American edition editor (10 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover no dustjacket. Zustand: Very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery Good hardcover no dustjacket; slight bump top front tip; SM4to; very slight spine slant from previous owner; clean pages; prompt shipping with tracking.

Hardcover. Zustand: Fair. No Jacket. Cover and binding are worn but intact. A reading copy in fair condition. All pages are free from any markings. Light scuffing and bumping visible to boards. Dust jacket is wrapped in its original mylar. Secure packaging for safe delivery.

Zustand: NEAR FINE. First American edition. Introduction to the American edition by Richard Griffith. This history is divided into three sections: the beginnings, 1904-1930, by Ferdinando Palmieri; transition period, 1930-1942. by Ettore Margadonna; and the post war period, 1942-1954 by Mario Groma. Among the directors discussed are Antonini, Fellini, Comencini, Tellini, and many others. The text for each section is followed by many pages of black and white photographs mostly of stills from the films. There are a total 76 pages of text and 217 pages of photos, usually with multiple photos on each page. Large format. Near fine in purple cloth (usual toning to the pages, and fading to the spine), no dust jacket. …

Hardcover. Zustand: Good. [12], 307, [1] pages. Illustrations. For Further Reading. , Ex-library with usual library markings. Partial DJ present. Name in ink on fep. Some front board weakness. This was translated from Du wirst die Edre sehn als Stern. One of Germany's top science writers probes the beginnings. progress and prospects of man's imminent first venture into space. His up-to-date and highly readable study gives a full, detailed picture of this newest frontier of science - and what it may mean to our society. "The science fiction of a few years ago has become scientific fat, and our pioneering instincts have turned to new horizons. Space conscious thinkers are haunted by the psychological, religious and social problems that will arise from man's new freedom in space. " Presumed first U.S. Edition, first printing.…

Hardcover. 4to, 26cm, 6,1058,[2]p., printed in double columns, many portrait text illustrations, bound in half brown morocco, blind ruled raised bands, gilt spine titles, brown cloth boards, some wear on the spine and top and bottom spine edge chipped but a very good sound clean copy (ds1).

Cloth. Zustand: Near fine. Zustand des Schutzumschlags: near fine. First Edition, First Printing. Oblong octavo, [unpaginated]. Red cloth boards, black cloth spine. Title and illustration in gilt on the spine. Stated "First Printing" on the copyright page. Dust remnant along top of text block, internally clean. In the publisher's near fine dust jacket, $9.95 retail price on the front flap, two archival repairs on verso at the spine, bright illustrations, a near fine example. Inscribed on the half title: "For Merrill / who had the good sense to use my drawings and help me have meat with my potatoes. Affectionately, Al Hirschfeld / Oct 18 '61." From the personal library of Merrill Panitt (1918-1994), the founder and editorial director of TV Guide. During World War II, Panitt served on the staff of Gen. Dwight D. Eisenhower, where he came to the attention of Walter Annenberg, the publisher of The Philadelphia Inquirer. Panitt joined The Inquirer in 1945 and worked with Annenberg to found TV Guide in 1953. He later became the director of Triangle Publications, the publisher of TV Guide, Seventeen Magazine, and many more. The first edition of The American Theatre as seen by Hirschfeld, inscribed Al Hirschfeld to Merrill Panitt, the editor of TV Guide. (illustrator). Signed. …

First Edition. Philadelphia, 1805. 2nd & final American edition. Final American Edition of a Landmark Treatise on Evidence Gilbert, Sir Geoffrey [1674-1726]. Sedgwick, James [1775-1851], Editor. The Law of Evidence. With Notes and Additional References to Contemporary Writers and Later Cases, And a Complete Table to the Whole, By James Sedgwick. Philadelphia: Printed by Joseph Crukshank, 1805. [viii], 246, [56] pp. Octavo (8" x 4-3/4"). Later library buckram, gilt title, location number and library name to spine. Light browning, light foxing in places, library stamp to head of title page, a few library markings to verso. $200. * Seventh (stated) edition, the second and final American edition, star-paged to Volume I of the sixth London edition, 1801. Derived from a manuscript and originally published anonymously, this was the first treatise devoted exclusively to evidence. As Holdsworth notes, "[i]t long held its place as the chief book on this topic; and Blackstone is loud in its praises." Indeed, Blackstone recommends it in the section on evidence in the Commentaries for a fuller treatment of the subject. The first American edition was published in 1788. The 1805 Philadelphia edition is drawn from a three-volume work. The two omitted volumes contain additional material by Capel Lofft. Holdsworth, Sources and Literature of English Law 120. Cohen, Bibliography of Early American Law 5056. Philadelphia, 1805. 2nd & final American edition (illustrator).…