alfred e parker (6 Ergebnisse)

Hardcover. Zustand: VG-. 1st Edition. See photos for condition details. Hardcover with dust jacket. DJ shows scuffing and soiling with several faint creases in the lower outside corner areas. Brown cloth boards underneath are overall clean with only minor spotting. The reason for the lower condition grade of an otherwise near fine book is because is a large corner bump of several inches in the lower outside corner of the front board. Internal binding is good and text pages are tight, no bookplates, no library markings, no signatures. The only handwriting found in the book is at the top of the front end page where there is the letter C written in pen. There is also to areas of spotting in the front board gutter area, this likely has something to do with the binding process since they are of equal distance from the top and bottom edges. The remaining text pages are clean without issues except for some faint bumping in the lower outside corner of just some of the pages.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: VG+. Hardback in Very Good+ condition without dust jacket. 8vo 8" - 9" tall. 289 pages. A nice clean copy with very light wear to spine ends. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Hardcover. Zustand: Good. Little wear to boards. Content is clean. Complete DJ with faded spine and a few tone marks.

64 pp.; 28.8 x 22.9 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E.A. Navaretta; "44 Titles for Artists Under 45," by Ad Reinhardt; "The Literary Style in Art Writings Today," by Ruthven Todd; "A Manifesto-in-Progress," by P.G. Pavia and "Polemics," by P.G. Pavia. Artists include Landis Lewitin, Michael Lakakis, Reubin Nakian, Philip Guston, William de Kooning, Ad Reinholt, Ernie Briggs, Enrico Donati, John Ferren, Robert Goodnough, Raoul Hague, David Hare, Carl Holty, Angelo Ippolito, Franz Kline, Elaine de Kooning, Al Kotin, Ibram Lassaw, Mercedes Matter, Constantino Nivola, Ray Parker, Milton Resnick, James Rosati, Ludwig Sander, David Slivka, George Spaventa, Estaban Vincente, Alfred Duhrssen, Ray Parker, Jack Tworkov and Wilfred Zogbaum. Includes a statement and cahier section from various artists. Front cover: Landis Lewitin. Back cover: Michael Lekakis and Reuben Nakian. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fair / Good. Repaired and moisture damaged copy. 12.2 cm. area of yellow soiling to top edge and right side edge of recto. Removed cloth binding tape along spine edge and recto and verso at spine. Two 2 cm. tears to top edge of spine. Intact cloth binding tape to interior along inside front cover and title page and last page and inside back cover. 6 cm. of water staining to top corner of pages. 9 cm. business card from previous owners adhered to inside of back cover. Contents otherwise clean and unmarked. Sold "as-is.".

Vollmer, August, [1876-1955]. Parker, Alfred E. Crime, Crooks & Cops. New York: Funk & Wagnalls, 1937. v, 260 pp. Hardcover cloth, light shelfwear, faint dampstaining to lower corners of boards and endleaves, in lightly worn and soiled dust jacket with faint dampstaining to its bottom-edge and four small tears mended on verso. Internally clean. A very good copy. $150. * "EVERY criminal, no matter how careful he may think he is, eventually commits at least one stupid mistake which will lead the police to him" (Vollmer, 1).