Aleksandr rodchenko (65 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Wie neu. Ohne Schutzumschlag. 1. Auflage. 86 pages with many illustrations,partly coloured.

Hardcover. Zustand: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. 2006. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paper wrap. Zustand: Very good. First edition. Softcover paper (glossy photographic) wrap. 4to. 86 pp. Illustrated throughout with b/w and full colour plate photographs. Published to accompany a show of the same title that ran at New Beginnings (Glasgow) from October to December 1989, and at Serpentine Gallery (London) from December 1989 to January 1990. One of an unnumbered print run of 4000 copies. Bump to the top of the spine. Very minor shelfwear to edges and corners. Generally clean, unmarked, and square with a strong binding.…

Wrappers. Zustand: Fine Condition. 86 pages illustrations throughout. Compiled by Varvara Rodchenko and Aleksandr Lavrentiev. Edited by Chris Carrell, Katya Young, Euan McArthur and Christina Lodder. Illustrated wraps. Published on the occasion of the exhibition from The Serpentine Gallery, London 12 December 1989-28 January 1990. Selected Biographical Details. Book.…

Zustand: Good. Good condition. Italian. (artistic photography, books in Italian) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Fine.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Hardcover, with mylar-covered dust jacket. 336 pgs. 346 illus., 230 in full color. Fine in fine dj. This expansive monograph - rich in illustrations & relying on new research in Russia - accompanied the first major retrospective of Rodchenko's work in the United States. It encompasses painting and sculpture, works in photo collage, photography, and design of all kinds - books, posters, magazines, advertising and furniture.…

Softcover. Octavo, 118 pages. In Very Good minus condition. Spine is black with white print. Cover is black with grey print, illustrated; slight edge wear. Illustrated: b&w photographs. "Published on the occasion of the exhibition: Rodchenko and his circle constructing the future through photography 20th January - 19th March, 2011 at Art Sensus" Colophon NOTE: Shelved in Netdesk Column R. 1397664. FP New Rockville Stock.…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Original black cloth, dust jacket, illustrations in colour and b/w, 8vo.

Hardcover. Text in German with captions in English as well. Includes numerous images. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap.

Soft cover. Zustand: Fine. Printed in red, black and yellow. Striking red covers, decorated in black. A fine copy.

softcover. Zustand: Sehr gut. (72) p. Hu. / En. Marginal wear to cover. ISBN: 9789637402340 Sprache: Englisch Gewicht in Gramm: 546.

Soft cover. Zustand: Very Good. Contents: Aleksandr Rodchenko: innovation and experiment / Magdalena Dabrowski -- On priorities and patents / Aleksandr Lavrent'ev -- The propagandizing of things / Leah Dickerman -- Rodchenko and photography's revolution / Peter Galassi -- Days in the life . /Varvara Rodchenko -- Plates 1915-1939. Catalog of an exhibition held at the Museum of Modern Art, New York, June 25-Oct. 6, 1998 and travelling. 336 pages, ill. (many col.) ; 29 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

First edition. 4to.,[40] pp., illustrtated from b&w photographs. Illustrated stiff wrappers. Near fine. Russian avant-garde designer, graphic artist, and photographer. Prepared for an exhibition; text in Portuguese and English. Rodchenko, Aleksandr (illustrator).

Softcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Peintre, graphiste, photographe. Alexandre Rodchenko (1891-1957) a été un artiste tous azimuts, participant dans les années vingt à toutes formes d'expression, du théâtre au cinéma, de la publicité au design. Mue par une curiosité toujours renouvelée, habitée par une ferveur idéale peu commune, sa création se lie étroitement à l'histoire de la Russie. Artiste moderne s'il en est, il participe au mouvement constructiviste qui se veut proche des réalités sociales, économiques, intellectuelles et politiques. …

Hardback. Zustand: Good. 25 x 30cm 336pp good hardback exhibition catalogue with dust jacket, a previous ISBN sticker at lower edge of rear jacket, minor damage to the head of spine and corners. Aleksander Mikhailovich Rodchenko was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile constructivist and productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles usually high above or down below to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." Illustrated with colour plus black and white reproductions. A heavy book, may need extra postage.…

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 86pp, colour plates, numerous illustrations in text, bibliography etc Published to accompany the exhibition of the same title at the Serpentine Gallery, London and New Beginnings, Glasgow . [CONDITION: An almost AS NEW unmarked copy (tiny flat crease to bottom corner tip of front cover) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

First Edition. Hardcover. First Edition. Near Fine in a Near Fine dust jacket.

Hardcover/Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Fine. First edition. Book condition: Very Good (VG) (light toning to back of dust jacket and some page edges, else fine. With dust jacket.) Binding: Hardcover Language: English Edition: First edition Publishing place: London Publishing Year: 1998 Description: Photographs from the L. and G. Tatunz Collection. Published to accompany a travelling exhibition, organised by the Sprengel Museum, Hannover. 1.100000.…

Zustand: Bueno. Ed. Gustavo Gili, S.L. Barcelona 2012. 44 pp. Tapa dura. Contiene recortable. 29x22 cm(3.2982).

Zustand: Wie neu. 24,5 cm x 29,5 cm. Frontispiece, 336 pages with illustrations throughout. Original Softcover. Excellent condition with only the very slightest sign of wear. Rare in this condition ! Very heavy book ! Includes for example: Aleksandr Rodchenko: Innovation and Experiment / On Priorities and Patents / The Propagandizing of Things / Rodchenko and Photography's Revolution / Days in the Life. / Plates 1915-1939 etc. Aleksander Mikhailovich Rodchenko (5 December [O.S. 23 November] 1891 December 3, 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd anglesusually high above or down belowto shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (Wikipedia).…

Zustand: Sehr gut. 23,5 cm x 28 cm. Frontispiece, 190 pages with illustrations throughout. Original Softcover. Excellent condition with only minor signs of wear. Includes for example: Being-in-Production: The Constructivist Code / Plates / His and Her Constructivism / Commentary on Drawings / The Line etc. Aleksander Mikhailovich Rodchenko (5 December [O.S. 23 November] 1891 December 3, 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd anglesusually high above or down belowto shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (Wikipedia) Lyubov Sergeyevna Popova (April 24, 1889 May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy. She grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger. As early as 1917 in parallel with her Suprematist work, she had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. She continued painting advanced abstract works until 1921. In the 5 x 5 Exhibition of 1921, Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did not join the Working Group of Constructivists when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF. She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova. (Wikipedia).…

Softcover/Paperback. Zustand: Good. Katalog vystavki proizvedenij Aleksandra Rodchenko i Varvary Stepanovoj 'Letayushchie obekty', podgotovlennyj k 100-letiyu so dnya rozhdeniya khudozhnika pri podderzhke aviakompanii Lufthansa i priurochennyj k vystavke v GMII im. A. S. Pushkina noyabrNr.dekabr 1991 goda. Izdanie posvyashcheno teme aviatsii i poleta v tvorchestve mastera sovetskogo konstruktivizma i avangarda.…

Hardcover. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Kartoniert, 153 Seiten. Quartformat (ca. 28 x 21,5 cm). Leichte Gebrauchsspuren, insgesamt gutes Exemplar. Französische Sprache / Mit beiliegender Übersetzung in deutsch (ca. 20 S.) Gewicht: 1010. …

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 336 pages 431 illustrations 221 in color. Some minor rubbing, fading and wear to covers and edge of the dust-jacket cover now protected with a Mylar cover. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY June 25-October 6, 1998. Chronology. Catalogue of the Exhibition. Bibliography. Glossary. …