Allie terry (20 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. 109 pages. Exhibition catalog for a show that ran November 23, 1999 through February 29, 2000. Text by Ingrid D. Rowland, Craig Hanson, Noriko Matsubara, Mario Pereira, and Allie Terry. Includes numerous black and white images. A fine copy in wrappers.

Zustand: New.

Zustand: New. pp. 298.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. Allie Terry-Fritsch is Associate Professor of Italian Renaissance Art History at Bowling Green State University in Ohio. Her research focuses on the performative experience of art and architecture in fifteenth-century Florence, with a particular emphasis.

Taschenbuch. Zustand: Neu. Neuware - Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetics. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound themselves to others. By investigating the framework and practice of somaesthetic experience of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.…

Paperback. Zustand: Brand New. 269 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: New. Editor(s): Terry-Fritsch, Allie; Labbie, Erin Felicia. Series: Visual Culture in Early Modernity. BIC Classification: ACND. Category: (G) General (US: Trade). . . 2016. Paperback / so. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Interrogating how medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this collection explore the experience of individual or collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, objects, texts, and performances, the contributors examine the complexities of viewing and the production of knowledge across temporal moments.…

Taschenbuch. Zustand: Neu. Beholding Violence in Medieval and Early Modern Europe | Allie Terry-Fritsch (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2016 | Routledge | EAN 9781138251618 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 298 46 Illus.

Zustand: New.

Hardcover. Zustand: Brand New. 0 edition. 296 pages. 9.50x6.75x1.00 inches. In Stock.

Zustand: New. Allie Terry-Fritsch is Associate Professor of Italian Renaissance Art History at Bowling Green State University in Ohio. Her research focuses on the performative experience of art and architecture in fifteenth-century Florence, with a particular emphasis.

Buch. Zustand: Neu. Neuware - Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetics. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound themselves to others. By investigating the framework and practice of somaesthetic experience of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.…