hardcover. 60 pages. Exhibition catalog for a show that ran October 9, 1997 through June 14, 1998. Features a preface by Michael Govan and texts by Isaac Julien, Mark Nash, Lynne Cooke, and Sam Shepard. Includes 16 color illustrations, list of previous exhibitions, selected… bibliography, and a checklist. A very good plus copy in boards that are lightly rubbed. No dust jacket as issued.
Verlag: New American Library
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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EUR 16,19
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Good condition. Good dust jacket. Book Club edition. (Plays, Drama, Monologues) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: New American Library, New York 1989
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 18,03
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First edition. Edited by Barry Daniels. xii, 252pp. Pages and boards lightly age-toned, edges of boards nicked and worn, thus good only in a good only dust jacket with corresponding wear on edges.
Verlag: New American Library, New York 1989
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 27,04
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Edited by Barry Daniels. 252pp. Fine in a fine dust jacket.
Verlag: Bush Theatre), (London 1980
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 27,04
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Unbound. Zustand: Fine. Promotional brochure. One 8 1/4" x 11 1/2" white sheet printed in blue, folded to make six pages. A brochure advertising the Black Theatre Co-operative's production of Sam Shepard's *The Tooth of Crime* at Bush Theatre, as well as Bush Theatre's own production of *Topokana Martyrs' Day* by Jonathan Falla.… *Topokana Martyrs' Day* made its premier at Bush Theatre in 1983, but we can't be certain if this brochure is from the premier or a later production.
Weitere BilderPerformance Vol. 1, No. 5 Mar/Apr 1973, with Sam Shepard: The Tooth of Crime
Sam Shepard, Jean-Claude van Itallie, Stanley Kauffmann, Todd Gitlin and others
Verlag: New York Performance Foundation 1973
- Softcover
Anbieter: George Ong Books, New York, NY, USAGeorge Ong Books
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EUR 54,08
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Soft cover. Zustand: Fine. 120 pp., b&w illus. Essays by Todd Gitlin, Stanley Kauffmann, Richard Schechner and others. Scripts for Sam Shepard's "The Tooth of Crime" and Jean-Claude van Itallie's "Eat Cake" and more. This is the first appearance in print of "The Tooth of Crime," preceding by a year the trade edition published by… Grove Books (New York) and Faber and Faber (London). The play first opened in London and Princeton, NJ in 1972. A well-preserved, clean and unread copy.
Sprache: Englisch
Verlag: Warner Bros (Universal Pictures) 29.02.2008. 2008
Anbieter: Vulkaneifel Bücher, Birgel, DeutschlandVulkaneifel Bücher
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EUR 4,95
EUR 124,40 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
13,9 x 1,7 x 19,3 cm, DVD. Zustand: Wie neu. Auflage: Standard Version. 1 DVD kleine Lagerspuren an der Box, DVD neuwertig Sprache: Englisch Gewicht in Gramm: 100.
Sprache: Französisch
Verlag: Greno Verlagsgesellschaft mbH, West Germany 1984
- Softcover
Anbieter: Lost Books, AUSTIN, TX, USALost Books
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EUR 148,73
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Trade paperback. 512 p. Audience: General/trade. Good. Wear to cover and edges Text appears unmarked.
Sprache: Französisch
Verlag: Greno Verlagsgesellschaft mbH, West Germany 1984
- Softcover
Anbieter: Lost Books, AUSTIN, TX, USALost Books
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EUR 328,11
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Trade paperback. Zustand: Very good. 512 p. Audience: General/trade.
Weitere BilderZOETROPE SHORT STORIES. Volume 1 Number 1. Winter 1997. [Zoetrope: All-Story].
Chaikin, Joseph; and Shepard, Sam; Barker, Nicola; Jones, Thom; Thomson, David; Powers, Sara; et al.Coppola, Francis; Founding Editor; Brodeur, Adrienne; Editor-in-Chief.
Verlag: New York: AZX Publications, 1997. 1997
- Softcover
Anbieter: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, USABlue Mountain Books & Manuscripts, Ltd.
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EUR 112,68
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Zustand: Good. - Small folio [14 inches high by 10-1/2 inches wide], unbound leaves laid into pictorial wrappers, as issued. The wraps are lightly rubbed & chipped with some rippling to the paper. There is a partially detached mailing label on the front wrap. 58 pages, unbound as issued. Full-page pictorial story titles in color…. There is a small area of very light dampstaining to the bottom corners of the pages. Good. Francis Coppola explains in his introductory Letter to the Reader that this new magazine will publish only short stories and one-act plays. He emphasizes that stories will not be chosen because they seem to lend themselves to film adaptation but solely on the strength of the writer's voice and the quality of the writing. Each issue will include a short story commissioned by Coppola and based on a idea provided to the writer, and also a classic short story which has been successfully adapted to film. The magazine was later renamed Zoetrope: All-Story and has received every major short-fiction award, including the National Magazine Award for Fiction.Among the contents of this first issue are a commissioned story,"The Baker's Wife" by Sara Powers; an essay by David Thomson "What Happens Next? Hollywood and the short story"; and fiction by Nicola Barker, Joseph Chaikin and Sam Shepard, and Thom Jones.Rare.
Eight Plays from Off-Off Broadway
(SHEPARD, Sam, Frank O'Hara and others). Nick Orzel and Michael Smith, edited by
Verlag: The Bobbs-Merrill Company, Inc, Indianapolis 1966
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 135,21
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition, clothbound issue. Introduction by Michael Smith. Octavo. 281 [1] pp. Illustrated from black and white photographs. Covers trifle splayed, about fine in a modestly toned and lightly soiled, very good dust jacket with a couple of tiny chips and short…tears. Contains Pulitzer Prize winner Sam Shephard's first play in book format, "Chicago," which would win an Obie award the same year for Best Distinguished Play. The other playwrights included are Frank O'Hara ("The General Returns from One Place to Antoher"); Landford Wilson ("The Madness of Lady Bright"); Joel Oppenheimer ("The Great American Desert"); Paul Foster ("Balls"); Jean-Claude van Itallie ("America Hurrah"); Maria Irene Fornes ("The Successful Life of 3"); and Megan Terry ("Calm Down Mother"). Also includes notes on several "Off-Off Broadway" theatres. Somewhat uncommon in the hardcover issue.
Fool For Love. World Premiere. Poster [with Elvis Presley tongue kissing in 1956].
Wertheimer, Alfred and David Healy (artists) and Sam Shepard (writer)
Verlag: San Francisco: Magic Theatre.
- Softcover
- Manuskript
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 157,75
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Zustand: Good. 29 x 23 inches. Printer proof with 3 smaller poster and one large one.Interview with Wertheimer about the photograph on this poster:'How did you shoot the "Kiss"?I was in the men's room on the floor above the stage area at the Mosque Theater in Richmond, Virginia, on June 30 of 1956. I got more or less sidetracked… and then I turned around and said: "Where's Elvis?" Elvis had disappeared. I go down the stairs of the theater. I get down to the landing where the stage area is. You've now got 3,000 kids, mostly girls, in there, and the "Elvis Presley Show" is going on; except there's no Elvis Presley around. I look down this long, narrow passageway, the light at the end of the tunnel. There's a silhouette of two people at the far end, and I say, "Oh yes, there's Elvis, with a girl, his date for the day." Do I interrupt them? Do I squeeze off a frame or two from a distance or do I go closer in? Well, you start off becoming a human tripod, because you don't want to start using flash. It's really quite dark. So then you decide, well, if I get closer and Elvis gets annoyed, he might say, "Al, get out of here, you've had it, go back to New York, don't bother." But, if I don't shoot it, I can't really consider myself a journalist. After all, I came here to do the story, and that's part of the story. There's a handrail on the left side. So I move up about five feet, and they're busy, they're intently involved with themselves. So I climb up on the handrail, and I wrap my legs around these metal tubes, and I'm now shooting over her shoulder, into his face. I'm getting close-ups. Nobody's paying any attention to me because when people are doing things that are more important to themselves than having their picture taken, you usually get good pictures. It's a simple formula. So now I'm not satisfied, typically. I'm not satisfied with what? I'm not satisfied with back lighting. I want front lighting. But the only way to get front lighting is to go beyond where they are. So I put on my best maintenance man voice and say, "Excuse me, coming through." I squeeze past the two of them. Again they don't pay attention to me because they're like hypnotizing each other. I'm now set on the landing facing the two of them, and I'm setting myself with the frame. It's a fairly decent composition, and I'm waiting for something to happen within my frame. She says to him: "Elvis, I'll betcha can't kiss me," and she sticks out her tongue just a teeny bit. And he says, "I'll betcha I can," in a very masculine, cool way. And he then approaches the kiss, he's got his tongue stuck out just a wee bit, and he overshoots the mark. I didn't realize that till I developed my film later on. He bent her nose, you see, a very romantic view. So now he backs off coolly, and tries it a second time, comes in for a perfect landing, and that's the end of that. That tenth of a second became history.' Provenance: Peter Howard, Serendipity Books, Berkeley.
Verlag: East Hampton, New York 1971
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 112,68
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Unbound. Zustand: Near Fine. Broadside. Illustrated by Isadore Seltzer. Measuring 11" x 17". Near fine with some toning. Poster for two performances at the Old Post Office Theatre in on Newtown Lane in East Hampton, New York, co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specializ…ed in avant-garde plays by the likes of Harold Pinter, Terrance McNally, Sam Shepard, Eugene Ionesco, Joe Orton, Rochelle Owens, Boris Vian, Leonard Melfi, and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performance and even less that have survived.
Verlag: San Francisco: Magic Theater. 1983
- Manuskript
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 135,21
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Zustand: Good. Poster. 24 x 16 inches. Interview with Wertheimer about the photograph on this poster:How did you shoot the "Kiss"?I was in the men's room on the floor above the stage area at the Mosque Theater in Richmond, Virginia, on June 30 of 1956. I got more or less sidetracked and then I turned around and said: "Where's El…vis?" Elvis had disappeared. I go down the stairs of the theater. I get down to the landing where the stage area is. You've now got 3,000 kids, mostly girls, in there, and the "Elvis Presley Show" is going on; except there's no Elvis Presley around. I look down this long, narrow passageway, the light at the end of the tunnel. There's a silhouette of two people at the far end, and I say, "Oh yes, there's Elvis, with a girl, his date for the day." Do I interrupt them? Do I squeeze off a frame or two from a distance or do I go closer in? Well, you start off becoming a human tripod, because you don't want to start using flash. It's really quite dark. So then you decide, well, if I get closer and Elvis gets annoyed, he might say, "Al, get out of here, you've had it, go back to New York, don't bother." But, if I don't shoot it, I can't really consider myself a journalist. After all, I came here to do the story, and that's part of the story. There's a handrail on the left side. So I move up about five feet, and they're busy, they're intently involved with themselves. So I climb up on the handrail, and I wrap my legs around these metal tubes, and I'm now shooting over her shoulder, into his face. I'm getting close-ups. Nobody's paying any attention to me because when people are doing things that are more important to themselves than having their picture taken, you usually get good pictures. It's a simple formula. So now I'm not satisfied, typically. I'm not satisfied with what? I'm not satisfied with back lighting. I want front lighting. But the only way to get front lighting is to go beyond where they are. So I put on my best maintenance man voice and say, "Excuse me, coming through." I squeeze past the two of them. Again they don't pay attention to me because they're like hypnotizing each other. I'm now set on the landing facing the two of them, and I'm setting myself with the frame. It's a fairly decent composition, and I'm waiting for something to happen within my frame. She says to him: "Elvis, I'll betcha can't kiss me," and she sticks out her tongue just a teeny bit. And he says, "I'll betcha I can," in a very masculine, cool way. And he then approaches the kiss, he's got his tongue stuck out just a wee bit, and he overshoots the mark. I didn't realize that till I developed my film later on. He bent her nose, you see, a very romantic view. So now he backs off coolly, and tries it a second time, comes in for a perfect landing, and that's the end of that. That tenth of a second became history.
