Amanda eubanks winkler (49 Ergebnisse)

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 1st edition. 244 pages. 6.00x0.56x9.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Zustand: Brand New. 317 pages. 9.00x6.00x0.50 inches. In Stock.

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Paperback. Zustand: Brand New. 235 pages. 9.00x5.75x0.75 inches. In Stock.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

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Zustand: New. In English.

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Paperback. Zustand: Brand New. 260 pages. 9.61x6.69x0.55 inches. In Stock.

Zustand: New. In English.

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Zustand: New. 2006. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 232 pages. 9.25x6.25x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660-1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.…

Paperback. Zustand: Brand New. 232 pages. 7.79x5.07x1.00 inches. In Stock.

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Zustand: New. &Uumlber den Autoredited by Linda Phyllis Austern, Candace Bailey, with contributions by Linda Phyllis Austern, Katherine Steele Brokaw, Jane Flynn, Graham Freeman, Christopher R. Wilson, John Milsom, Katherin R. Larson, Sarah F. Willia.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Music, Dance, and Drama in Early Modern English Schools is the first book to systematically analyze the role that the performing arts played in English schools after the Reformation. Although the material record is riddled with gaps, Amanda Eubanks Winkler sheds light on the subject through an innovative methodology that combines rigorous archival research with phenomenological and performance studies approaches. She organizes her study around a series of performance-based questions that demonstrate how the schoolroom intersected with the church, the court, the domicile, the concert room, and the professional theater, which allows her to provide fresh perspectives on well-known canonical operas performed by children, as well as lesser-known works. Eubanks Winkler also interrogates the notion that performance is ephemeral, as she considers how scores and playtexts serve as a conduit between past and present, and demonstrates the ways in which pedagogical performance is passed down through embodied praxis.…

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Gebunden. Zustand: New. In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject. This book focuses on the various ways that theatrical music represented disorderly subjects - those who presented either a direct or metaphorical.

Buch. Zustand: Neu. Neuware - In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects-those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. …

Zustand: New. InhaltsverzeichnisSeries Preface1. Precursors2. Cultural Milieu3. New Spaces4. Acting 5. Repertory6. Case Studies7. Davenant s LegacyNotes BibliographyIndexDiscusses present-day .

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