allison allan (15 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: New. New from the publisher.

B/w illustrated card cover. Zustand: Good. First Edition. G : in good condition without dust jacket. Cover slightly soiled. 220mm x 140mm (9" x 6"). 112pp. Signed by Allan Allison with inscription on title page.

Paperback. Zustand: Brand New. 1st edition. 305 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: New. pp. xi + 305 Illus.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Truly, a staggering work of scholarship regarding European history, Spanish poets and trends in poetry, literary analysis, and the function of and the emergence of the civic university, dubbed "Redbrick University." Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked. Bright and shiny dust jacket, illustrated, little worn. From the publisher's blurb recounting that this is Volume 1 of the series E. Allison Peers Publications, "E. Allison Peers was Professor of Spanish in the University of Liverpool from 1922 until 1952 and he achieved an international academic reputation for his work. In Britain, he also acquired fame as "Bruce Truscot," the provocative analyst of the newer "civic" universities in a series of books published in the 1940s; to describe these universities, Peers coined the term "redbrick university," now part of the language of British higher education. This book presents, with an analytical introduction, commentary and extensive notes, the autobiographies of Peers and of "Truscot." The first is a straightforward account of the author?s early life; the second is a creatively disguised version of the same events presented as the memoirs of "Bruce Truscot," Professor of Poetry at Redbrick University, written stylishly and with humor. This autobiographical "roman à clef" will entertain and interest readers of the earlier "Redbrick" books. Based on direct observation and experience, the documents presented here provide evidence of the shifting attitudes and changed conditions which influenced British universities during their critical period of development between the two world wars." Edited by Ann Mackenzie and Adrian Allan, and comprised of an Introduction, substantial Editorial Commentary, "Real Names and False Identities in Redbrick University Revisited," then the Autobiography of E. Allison Peers, then another several parts and chapters of the autobiography of "Bruce Truscot," then Peers' Postscript, then four appendixes, then bibliography, notes and index. Replete with sharp and distinct black-and-white illustrations and photographs, printed on high-gloss paper. 2-520 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Zustand: New. Body & Soul features inspiring and award-winning fiction, essays, memoirs, poetry, photography, and visual art on the universal themes of wellness, treatment, and healing. Editor(s): Crawford, Allison; Kay, Rex; Peterkin, Allan D.; Roger, Robin; Ruskin, Ronald. Num Pages: 336 pages, 18 illustrations. BIC Classification: JHB; VFD. Category: (P) Professional & Vocational. Dimension: 229 x 155 x 20. Weight in Grams: 480. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Zustand: New. In.

Paperback. Zustand: Brand New. 1st edition. 397 pages. 9.00x7.00x1.00 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. Authors are industry-respected database administrators and developers, and columnists with SQL Server Professional MagazineAuthors have implemented solutions using SQL-DMO on large client sitesThere is no direct competition for this title!Aut.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 432 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.