Alfred pochon (23 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Sheet Music. Zustand: Good. A true curiosity, this 1739 Handel Sonata as "arranged for concert use" by Alfred Pochon. It is an assemblage drawn from four different Sonatas, laid out in three sections: Largo and Tempo Giusto / Gavotte, Minuet, Air, Gigue, and Bourre / Larghetto and Allegro. Why such an arrangement was devised remains a mystery. 11, 11, 11 pages. CONDITION: All three parts have taped spines plus moderate edge- and corner-wear (with chipping), but the score pages are unmarked and uncreased. The folio cover has trimmed outer edges and a taped spine plus edge- and corner-wear. Nevertheless, this remains a quite respectable copy - now in a clear, protective polypropylene bag with archival backing board.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - This collection of favorite encore pieces from the Flonzaley Quartet is a must-have for any classical music lover. Featuring virtuosic performances of works by Mozart, Haydn, and other great composers, it showcases the quartet's exceptional artistry and virtuosity.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware.

205x150mm, 53pages, Tiré à 500 exemplaires. Bel exemplaire. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

Couverture souple. Zustand: Bon. Placé au-dessus ou au-dessous d'une note. Très bon état, quelques marques de soleil sur le bord du 1er de couverture.

4° (31.5 x 25 cm). 3 Bll., 64 SS. (Text mit Kopfvignetten, Textabbbildungen u. -Illustrationen), 34 nn. Tafeln in Farboffset. OLn. (grau, lamin.; etwas stockfleckig) mit farb. gepr. (R-) Titel. Typographisch sorgfältiger Schriftsatz in schmaler (historisierender, gotischer) 9-Punkt Fraktur, zeittypische rote Linien-Satzspiegel mit Eckornament. Druck a. gestrichenem Papier. Vorsätze, Tafelrückseiten u. -Schutzpapiere etwas stockfleckig (Darstellungen kaum tangiert). Etwas Alters- u. Lagerungs-, eher leichte Gebrauchsspuren, Besitzervermerk u. -Stempel a. 2. fl.Bl. Gesamthaft weitgehend sauberes, recht gutes Exemplar. Barth 25728 (8 Lieferungen); Keller, Iconographie 1938, p. 219 f., Nr. 39; Lipperheide Qf 8; J. Burlet, Lemma Uniformen in: HLS. - Ohne Inhalts- u. Tafelverzeichnis und ohne Register. Die Bildunterschriften in Deutsch und Französisch. - Die Darstellungen vielfach nach R. Knötel u./od. Fr. Feyerabend zeigen historische Militäruniformen sowohl kantonal-eidgenössischer Truppen als auch solcher in Fremden Diensten (v.a. französische Dienste, sowie einzelne holländische und neapolitanische) aus der Zeit von 1728-1875, Offiziere, Mannschaft und Waffengattungen von Bern, Basel, Schaffhausen, Zürich, Luzern, Solothurn, Fribourg, Obwalden und Nidwalden, Uri, Schyz, Glarus, Grafschaft Kyburg (Kiburg), Abt von St. Gallen, etc. - ?Es ist eine pietätvolle Aufgabe, die sich die beiden Künstler Pochon & Zesiger gestellt haben [.]. Die Bilder [.] sind nett gemalt und sehr gut reproduziert. Was den Wert der Publikation über die s.Z. erschienenen Bilder von Escher?s erhebt, sind die 8 Seiten Text, welche jeder Lieferung beigegeben werden und, nach dem ersten Heft zu schliessen, aus fachkundiger Feder stammen.? (M.P., Rezension zur 1. Lieferung, in: ASMZ 52=72, 1906, H. 49, Literaturblatt 11, p. 44). -- Adolf Pochon (1869-1931), wohl von Bern, Goldschmied, ?eifriger Sammler und Zeichner von Militärbildern und Schriften, bes. über die Schweizerregimenter in fremden Diensten, [.] Mitarbeiter des HBLS? (HBLS; nicht mehr in HLS). Vgl. dazu das Archiv Adolf Pochon in der SNB; s. HelveticArchives: ?1931 kam die einzigartige Schweizer Uniformensammlung von Goldschmied Adolf Pochon in die Bibliothek, die über 2000 nach zeitgenössischen Vorlagen zusammengestellte Aquarelle zählt: Uniformen und Fahnen der Schweizer in französischen, sardinischen, neapolitanischen, holländischen, österreichischen, preussischen, englischen und spanischen Diensten, sowie der Papstgarde, der Miliz und schliesslich der schweizerischen regulären Armee.? - Alfred Zesiger (Bern 1882-1929 Basel), von Bargen BE, Historiker, Adjunkt des Staatsarchivars in Bern, Redaktor des HBLS (HBLS u. Archiveinheit Burgerbibliothek Bern). -- Versandkategorie / Poids brut / Weight category 2 kg Sprache: de. …

8vo. Mehrere Unterschriften auf einem gedr. Menu des Restaurant La Bonne Auberge". - Mit den Unterschriften von Alfred Pochon, Henri Gagnebin und mehreren nicht identifizierten Schreibern.

8vo. 2 pp. An die Gattin des Schweizer Musikers Alfred Pochon (1878-1959) gerwidmetes Menu. Signiert u.a. von Hélène Jourdan-Morhange (1888-1961), Mario Corti (Violinist) (18821957), Henri Merckel (1897-1969), Jacques Thibaut (1880-1953) und 11 weiteren nicht identifizierten Violinisten.

151 : 201 mm. Sehr frühe Photographie von Harsook, die den Pianisten im Halbprofil zeigt. Gewidmet an E. R. Blanchet | Témoignage de grande admiration et de bonne amitié.". Leicht uneben beschnitten.

238 : 178 mm. Remnants from previous mounting verso. Sigend and inscribed by the four members to Pochon's daughter To our dear little friend Catherine". The Flonzaley Quartet was a string quartet organized in Manhattan, New York City in 1902. The group disbanded in 1929.The personnel of the group were as follows: 1st violin: Adolfo Betti, 2nd violin: Alfred Pochon, viola: Nicolas Moldavan, until disbanding in 1928, violoncello: Iwan d'Archambeau.The quartet was the creation of Edward J. de Coppet of New York, who in 1903 engaged the original members to devote themselves entirely to quartet-playing, and not with any view to giving regular concerts in public. The group took its name from de Coppet's summer villa near Lausanne, in Switzerland, where the four musicians first rehearsed. After a long period of practice, the Quartet made a European tour and won high praise for the perfection of its ensemble and its artistic finish. Both violinists and the violist had been students of the Belgian maestro César Thomson, who would also teach members of a contemporaneous pioneering American chamber group, the Zoellner Quartet. The group was first heard in New York, in private and at charity concerts, in autumn 1904, but it did not give a public concert in the United States until 5 December 1905. After that it appeared regularly in Europe and America. The members stuck to the original principle of not accepting any outside engagement, and having no pupils, and by devoting themselves entirely to the quartet maintained a position of acknowledged superiority in their field.In 1914 the group asked Igor Stravinsky to write them a work. This resulted in his "Three pieces for String Quartet". A few years later they also commissioned him to write "Concertino", a one-movement work. Éduard de Coppet died in 1916, and his son André continued thereafter to maintain the Quartet. The original violist Ugo Ara left the group to join the Italian army, resulting in his replacement. The Quartet performed worldwide until disbanding in 1929.One of their final public concerts was at The Town Hall in Manhattan, New York City on March 17, 1929.…

Quer-8vo. 1 p. Albumblatt signiert von den vier Mitgliedern des Flonzaley Quartets Alfred Pochon (1878-1959), Ugo Ara (1876-1936), Adolfo Betti (1875-1950) und Iwan d'Archambeau (1879-1955). - Aufgeklebt ein Druckbild des Quartetts. Aus der Sammlung von Alfred Pochon.The Flonzaley Quartet was a string quartet organized in Manhattan, New York City in 1902. The group disbanded in 1929.The quartet was the creation of Edward J. de Coppet of New York, who in 1903 engaged the original members to devote themselves entirely to quartet-playing, and not with any view to giving regular concerts in public. The group took its name from de Coppet's summer villa near Lausanne, in Switzerland, where the four musicians first rehearsed. After a long period of practice, the Quartet made a European tour and won high praise for the perfection of its ensemble and its artistic finish. Both violinists and the violist had been students of the Belgian maestro César Thomson, who would also teach members of a contemporaneous pioneering American chamber group, the Zoellner Quartet. The group was first heard in New York, in private and at charity concerts, in autumn 1904, but it did not give a public concert in the United States until 5 December 1905. After that it appeared regularly in Europe and America. The members stuck to the original principle of not accepting any outside engagement, and having no pupils, and by devoting themselves entirely to the quartet maintained a position of acknowledged superiority in their field.In 1914 the group asked Igor Stravinsky to write them a work. This resulted in his "Three pieces for String Quartet". A few years later they also commissioned him to write "Concertino", a one-movement work. Éduard de Coppet died in 1916, and his son André continued thereafter to maintain the Quartet. The original violist Ugo Ara left the group to join the Italian army, resulting in his replacement. The Quartet performed worldwide until disbanding in 1929.One of their final public concerts was at The Town Hall in Manhattan, New York City on March 17, 1929. They broadcast their farewell concert over station WEAF (now WFAN) on May 7, 1929.…