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Buch. Zustand: Neu. Neuware - Amigo the Capybara tells the story of Amigo, a friendly capybara, and Mila, a grumpy chinchilla. Through delightful rhyme and expressive art, children learn about friendship and compromise as Amigo navigates his relationship with Mila. This heartwarming tale teaches valuable lessons in empathy and understanding, perfect for young readers.
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Buch. Zustand: Neu. Noble Beasts | Hunters and Hunted in Eighteenth-Century French Art | Amy Freund | Buch | Einband - fest (Hardcover) | Englisch | 2026 | Yale University Press | EAN 9780300282702 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: Yale University Press Feb 2026, 2026
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Buch. Zustand: Neu. Neuware -How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. Noble Beasts highlights the work of Franc ois Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art's aesthetic and political claims blurred the lines between human and animal.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 248 pp. Englisch.
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In den WarenkorbHardcover. Zustand: Brand New. 248 pages. 11.01x8.51x11.26 inches. In Stock.
Sprache: Englisch
Verlag: Yale University Press Feb 2026, 2026
ISBN 10: 0300282702 ISBN 13: 9780300282702
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Buch. Zustand: Neu. Neuware - How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. Noble Beasts highlights the work of Franc ois Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art's aesthetic and political claims blurred the lines between human and animal.
Sprache: Englisch
Verlag: Yale University Press Feb 2026, 2026
ISBN 10: 0300282702 ISBN 13: 9780300282702
Anbieter: Books-by-Floh, Paderborn, Deutschland
Buch. Zustand: Neu. Neuware -How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. Noble Beasts highlights the work of Franc ois Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art's aesthetic and political claims blurred the lines between human and animal. 248 pp. Englisch.