alexandra mason (23 Ergebnisse)

Paperback. Zustand: Good. Lawrence, 1966; illustrated paper covers; mild corner and edge wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 31 pages.

Zustand: New. In.

Paperback. Zustand: Brand New. Sligo, Rachael (illustrator). 73 pages. 9.00x6.00x0.18 inches. In Stock.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Zustand: New. In.

Zustand: New. In.

Zustand: Brand New. 416 pages. German language. 5.35x1.40x8.27 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Very good condition, clean inside and out, no writing or highlighting on pages.

Zustand: New. &Uumlber den AutorAlexandra Mason has lived a life devoted to reading, writing, teaching, and publishing. As a Shakespeare scholar, she published one of the first essays to focus on the language of Ophelia (rather than of Hamlet) and s.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorAlexandra Mason is an Oregon writer and scholar who has spent a lifetime reading and writing about literature and sharing this knowledge with thousands of students. Her other books are Lost and Found (poems) and The.

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Long-time residents of Newport, Oregon report seeing a feeble light in the tower of the defunct lighthouse at Yaquina Bay. They ascribe this to the presence of the ghost of Muriel Trevenard, a teenaged girl who, in the years after its abandonment in 1874, went alone into the lighthouse to retrieve a dropped handkerchief and was never seen again. Lischen M. Miller gives body and form to the apocryphal tale of Muriel in the 'Pacific Quarterly' in 1899. And now Alexandra Mason brings Muriel's tale into the present. We hear Muriel's thoughts of her (non)existence since her death, as she is trapped in the lighthouse and in an endless limbo. Young Amelia Allen and her father Hal visit Newport and see Muriel's light from their condo across the bay. When they visit the museum, Muriel takes a chance and materializes to them. Amelia senses that a personal mission is now hers, to help put Muriel to rest-and she discovers that Muriel is actually a distant ancestor. Romance blossoms between Hal and Letty, the lighthouse curator, as Amelia learns the ritual to transport the spirit of Muriel to a resting place in the Eureka Pioneer Cemetery, where she sleeps peacefully-or maybe not Illustrated by Lila Pasarelli.'THE LIGHTHOUSE GHOST is the Mother of all Ghost Stories, well-written with a can't-put-down plot.' - M. C. Arvanitis, author of Hank of Twin Rivers Series.'A fun and loving tale of a girl who wanted to find the proper burial place for Muriel, the ghost girl who lived in Yaquina Bay Lighthouse. Eureka Cemetery was just the spot, as its first known burial was John Jessup, 1879, the Assistant Lighthouse Keeper of Yaquina. Mason brings to life activity around the Newport area, piquing our curiosity and interest to keep us rapidly moving through this exciting story!' -- Paula Wenell, former Manager Assistant, current Board Member of Eureka Pioneer Cemetery of Newport, Oregon.

Taschenbuch. Zustand: Neu. Neuware - 'Poems Along the Way' is a collection of fifty-two poems based on works of T'ang Dynasty masters like Li Bai, Wang Wei, and Du Fu. These poems by scholar and writer Alexandra Mason are both homages and creative originals, using the Chinese masters as formal and thematic inspiration. The poems are meditative and serene. Each poem is a portion of the emotional and philosophical process of life's journey along the way. 'From moon-shadowed loneliness to wine-soaked friendship, from dreary winter rain to spring orchard joy, these elegant homages bring us closer to the nature, people and philosophy of T'ang dynasty China', says poet Henry Hughes. Matt Schumacher describes the book as 'A Taoist treasure chest which frees fleeting flute notes and turtledoves thousands of years old, gives us pause under the 'sturdy huts' of our ancestors, and braves the same mountain summits as the T'ang Dynasty's finest poets. A very old muse moves through these poems, which guide the student toward enduring truths.' The volume includes an explanatory essay illustrating the complexities of recreating these ancient poems.'On occasion I re-read Poems Along the Way for the serenity and peace which I gain from them. Though I know little about Taoism, I think it is her deep knowledge that is responsible for the delicacy and beauty with which she endows her interpretations of the poems.There is love and loss, aloneness. There is being the outsider. There is extensive wandering great distances -- not always by one's own desire. I have written about all these things and wish I had their source of patience and calm to assist me -- or this book to help me borrow them.I was yet again impressed with Mason's ability to bridge the gap between two very different languages -- one without grammar, pronoun, punctuation, plural: essentially structureless, and the organization and specificity of English. It is impossible to think of a direct translation from the Chinese symbols, each of which has numerous possibilities. She does it with grace.'Shirley A. PlummerLelia Canfieldon Mason's poetic messages from the T'ang dynasty bring ancient thoughts and feelings to present day immediacy in this sensitive, eminently accessible collection. I call these poems messages rather than translations because the one-to-one meaning trade between words of two different languages that most people consider translation is virtually impossible in poetry. This is even more true when the written form of the two languages differs as radically as do Chinese (with its symbolic characters) and English (with its speech sounds or phonemes): the nuances that shape abstractions into words defy simple correspondences. Yet in Mason's hands, linguistic disparity becomes a delightful asset that moves her to herald each of her Poems Along The Way with distinctive Chinese symbols. To English speakers, these symbols might at first appear only decorative, but a Key to Chinese Characters at the back of the book further enriches experience of each poem. For example, a poem by Wang Wei that Mason titles 'At My Mountain Retreat' celebrates the solitary midlife pleasure of treading 'the proper path' of self knowledge. When 'by chance,' the speaker's agreeable solitude is interrupted by 'an aging woodsman,' both speaker and woodsman end up 'forgetting to go home.' The Chinese symbol for this charming scenario indicates not the setting (the mountain retreat of the title), nor 'the proper path' of self knowledge, but rather, Conversation, an activity that in fact unites and makes continuous the pleasures both of solitude (communing with the self) and companionship (chatting with another). In other words, without the Chinese symbol, we witness two distinct conditions, solitude and companionship; with it, the two become one, as the proper path embraces not only self knowledge in retreat but also chance meetings, chat and laughter, and the mutual forgetting that only retreating would preclude.

Zustand: New.

Hardcover. Zustand: Brand New. 196 pages. German language. 11.97x8.54x0.63 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In 'Shakespeare's Pipe,' forensic scientist Kingsley Armstrong gets the chance to fill in the gaps in our knowledge of England's greatest bard-at least so it seems in his imagination. Workers repairing the Shakespeare Birthplace discover a smoker's pipe hidden in the wall behind the main chimney. Who positioned it there and when, and more importantly, whose lips were placed on its stem Who was smoking that pipe Armstrong's lab receives the pipe for examination and DNA testing. In researching dying out of the Bard's genealogical line, the scientist imagines keeping a bit of the lip-cell DNA and trying to make a clone to revive the Shakespeare genetic family. He succumbs to the temptation, convinces his wife-to-be to receive the implant, and, in the process, becomes monomaniacal about his project. Things do not go as planned. Along the way we witness discussions about human evolution and the nature of our souls. Is a human the product of genes, of simply biology What about nurture, one's social and historical context Kingsley tries to give Will, who is an odd, aberrant child, a 'Renaissance' education. In essence, he tries to 're-create' a Shakespeare. Kingsley's wife first suffers through an agonizing pregnancy and then is gaslighted and tormented by the prankish, Puckish young Will, and, like Lady Macbeth, she is driven mad by her complicity in the replication project.>Advance reviewers comment: 'Mason's story offers us a plot worthy of the Bard himself-with devious wit, intrigue, and pathos. 'Shakespeare's Pipe' is a page-turner, brimming with the mysteries of genetic codes and surprising plot twists. A stunning insight into the nature of identity and the connection between language and reality, between art and life.' -Ellen M. Caldwell, Professor of English.

8vo, pp. [4], 40, [1]; frontispiece; original gray paper wrappers; edges sunned, near fine.

Soft cover. Zustand: Good. Zustand des Schutzumschlags: No. This is a good tight copy. Highlighting for the first 4 lessons and then clean until the end.

perfect. Zustand: Befriedigend. 416 Seiten; ehem. BÃchereiexemplar, Artikel stammt aus Nichtraucherhaushalt! DQ4775 Sprache: Deutsch Gewicht in Gramm: 1.

Zustand: New.