Amaranth borsuk (27 Ergebnisse)

Paperback. Zustand: Good. The book as object, as content, as idea, as interface.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Cover and edges may have some wear. Mild to Moderate creasing / bending to covers and pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New. pp. 344.

Zustand: New. 2018. Paperback. . . . . .

Paperback. Zustand: Brand New. 322 pages. 7.25x5.00x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 144 pages. 5.00x0.50x7.50 inches. In Stock.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 322 pages. 7.25x5.00x1.00 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: New. Special order direct from the distributor.

Zustand: New. Special order item direct from the distributor.

Taschenbuch. Zustand: Neu. Neuware - 123 artists, bookbinders, publishers, librarians, and scholars answer a deceptively simple question: What is a book In April 2018, after publishing The Book in The MIT Press' Essential Knowledge Series, Amaranth Borsuk began to approach artists, bookbinders, publishers, librarians, and scholars to inquire about their definition of the book. This collection, originally published in 2021 with 101 definitions and now expanded to 123, documents the responses and decentres the author's voice to draw attention to the many other formulations of what the book is and can be.Some definitions from the book:"The book is the physical limit at which we give up trying to contain a concept."Craig Dworkin"The book, for a very short time, stabilizes what flows through it, with the proviso that some works do not flow, just as some bodies do not progress from one time to the next in fluid or malleable ways. In this case, the book functions differently. It becomes the ground, a nearby or volatile ground for what lies down: upon it. Throw a charnel next over the book Set out a bowl of water for the unseen beings, the animals and birds, that gather at its boundary. Or brink."Bhanu Kapil"What is a book It stinks. B.OO. K. Like a drunk. L'IVRE. Each one is a long island, brother. L.I. BRO. A kit full of As and Bs. KITAB. Latin. LIBERation & Saxon BOG. The Taíno language would not have had a word for it but is had GUAROCO = to know, but also to remember (see petroglyphs). A book is a way of knowing, re-membering what is forever lost in translation."Urayoán Noel"A book is the flesh between flesh, a hard text sculpture from soft text immensities, a staged performance of time, a tangible glance of minds, the desire to speak other."Lisa Samuels. …

Taschenbuch. Zustand: Neu. Neuware - The book as object, as content, as idea, as interface.What is the book in a digital age Is it a physical object containing pages encased in covers Is it a portable device that gives us access to entire libraries The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term book commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.…

Zustand: NEW.

Paperback. Zustand: new. Paperback. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities. The book as object, as content, as idea, as interface. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Zustand: New. Amaranth Borsuk is Associate Professor in the School of Interdisciplinary Arts and Sciences at the University of Washington Bothell, where she also teaches in the MFA in Creative Writing and Poetics. She is the author of Between Page and Screen, a di.

Paperback. Zustand: New. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.…

Taschenbuch. Zustand: Neu. The Book | Amaranth Borsuk | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2018 | MIT Press | EAN 9780262535410 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: New. Zustand des Schutzumschlags: Nuevo.

Zustand: New. Zustand des Schutzumschlags: Nuevo.

Paperback. Zustand: fine. First Edition. Square octavo. Limited edition, signed by both authors on title page, this copy #238 of 250. A fine copy red printed wraps.

Zustand: Very Good +. First Edition. Northampton, MA: The Song Cave, 2009 - 2014. Limited numbered editions of 50 or 100 copies, each signed by the author. Octavo; illustrated wraps. Mild rubbing to edges; bindings sound; pages unmarked; Very Good or better. Collection of poetry chapbooks from the Song Cave, still publishing today and dedicated to "recovering a lost sensibility and creating a new one by publishing books of poetry, translations, art criticism." Includes the Northampton publisher's first book, "Cymbals" by Ben Estes, one of a print run of 50; remaining titles published in a runs of 100. Full list of titles includes: - Cymbals by Ben Estes - Tonal Saw by Amaranth Borsuk - What's the Deal by Rod Smith - Hesiod by Geoffrey G. O'Brien - OK TONY by Cyrus Console - A Farm Boy by C.D. Wright - Woman Carrying Thing by Jae Choi - The Happy End by Monica de la Torre - Building Castles in Spain, Getting Married by Amanda Nadelberg - Some Books by Jane Gregory - To Graham Foust on the Morning of His Fortieth Birthday by Graham Foust. Signed.…