And ritchie ward (12 Ergebnisse)

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Zustand: Fine. - Octavo, stapled printed gray wraps. Extremities slightly faded. iv & 44 pp. Near fine. Archer's subject is 'The Private Press: Its Essence and Recrudescence", and Ward's is "Tradition and the Printers of Southern California".

Paperback. First edition. 20pp. Very slim octavo [23 cm] Stapled pale blue and black printed wraps. Very good, with minor sunning along the fold of the spine, and gentle bumping to the bottom fore edge corners of the pages. Tyrus G. Harmsen's slip stating, "With the compliments of the Robinson Jeffers Committee and the Library Patrons of Occidental College," tucked in. With a checklist of the Lilienthal Jeffers Collection by Tyrus G. Harmsen.…

Soft cover. Zustand: Very Good. 1st Edition. 49 Pp. Blue Wrappers Stamped In Dark Blue And Black. One Of 300 Copies, Softcover Issue (A Few Were Issued In Hardcover). Colophon Indicates February 1940 Printing, But Single Printed Sheet Laid In Loosely Indicates This Was Actually Printed In April Or Mayalthough Inteneded As A Christmas Greeting For 1939.Clean Lightly Used, But 1/4" Tear At Top Of Front Spine Edge.…

Softcover. Zustand: Fine. First edition. 12mo. [8] pp. Fine in stapled pictorial wrappers.

Wrappers. First Edition. Illustrations Wrappers a little faded, otherwise a very nice copy Contains Ward Ritchie's essay "Books and Memories", an contributions by John Dreyfus, Lawrence Clark Powell, Adrian Wilson and Jake Zeitlin.

dj. San Francisco: The Book Club of California, 1981. 12mo, 64 pp. Publisher's brown cloth with gilt design on upper board, plain dust-wrapper. Bookplate. A fine copy with the prospectus laid in. § One of 650 copies printed by Richard Hoffman. Designed by Ward Ritchie with engravings by Pall Bohne.

Stapled wraps. Zustand: Very Good+. First Edition. (printed wraps) [some uneven fading to the front cover, a couple of tiny stains along left edge of front cover, a bit of rust on the staples]. SIGNED by Ritchie on the title page. The Archer paper is entitled "The Private Press: Its Essence and Recrudescence"; The Ritchie paper is "Tradition and the Printers of Southern California." A small card, folded and inserted over the top of the title page, reads: "A Roxburghe-Zamorano Keepsake 1968 from the UCLA Library." Signed by One Author.…

Hardcover. Zustand: Fine. Slipcase. 1st Edition. Xii, 170 Pp. Tan Cloth. First Edition. One Of 100 Of A Special Signed, Limited Edition, Signed By Apostol And Ward Ritchie On The Colophon. Fine In Fine Slipcase. [There Was Also A Much Shorter Softcover Trade Edition. Signed by Author(s).

dj. First Edition. First edition. One of a designated 500 copies. Though not called for, this copy SIGNED BY WARD RITCHIE, the book's designer, at the colophon. Introduction by Dave Oliphant. "The manuscript consists of a collection of songs gathered and copied by Una Jeffers [while in Ireland], illustrated with more than one hundred original drawings by Robinson Jeffers, all published here in facsimile" (from the prospectus). 8vo oblong linen-covered boards measuring approximately 12.5 x 8.25"; 186 pages. Original prospectus laid in. Fine in fine, plain white dust jacket, as issued. Signed. …

The Limited Editions Club signed limited edition of this collection of three maritime novellas. Quarto, bound in full modern morocco by Sangorski & Sutcliffe with gilt titles and tooling to the spine in six compartments within raised gilt bands, gilt ruling and detailing to the front and rear panels, all edges gilt, gilt turn-ins and inner dentelles, marbled endpapers, with color illustrations and initial decorations. Boldly signed by designer and printer Ward Ritchie and illustrator Robert Shore on the colophon page at the rear. One of 1,500 numbered copies, this is number 511. In fine condition. Introduction by Leo Gurko. Illustrations by Robert Shore. Designed and printed by Ward Ritchie at The Ward Ritchie Press. Polish-British writer Joseph Conrad is widely considered one of the greatest novelists of the English language. Writing near the peak of the British Empire, Conrad drew, among other things, on his native Poland's national experiences and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated worldâ"including imperialism and colonialismâ"and that profoundly explore the human psyche. Youth: A Narrative; Typhoon; The End of the Tether by Joseph Conrad is a collection of three maritime novellas that explore themes of endurance, disillusionment, and the psychological burden of duty through the lens of seafaring life. In Youth, Conrad presents a nostalgic reflection on the idealism of early manhood, while Typhoon examines a captainâs stoic resolve amid natural catastrophe, emphasizing the moral dimensions of leadership. The End of the Tether offers a more somber meditation on aging, isolation, and the quiet heroism of a captain confronting blindness and obsolescence. Together, the stories form a thematically unified study of character under duress, showcasing Conradâs mastery of impressionistic style, interior monologue, and maritime realism.…

No. 44 of 50 copies, signed by Stuart. Introduction by Ward Ritchie and signed by him in ink. With red printers' flowers used throughout and some ornaments of birds, butterflies printed in red and blue, line blocks of the areas of the house where the words were inscribed including a moveable flap on the 'Minstrel's Gallery'. Printed in Fabritius type in light blue, dark blue and red on Ingres Antique paper. The reproduced calligraphy of direct printed copies of Jeffers' own script. Oblong sq. 8vo., original ivory canvas with inset printed fleuron. Housed in the original ivory canvas Soldander box with inset cast paper design of the front door of Tor House by the book and paper artist Joseph D'Ambrosio. Extremely good. The imprint of Gloria Stuart, possibly best known for her role as the elderly Rose in the film Titanic. She began printing late in life, buying a Vandercook proof press and accumulating type including Bruce Rogers' Centaur type and Frederick Warde's Arrighi type. She was most enamoured by Rudolf Koch's Antiqua of which she acquired an almost complete range. She began printing broadsides but soon moved onto books, her first being Enishi. In Matrix vol. 8 Ward Ritchie describes her books as "ingenious in their concept and each one quite different". In her early life Gloria had lived in an artists' colony in Carmel and as Ritchie says, she began to revive some of her memories there in her projects for her press Imprenta Glorias. She was especially exercised by Robinson Jeffers who had lived in and wrote about the area, and his poetry had held great importance in her life. Jeffers had painstakingly built a stone house called 'Tor' as well as tower he called 'Hawk' on a point overlooking the coast, personally dragging up the boulders he used from the shore. On the beams and archways he painted or carved quotations which appealed to him for his wife and twin sons. Gloria Stuart gathered these together for this book which give an insight into Jeffers and his inspirations.…