Alexander dunbar (19 Ergebnisse)

paperback. Zustand: Good. shows minor wear, scribble on cover.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Paperback. Very good condition. Pages are sound and clear. TA. Used.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.

First Edition. Good paperback copy in its original wrappers, now slightly scuffed and worn along the edges and joints. Thumb indexes along the fore-edge, with a minor tear to the side of the "Architecture" tab. Title page lightly foxed. Remains internally well-preserved; tight, bright, clean and sharp-cornered. Physical description: 143 pages : illustrations ; 28 cm. Notes: Catalogue of an exhibition held at the Hatton Gallery, University of Newcastle, Nov. 4-Dec. 8, 1972 ; the Royal Scottish Academy, Edinburgh, Dec. 16, 1972-Jan. 14, 1973 ; and the Royal Academy of Arts, London, Jan. 27-Mar. 4, 1973. Organised by Northern Arts and the Scottish Arts Council. Bibliography: pages 142-143. Contents: Introduction / Massimo Carrà -- Futurist painting and sculpture / Angelo Bozzolla and Caroline Tisdall -- Extracts from the manifestos / introduced and selected by John Golding -- Futurist architecture / Luciano Caramel -- Futurism in literature and the theatre / Hugh Shankland -- Futurist cinema and photography / Caroline Tisdall and Hugh Shankland -- Futurist music in historical perspective / John C.G. Waterhouse -- Catalogue of the exhibition. Subjects: Futurism (Art) - Italy - Exhibitions. Art, Italian - 20th century - Exhibitions. Futurism (Literary movement) - Italy - Exhibitions. 1 Kg.…

8°, OKart. 4 leaves, 143 pp. with 6 tab sheets, with numerous illustrations, partly coloured. With an introduction by Massimo Carrà, texts by Angelo Bozzella and Caroline Tisdall, Luciano Caramel, et al. - Edges slightly scuffed, one corner a bit squeezed, else a fine copy. Sprache: Englisch Gewicht in Gramm: 0.…

Zustand: Good. Dust Jacket Only. 8vo. Good with tiny tears. Price clipped on flyleaf. [First Edition].

Broschur. 144 S.;pp. zahlreiche Abbildungen, GUTER ZUSTAND, Text englisch, . With an introduction by Massimo Carrà, texts by Angelo Bozzella and Caroline Tisdall, Luciano Caramel, et al. Size: 21 x 21 Cm. 550 Gr.

12mo bifolium: 4 pp. Text clear and complete. Fair, on aged paper. Begins: 'I am sorry to say that I have to place our affairs in your hands such as I never did before and I hope never to have to do again.' As the recipient may know, 'a vessel was built for me last year by the Messrs Hall in Aberdeen and was built under the inspection of Lloyds surveyor according to a certain specification & contract.' Selkirk 'had so much confidence in the character of the Messrs Hall' that he thought himself 'quite safe with the supervision of the Lloyds surveyor but finding the vessel leaky I had her inspected by the Dockyard people at Malta and they discovered on removing certain planks that the construction of the vessel was essentially defective and not according to the specification & contract'. Selkirk alleges that he has been 'abominably defrauded & sent to sea in a vessel postively unsafe' as a result of 'gross carelessness or [.] collusion between Messrs Hall & the surveyor'. He spent £300 on repairs in Malta, but he cannot keep the vessel '[i]n any shape' and feels that 'Messrs. Hall ought to take her off my hands & give me back my money with such reasonable deduction as might be considered fair for the deterioration by wear & tear for a year - I being allowed also for the Malta dockyard bill as a set off against that'. He does not know how the case stands in 'strict law', but 'considering the awful exposure that an action for fraud would bring about' feels that the shipwrights 'would be anxious to compound at any rate'. Asks the recipient to try and 'privately find out in what mind they are about', and communicate the information to Eden Colville, Fenchurch Buildings, London. 'If they defy us and are in the mind to defend the action we will have to consider how to proceed.' Hall & Co were active between 1790 and 1957. According to one authority 'Alexander Hall died in 1849 leaving his two sons, James and William, to run the business. The brothers were responsible for many famous clippers.'.…