Ales filip (12 Ergebnisse)

Hardcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung.

Softcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Softcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Soft Cover. Zustand: As New. Orig.-Brosch., 14x21, S 337 mit zahlreichen Bildern. Sehr guter Zustand, wie neu.

Orig.-Brosch., 14x21, S 337 und einige Bildtafeln, Abbildungen im Text und Kartenskizzen. Sehr guter Zustand, wie neu.

21 cm, Broschur. Zustand: Gut. 64 S., + Anzeigen, Einband berieben. Innenseiten sauber. // 6,k,XXI. Sprache: Deutsch Gewicht in Gramm: 190.

3. 3. überarbeitete Auflage, 8vo. 64 Seiten, zahlreiche farbige Abbildungen, 1 Karte. Illustrierte Original-Broschur. - In deutscher Sprache. - Sehr gut erhaltenes Exemplar. Sprache: Deutschu 0,400 gr. Illustrierte Original-Broschur.

Zustand: gut. On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art From 1870 to 1914 and Beyond In deutscher Sprache. pages.

Softcover. Zustand: Gut. Softcover, guter Zustand, Janineum 2003, Versand weltweit / international shipping.

Hardcover. Zustand: Fine. Leichte Gebrauchsspuren. Publikace vydana k prilezitosti 130. vyroci zeleznicni dopravy v okoli zeleznicniho uzlu Letohrad je venovana predevsim historii tri vyznamnych zeleznicnich trati Tyniste nad Orlici - Letohrad, Letohrad - Usti nad Orlici a Letohrad - Mezilesi. Uvodni kapitoly dokumentuji vznik zeleznicni spolecnosti ONWB, vystavbu prvni zeleznice ve sledovane oblasti a jeji provoz do soucasnosti. Po detailnich "projizdkach" uvedenych tri trati nasleduji dalsi kapitoly venovane historii zeleznice v Letohrade (drive Kysperku) a jejim vozidlum. Zaver tvori pojednani o Letohradskem zeleznicnim klubu, vlakove poste a turistickym cilum v okoli trati. …

Zustand: Good.

hardcover 210 pages, 15 b/w illustrations, 99 illustrations in colour. English, *new. ISBN 9783031636332. This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realit t und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carr , Walter Crane, James Ensor, Juan Gris, K the Kollwitz, Constantin Meunier,Mih ly Munk csy, Th ophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. 0 g.…