Ambroise c (23 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

SC. Zustand: Gut. Obr, kl, 8?, 15s., in gutem Zustand. [SAP94], Deu 400g.

Zustand: New. In English.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN.…

No Binding. Zustand: Very Good. An antique stipple engraved portrait of a Scientist. The central portion is similar in size to a "miniature". Mounted and ready to frame, mount size 8x 10 ins, 20 x 25 cms. This engraving includes some information about the subject in French. A Zoologist. Engraved By Ambroise Tardieu (illustrator).…

No Binding. Zustand: Very Good. An antique stipple engraved portrait of a Scientist. The central portion is similar in size to a "miniature". Mounted and ready to frame, mount size 8x 10 ins, 20 x 25 cms. This engraving includes some information about the subject in French. A Botanist, Geologist and Mineralogist. Engraved By Ambroise Tardieu (illustrator).…

Zustand: New. In English.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9788842505655.

Zustand: New.

Hardcover. Zustand: Very Good. Reprint. Hardback. No Dust Jacket. Tall 4to. (37cm by 21cm) pp 60. Original publisher's red cloth, lettered gilt on spine and on front cover. Facsimile reprint of 1st edition: London, Michael Sparke, 1631. Slight fading and slight rubbing at corners, otherwise sound, very good. …

Couverture souple. Zustand: bon. RO30372832: 1984. In-4. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. Paginé de 250 à 261. Texte en anglais. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Soft cover. Zustand: Near Fine. First Edition. 140 Pages. Text Pages In English. Long Closed Tear To Top Edge, A Few Surface Cracks Around Lower Spine, Otherwise Near Fine And Square With A Single Slight Vertical Reading Crease On Spine. International Shipment At Additional Cost, By Insured Usps Mail.…

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782383496878. Mura, Ambroise (illustrator).

Buch. Zustand: Neu. Neuware - Ce livre est un texte historique sur la théorie des signes pour l'instruction des sourds-muets. Il explore les différents systèmes de signes et leur utilisation dans la communication, ainsi que leur importance dans l'éducation des sourds. Les lecteurs intéressés par l'histoire de l'éducation, la linguistique et les questions de handicap trouveront dans ce livre une source d'informations précieuse et originale.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Édition bilingue, franco-anglaise. Édition originale. Bel envoi pleine page de Waldemar George, et, in-fine, de Joséphine Beaudoin. Déchirure sans manque à la jaquette. [7732].

Leather. Zustand: Good. An uncommon Italian translation of this artistic work on the Column of the Grand Army of Austerlitz, illustrated throughout. A artistic history of the Column of the Grand Army of Austerlitz, which now sits in the Place Vendome in Paris. This column was erected in 1810 by Napoleon to commemorate the French army's decisive victory at the Battle of Austerlitz in 1805.Translated from the original French to Italian by F.C. Marmocchi.Including thirty-eight engraved plates, all by Ambroise Tardieu. Collated and complete.An uncommon work.Containing a stamp to the front free-endpaper from the 'Press Review Department', including a small ink signature, dated 1918. In quarter calf binding with imitation leather boards. Externally, shelf wear to the boards and rubbing to the spine and joints. Bumping to the extremities. Containing a stamp to the front free-endpaper from the 'Press Review Department', including a small ink signature. Internally, binding is strained in places. A few spots and handling marks to the pages, which are otherwise generally clean. Good. Ambroise Tardieu (illustrator). book.…

Soft cover. Zustand: Very Good. 1st Edition. Gr.4° - 134pp - One Lino-print (Patineurs) and One double-page original color Lithograph by Henri Matisse (La Danse) and four original color Lithographs by André Derain (Au jardin D'Allah), printed by Mourlot frères, color tipped-in Plates & B/w reproductions and B/w Photo-gravures by Brassai - Claude Simon - Bill Brandt - Breitenbach. Textes: Colloque dans un étre, Paul Valery - Le poète secret. par Pierre Reverdy - Nourritures, Jean-Paul Sartre - Grenade, F. Garcia Lorca - Au jardin D'Allah, Dr. J.-C. Madrus - Souvenir d'Amerique, Ambroise Vollard.First edition, text in French language. Original Boards (G. Rouault). In Very good condition.…

Leather. Zustand: Very Good. An early edition of Pierre Choderlos de Laclos' renowned epistolary novel, considered one of the most important early French novels, in a decorative contemporary full calf binding. An early edition of this important work, first published in 1782.A complete four volume set bound over two volumes.Illustrated with monochrome wood engraved headpieces.Bound in contemporary full calf, with gilt tooling and red morocco spine labels, retaining the original endpapers, blanks and half titles.Pierre Choderlos de Laclos' important French epistolary novel, following the story of the Marquise Isabelle de Merteuil and the Vicomte Sebastien Valmont, two former lovers, as they destroy each other and others. The work is written in the form of letters written between the characters. The work is considered to be a representation of the corruption of the French nobility, and was very successful, often seen to be one of the most important early French novels and being adapted into multiple plays and films.Written in the original French. Bound in contemporary full calf, retaining original endpapers, blanks and half titles. Externally, joints starting at the heads, with slight wear, rubbing to the extremities, joints and raised bands, and a minor chip to the head of the spine to 'Vol I'. Minor spotting to the endpapers. Internally firmly bound with only the odd very minor spot, and minimal offsetting to the odd page to the front and rear. Very Good. None (illustrator). book.…

Soft cover. Zustand: Fine. 1st Edition. Gr-4° (250x315mm)- 64pp in various colors and type of paper. Color & b/w reproductions. Minotaure N° 6 A large literary document on the Art. containing Important unpublished texts and Documents. The cover (rotorelief) is signed by Marcel Duchamp and includes a photograph (237x184mm) of Marcel Duchamp by Richard Lusby. Original wrappers (rotorelief) and original paper band. In Fine condition. Signed by Illustrator(s).…

335x265mm, 1. Der alte Berner Marsch für das Pianoforte. 3 Seiten. 2. Zähringer Marsch aus dem dramatischen Fest-Spiel zur 700 jährigen Gruündungsfeier der Stadt Bernvon C. Munzinger. Für Piano. 1891, 5 Seiten. 3. Fest-Marsch zur 700 jährigen Gründungsfeier der Stadt Bern für Pianoforte componirt von Alrin Sidler. II. Auflage. 1891, 5 Seiten. 4. Marche Persanne pour piano. Composée et dédiée à Sa Majesté Impérial Schah de Perse par Jean Strauss. Sans date, vers 1889, 6 pages. 5. A mon Elève Mlle. Serpik S. Zilposs. Marche Lakboulié. Composée pour piano par A. Mergian. Op. 101. Sans date, vers 1889, 5 pages. 6. Hommage respectueux à Mademoiselle Netta Tyndale. Une fête Trianon, 1776, Gavotte Caractéristique. Pour piano par Henri Roubier. Op.: 58. Sans date, 6 pages. 7. A Mr. le Comte de Coullanges. Air composée par le Roi Louis XIII. Transcrit pour le piano par Henry Ghys. Sans date, 5 pages. 8. Souvenirs de l'Exposition Horticole de Morges, 1882. Marche éxécutée par La Musique du 4e Régiment d'Infanterie de Westphalie N.° 17. Composée et arrangée pour piano à 2 mains par A. Bitzmann, Maître de Chapelle. 1882, 2 Pages. 9. Sans-nom. Mazurka per pianoforte di Gerolamo Rossi. Senza data, 3 pagine. 10. A son Ami Levassor: Polka Russe pour piano par A. Roosenboom. Sans date, 5 pages. 11. A Madame La Marquise de Contades. Furore Galop pour piano par Charles John. Sans date, 6 pages. 12. Valse Piano: Fleur de Blé. Charles Coote. Sans date, 15 pages. 13. A Monsieur Jules Tardiveau. Bella Bocca. Polka pour piano par Emile Waldteufel. Sans date, 9 pages. 14. Restons ici, Nocturne à deux vois égales dédié à Mdme. la Marquise de Lauriston. Paroles de Mr. Emile Barateau. Musique d'Auguste Panseron de la Chapelle du Roi et Professeur a l'école royale. Sans date, 3 pages. 15. A Mademoiselle Clémence Laval. La Mélancolie de Prume et Chant Bohémien variés pour le Piano par Charles Voss. Op. 118. En 2 suites. Sans date, 9 pages. 16. Slavator Rosa. Dramma lirico de Antonio Ghislanzoni. Musica de A. Carlos Gomes. Rappresenmato per la rpima voltas al Teatro Carlo Felice a Genova, il 21 Marzo 1874. Senza data, ca. 1874, 8 pagine. 17. A Mademoiselle Adèle Chauvets. Eleda. Valse pour Piano par Ernest Viollier. Sans date, sans éditeur, 3 pages. 18. Mignon. Opéra en 3 actes de Ambroise Thomas. Paroles de MM. Michel Carré et Jules Barbier, chanté par Mmes. Cabel, Galli-Marié, M. M. Achard, Couderc, Bataille. Catalogue thématique des Morceaux détachés avec acct. de Piano par Aug. Bazille. Sans date, 5 pages. 19. Album musicale du figaro illustré. Hymne d'un pâtre lydien par Vincenzo Ferroni., 2 pages. - Adoration par Paul Puget, 3 pages. - Chanson Tsigane. Extraite de l'Opéra-Comique ?Le Baron Tsigane? par Johann Strauss., 2 pages. 20. Les petits coupeurs de bois. Paroles de Mr. Vatinel. Musique de Paul Henrion. Sans date, 2 pages. 21. Bouffes Parisiens. La chanson de Fortunio. Opéra comique en un acte par Heugel & Cie. Edit. Paroles de M. : Hector Crémieux et Ludovic Halévy. Musique de J. Offenbach. Morceaux et arrangements pour Piano sur Fortunio. Sans date, 2 pages. 22. Le Lac. Méditation poétique. De Monsieur Alphonse de Lamartine. Mise en Musique par L. Niedeimeyer, 6e édition. Sans date, 8 pages. 23. Original-Edition. L'Addio a Napoli. Leb'Wohl, Neapel, Herrlich Chön. Lied mit Pianofortebegleitung von T. Cottrau. 1880, 5 Seiten. Cachets de possesseurs ou de bibliothèques sur les couvertures supérieures conservées. Briefmarken von Besitzern oder Bibliotheken auf den oberen Abdeckungen gehalten. Sono conservati i timbri dei proprietari e delle biblioteche sulle copertine superiori. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

Lettres Recueillies dans une Socie?te? Et Publie?es pour instruction de quelques autres par C*** De L***. Tomes Premier and Second. Pirate edition. 8vo., I: half-title, frontispiece, title, [1p.], pp-7-415 & half-title, frontispiece, title, [2pp.], pp-3-398, 5 plates. II: half-title, frontispiece, title, [2pp.], pp-3-398, 5 plates, page 39 misnumbered '36'. All plates in both volumes captioned. In matching contemporary blue marbled paper wrappers, with titles in black on a white spine label on each, the wrappers pasted to the half title and title respectively of a book from the time, on watermarked paper with the lower half of the ?grappes de raisin' with an ?F' on another leaf, untrimmed with very wide margins, English bookseller's notes in pencil in front of first volume and '20frs' in sepia ink in the back, French text. Londres [Paris], n.p., 1796 but probably 1815. £500.00 Dog eared, dusty, some water staining, missing at least one plate from the first volume an insertion to pages 28-29 and 2 others, the top halves of each half title removed, lower edges of one or two plates very dusty (not affecting image), another plate caught in the dog eared leaves and another worn on the lower margin, roughly opened in places. Possibly issued with tissue guards for the plates. The foreedges are worn with splits on the hinges. Gay 850 for the first edition etc and the true 1796 edition. In van Beveren who suggested 1815. ESTC T125277. Rare in the original wrap- pers. The BL copy wants for 6 plates including the frontispiece. Seemingly no copy in Harvard. A fake publication of the great epistolary novel, the imprint of ?Londres' suggests Paris and it is often the case of vice versa with other erotic books from the last three centuries published on either side of the Channel. ESTC cautions 'Matchers beware' and suggests that the wavy line above the date in this book rather than double straight ones, ?An 4' as a date on the first frontispiece and an 8 line title identifies it as a rip off of the true 1796 edition ( referencing Henri Cohen's guide to fake books with engraved plates). The BL's copy of the true first has ?An 4' on the frontispiece. ESTC also sug- gests papier Marais. The wavy lines are present but this cataloguer counts 7 lines not 8, and is unsure of the paper stock and the frontispiece is undated, all of which are identified by Cohen as the other points of issue for a nineteenth-century piracy. No collation is offered for how many plates should be present (though we feel that is moot with any pirate ? for as it is an illegal printing what exactly constitutes a complete copy anyway?). The true edition for 1796 has 2 frontispieces and 13 plates in all including the frontispieces, sug- gesting we are missing 3 illustrations. The engravings by Monnet, Fragonard fils et Ge?rard, en- graved by Baquoy, Duplessis-Bertaux, Dupre?el, Lemire, Patas, Pauquet and Simonet are celebrated in their own right and indeed good imagery is vital to any great erotic book from the libertine era. There are indeed other copies on the market identical to the copy in hand, citing Cohen and 1812. however unlike those leather bound copies, the solution as to what year those copies (and this one) were published may well lie in the wrapper lining from the 1815 first edition of ? Description des catacombes de Paris' by Louis E?tienne Franc?ois He?ricart-Ferrand published by Bossange et Masson, who legally published an edition of ?Liaisons' in 1820. Either way, whether 1812 or 1815, this is a fascinating copy in an ?English' state, before trimming and rebinding and retaining an original set of wrappers with an intriguing wrapper lining. The fak- ing of this particular 1796 edition explained by Gay's estimation of it as being '.la plus belle e?dition de cet ouvrage.' and one that sold for 67 Francs at auction at the dispersal of the Comte de La Be?- doye?re's very grand library in 1837 and which had doubled in price by 1877. The novel is dedicated to the art, force and effects of cruelty and seduction in the Ancien Re?gime. It was a bestseller of the time and was a succe?s de scandale , arguably subversive of the old order even though Marie Antoinette had a copy that was '.richly bound, but, as a sacrifice to modesty, bore no title on the outside.' ? ( xii ? Richard Aldington introduction reprinted in the Routledge edition of ?Li- aisons'). Aldington also notes that there were some 50 pirated editions and that, despite the great sales and succe?s de scandale , Laclos earned 1,600 francs apiece for the first and second editions, thus the '.the pirates must have robbed him of most of his possible gains' (op cit). Indeed, that great success continued well into the twentieth-century, the 1988 film starring Glenn Close, John Malkovich, Michelle Pfeiffer and Keanu Reeves took tens of millions of ticket sales and very positive reviews. The pirates, like this arguably ?best' one, had served the purpose of keeping the book in print and in readers' hands for far longer than Laclos could ever have envisaged. 243690. …