Albert mccarthy editor (10 Ergebnisse)

Paperback. Zustand: Acceptable. Number 4, April 1947. Staplebound paperback (32 pages) in acceptable condition. Front cover by Stanley Jackson. Covers have detached, however remain present. Edges and corners are creased and nicke, with a chip at the spine head, rear side. Staples have started to rust and bleed onto the covers and pages. Binding is sound and pages are otherwise clear. LW. Used.…

1967 (September) stapled paperback (32pp); cover uncreased with slight discolouration to edges; otherwise, a clean, tidy copy. Used - Very Good. VG stapled paperback Used - Very Good. VG stapled paperback.

1969 (September) stapled paperback (32pp) with B&W illustrations; cover uncreased; a clean, tidy copy. Used - Very Good. VG stapled paperback Used - Very Good. VG stapled paperback.

1972 stapled paperback (32pp) with B&W illustrations; cover uncreased and slightly discoloured; edges of pages yellowed; otherwise, a clean, tidy copy. Used - Very Good. VG stapled paperback Used - Very Good. VG stapled paperback.

[0-7043-3151-9] 1959. (Mass market paperback) Very good. x, 342pp. 8vo. Clean, tight, bright, solid copy with blue-purple card covers. A collection of essays about jazz, its history, the music, the people. There is a name penned (small) in red to the inside front cover and a small chip at the head of the spine; else is clean, bright, tight, and solid.…

Paperback. Zustand: Very Good. Number 3, January 1947. Staplebound paperback (32 pages) in very good condition for its age. Front cover by Stanley Jackson. Covers are lightly marked and sunned, and staples have started to rust and bleed onto the covers and pages. Binding is sound and pages are otherwise clear. LW. Used.…

Paperback. Zustand: Very Good. Number 5, Autumn 1947. Staplebound paperback (32 pages) in very good condition for its age. Front cover by Stanley Jackson. Covers are lightly marked, worn and sunned, and staples have started to rust and bleed onto the covers and pages. Binding is sound and pages are otherwise clear. LW. Used.…

Paperback. Zustand: Very Good. Number 2, September 1946. Staplebound paperback (32 pages) in very good condition for its age. Front cover by Stanley Jackson. Covers are lightly marked and sunned, and staples have started to rust and bleed onto the covers and pages. Binding is sound and pages are otherwise clear. LW. Used.…

Soft cover. Zustand: Good. 1st editions. 9.5" x 7". 32pp + loosely inserted plate, 32pp + 4 plates, 32pp + 4 plates, 32pp + 4 plates. Covers dust soiled. All 4 'magazines' have a drawing pin? hole(s) as if they have been attached to a notice board. Good paperbacks.

hardcover. Zustand: Very Good. First Edition. Publication: London, Editions Poetry London / Nicholson and Watson, 1946 Formatting: 8vo, pp. 188. Condition Report: Very Good. The original cloth-backed binding remains mechanically sound and firm, exhibiting only mild shelf-wear and slight bumping to the extremities. The page block shows a typical, even degree of age-toning, but the interior pages present cleanly without major foxing or extraneous markings, remaining highly legible and structurally tight throughout. It is housed in a unclipped original dust-wrapper, which shows some light rubbing, slight fading, and minor chipping to the spine ends and corners, alongside a touch of general surface soiling consistent with its age. Despite these minor flaws, it remains a highly presentable and complete example. Catalogue Note: First edition. This volume represents a rather scarce survival on the open market when complete with its original dust-wrapper. Notably, the book was issued by PL (Editions Poetry London), an influential imprint far more commonly associated with the mid-century avant-garde and poetry, founded by Tambimuttu. The lower panel of the dust-wrapper proudly lists the seminal authors and artists they represented, including Dylan Thomas, Henry Miller, and Henry Moore. This creates a fascinating cross-cultural bridge between modern British literature and the post-war jazz movement. The text is additionally supplemented by numerous black-and-white photographic illustrations. A fascinating time-capsule of post-war British jazz appreciation, The PL Yearbook of Jazz 1946 brings together a diverse collection of essays, reviews, and cultural criticism documenting the contemporary music scene. Featuring contributions from a variety of respected critics and musicians, the volume offers a transatlantic perspective on the development of jazz and blues during a transformative era. It stands as a vital and highly collectable resource for understanding the cultural reception and evolution of jazz in 1940s Britain. N/A (illustrator).…