And jan morris (17 Ergebnisse)

Hardcover. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Zustand: Very Good. Everest - editors: Ian Penberthy and George Lewis ; foreword by Jan Morris.

Laminate p/b.; unpaginated; with stunning colour photographs by Paul Wakefield throughout. VG, clean copy in VG dw.

Zustand: Near fine. Zustand des Schutzumschlags: Good. First edition. Oblong 4to. 320 pp. Illustrated copiously throughout with b/w and full colour maps, photographs, and paintings depicting the City of Toronto as it appeared in the early part of the 20th century. Edges slightly toned. Pages clean and bright. Binding strong and square. Boards and spine very lightly shelf worn. The d/j has a small enclosed tear (roughly 2 cm) on the back by the spine, and is lightly rubbed/worn. Hardcover: black cloth over boards with d/j.…

Paperback. Zustand: Very Good +. 11 x 9 1/2 in. Heavy paper covers. Lavish color and B&W illus. Condition is VERY GOOD+ ; minimal edge wear, covers very clean and bright, binding tight, text perfect. Art. RGR.

Softcover. Zustand: Near Fine. Reprint. 256pp. Pictorial wrappers. Pages evenly age-toned, near fine.

Zustand: About fine. About fine. First edition. Oblong 4to. 280 pp. Illustrated with 277 full colour and b/w plates with several full-page spreads. An exhibition catalogue for a show of the same name that took place at Tate Britain (London) from October 9, 2003 to January 11, 2004, and touring to Kimbell Art Museum, Fort Worth (TX, USA) from February 15 to May 30, 2004. Pages bright and clean. Binding strong and square. Spine and boards lightly worn along the foot. D/j lightly worn/rubbed. Hardcover: blue cloth over boards with complete d/j.…

First Edition. First edition. Softcover. Exhibition catalog. Text in English, French and German. Features contributions by Michael Bracewell and Jan Winkelmann along with the text of a conversation between Michael Tarantino and Morris. Includes numerous color illustrations. A clean very near fine copy in wrapers.…

Stated First edition with a 1 present in the number line; 4to.; cloth covered boards, hardcover; 159 pages; color photographic illustrations; very good in a price-clipped and lightly edge-rubbed dust jacket.

Hardcover. Zustand: Very Good. Title: The Oxford Book of Oxford Publisher: Oxford University Press, Oxford Publication Date: 1979 Binding: Hardcover Condition: Very Good Dust Jacket Condition: Very Good (price-clipped) Description: A very good copy of The Oxford Book of Oxford, published by the Oxford University Press in 1979. Price-clipped dust jacket in excellent condition, clean and bright with minimal edgewear. Strong and square boards with tight binding. No inscriptions or other marks. Text clean and sharp throughout. Illustrated with black and white photographs and drawings depicting the history, architecture, and life of Oxford. Bibliographic details: 8vo, original cloth boards, gilt spine title, illustrated endpapers, 402 pp.…

First Edition. First edition. Softcover. Exhibition catalog for a group show that ran October 22 through December 4, 1966. Features introduction and essays on Donald Judd, Robert Morris, Lucas Samaras and H.C. Westerman by Martin Friedman. Also features Jan van der Marck's essays on Christo, Claes Oldenburg, George Segal, and Ernst Trova. Includes black and white illustrations and informtion about each artist as well. A very good plus copy in wrappers that have some of the usual rubbing.…

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 1 kg.; 29 x 24 cm.; 151 pages with black and white illustrations.; Used with signs of wear on the exterior and interior. The exterior shows minor edge wear and minor scuffs ans scratches on the front cover, spine and back cover. Two tiny tears, one on the top left side of the front cover and the other on the rear of the back cover. Interior with minor signs of wear.; With the elegance, discrimination and knowledge that distinguished his two recent and brilliantly received albums of nineteenth-century photographs of Asian life, The Last Empire and Imperial China, the photo-historian Clark Worswick now gives us this landmark photographic album of Japan from 1854-1905. The beauty and fierceness of that country's almost medieval nineteenth-century society is revealed in 120 extraordinary photographs by the remarkable Euro- pean and Japanese photographers of the day. In this book-which includes 16 pages in full color reproducing the artfully hand-tinted photographs the Victorians loved-we see the splendor that marked the final years of the Tokugawa shogunate and the first, often curious, images of Westernization that heralded Japan's transformation from an insular, feudal country to a modern world power. Here are the faces, the costumes, the manners, the professions of that time, the landscapes, the countryside, the city streets, the interiors rich and poor. The development of a Japanese vision in photography can be attributed to a heterogeneous mix of talents- European as well as Japanese. Among those represented here: Felix Beato, an Italian military photographer who was the first, and the most important, European photographer in Japan and who extensively documented the last years of the old regime; Baron von Stillfried, an Austrian nobleman who later bought out Beato's firm and whose dramatic studio portraits were characterized by a grave beauty and a singular intensity; and, in an astonishing modern mode, the two leading Japanese photographers of the time, both of them trained by and in many ways surpassing Beato and Stillfried. One of them, Kusakabe Kimbei, the protégé of Stillfried, perfected the art of the psycho- logical portrait and became the great Japanese photographer of the nineteenth century; the other, Ogawa Isshin, the most successful society photographer of nineteenth-century Japan, whose exquisite portraits are best considered in the context of a renaissance of traditional, spiritual Japanese art.…

Hard Cover. First Edition. F/F. Folio. original grey cloth in dustwrapper priced £40 (a trifle rubbed); pp. 288, with illustrations. Oversize item (2.5 kg), additional postage may be required for domestic and international delivery. A fine copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. A good thick, brown cloth, hardback book, nice design on front board and spine, gorgeous gilt title impressions on the spine. This wonderful book is in fabulous condition, comes with black box, slipcase. Normal wear, marks and tear apply consistent with use and age. Looks look like the book has hardly been used or read. 350 pages, all intact, all pages, text and lovely illustrations are in really good, clean, readable order. Please note as this is a heavy book, postage overseas may increase from listed price depending on final destination. Frontispiece: South side of St. Mark's after rain. Typeset at The Folio Society in Monotype Centaur. Printed on St Paul's Wove Paper at St Edmundsbury Press, Bury St Edmunds. Bound at Hunter & Foulis, Edinburgh in full cloth blocked with a design by David Eccles, based on Ruskin's drawing of the Casa d'Oro. Another stunning book from The Folio Society.…

Zustand: Very Good. First Edition. New York: Museum of Modern Art, 1970. First Edition. Quarto (28cm); publisher's printed wraps and photographic endsheets; 207pp; illustrations throughout. Wraps rubbed and lightly toned; spine scuffed. Binding sound. Textblock, endsheets, and interior pages toned. Very Good only. Catalog for MoMA's 1970 survey of Conceptual art that was "political, process-based, or required audience participation." Featuring one hundred American and European artists, Information is regarded as a landmark in art history because of its engagement with the media landscape and resistance to the mainstream art market. "50 Years Later, a Conceptual Art Exhibition Still Courts Controversy," MoMA . …

OUP, [1978]. 8vo. Original boards with illustrated dust-wrappers (not price-clipped), illustrated endpapers; pp. xi, 402, sketch map and plates; near-fine, name on half-title.First edition, presentation copy inscribed and signed by the author, dated 1978 on title-page.