Alan r solomon (29 Ergebnisse)

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. Good condition. 2nd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: Very Good. 4th Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. German. (art, artists, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Zustand: Fair. No Jacket. Softcover. Condition: Fair, covers are generally shelfworn with some light soiling. Some smudging to tile page and to a couple of pages within catalogue. Half-title bears faint imprint of previous owners name (Yolanda Sonnabend). 40pp. Many b/w plates. This catalogue was produced to accompany the exhibition of work by Jasper Johns (b.1930) held at the Whitechapel Gallery, London in December 1964. It includes a 15 page introduction by Alan R.Solomon.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran March 31 through May 12, 1963. Features text by Alan R. Solomon. Includes numerous black and white illustrations with one fold out plate, a checklist, and bibliography. A very good plus copy in wrappers with some light wear and a crease to the front cover.…

Soft cover. Zustand: VG for age. 1st Edition. Unlettered glossy white soft-back with coloured illustation to front, intehral wraparounds; unworn but hints of ingrained dustiness to back. f/piece photo + t.p. + 40 + (2, blanks, for Notes), unpaginated central block of 108 monochrome 59 images and catalogue. Internally fine. I must say Solomon's long essay has passages very reminiscent of Private Eye's 'Pseuds Corner' column. 18 cm x 19 cm.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 101 pages : illustrations (some color), color maps ; 28 cm. Summary:Catalogue of an exhibition organized by and presented at the Solomon R. Guggenheim Museum.

Hardcover. Zustand: Very Good. First edition. 9 x 10 in. Original soft cover catalogue has been bound in blue boards, retaining the wrappers and brown paper blanks. Condition is VERY GOOD ; minimal wear, covers clean. Orginal catalogue is very good with no wear, fold-out plate is excellent. Art. Stax. …

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Book softcover First Edition, pp38 of text, 59 plates, Essay by Alan R Solomon (pp1- 25), Interview with John Cage (pp26-35) Bibliography. Condition Very Good, Internally clean, unmarked and firm aside from small marginal stains along bottom edge pp33-36 (max 5cm in length and 0.5 cm in height. Sharp edges and corners. Spine undamaged. Some small scrapes on front upper and lower margins of cover illustration. Back cover has striations of light pink staining.(see sellers images).…

Zustand: Good. 8v. Soft Cover [ca. 50 pp.] B&W Plates. Very Good with some Creasing and Age Toning.Text R. Solomon.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. S : 40pp., illustrated with full page mounted colour plates - Includes short essays and illustrations of works by Paul Brach, Al Held, Ellsworth Kelly, Morris Louis, Kenneth Noland, George Ortman, Raymond Parker, Miriam Schapiro and Frank Stella.

Soft cover. Zustand: Very Good. Texts in dutch, 4to, soft cover, not paginated, illustrated, very good copy.

Zustand: Good. 4to. 40 pp. Soft Cover. Very Good. Normal shelf wear. Some chipping on the covers. Minor yellowing and a few stains on the back cover. BW Plates. Provenance: From the estate of Gerald Nordland (1927-2019). He was a museum director, art critic, educator and author. Director of the Milwaukee Art Museum (1977-85); the UCLA Wight Art Gallery (1973-77); Dean of the Chouinard Art Institute (1960-64).Author of over 60 publications, including monographs on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Zustand: Good. 8vo, 4pp. Softcover, Staplebound, Color Plates.

hardcover. Zustand: very good. Slim square 4to, original stiff glossy wrappers bound by the publisher within brown boards; original paper labels on the cover and spine giving the artist, author and publisher. New York: Jewish Museum, 1964. First Edition. Boards somewhat bumped but internally fine. A very good copy, rather scarce in hardcover. Jasper Johns (illustrator).…

Sin Encuadernar. Zustand: Muy bien. Textos de Alan R. Solomon, Robert Rosenblum en ingles. Desplegable 16 x 11 cm. 16 x 77 cm.

63 pp. Illustrated. Original printed wrappers, covers soiled. Texts by Solomon and John Cage.

Pictorial wrappers. Zustand: Near Fine. First Edition. The catalogue based on the February-April 1964 exhibition at New York's The Jewish Museum. Tight and Near Fine in its pictorial wrappers, with just a touch of light foxing along the rear panel's spine edge. Designed by Elaine Lustig, photograph of Jasper Johns by Alexander Liberman, photographs of paintings by Rudy Burkhardt, Eric Pollitzer and Michael Katz.…

Brossura. Zustand: buono.

Softcover. Zustand: Fair. Original stapled wrappers, softcover, numerous (full page) illustrations in colour and b/w, text in English and Italian, unpaged, 4to.; Front and rear cover foxed and discoloured, foxed on cut, shelfwear along edges and corners.

Soft cover. Zustand: Good. 1st Edition. 16° - Color & B/w reproductions. Exhibition Catalog: Kenneth Noland (1924-2010)) American painter and sculptor and Morris Louis (1912-1962) American painter.Text in German language. Original wrappers. In good condition.

Brossura. Zustand: Ottimo (Fine). Catalogo di mostra, The Jewish Museum, New York 31 marzo - 12 maggio 1963. Testo di A.R. Solomon. Con circa 50 tavole in bianco e nero, anche ripiegate. Cronologia, catalogo delle 55 opere esposte, bibliografia . 8vo. pp. 64. . Ottimo (Fine). . . . Catalogo della prima mostra retrospettiva dell'Artista. Book.…

(24,5 x 21 cm); gr.-8°; 34 unpaginierte Blätter mit 49 Abbildungen; Orig.-Broschur. March 31 to May 12, 1963; The Jewish Museum, 1109 Fifth Avenue, New York. Leichte Gebrauchsspuren. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 1005 gr.

Text engl. & ital. 4°. 48 nn. Seiten, zahlr. s/w u. 4 farbige Abb., OBrosch., gut erhalten.

Zustand: Good. 4to. Original wraps. Curator's annotated copy with manuscript corrections and emendations. Unique copiey.OCLC Record Number 523496. Catalogue of the exhibition held February 16 to April 12, 1964.Bibliography: p. 61-63.64pp. New York art historian, museum director, art consultant, educator, writer, and curator, Alan R. Solomon (1920-1970), organized over two hundred exhibitions in the course of his career. He was known for his skill in exhibition design, and for bringing the perception and understanding of an art historian to the field of contemporary art.Solomon was born in Quincy, Massachusetts, and educated at Harvard College and Harvard Graduate School. In 1953, during his 1952-1962 tenure with the Cornell University department of art history, he established the Andrew Dickson White Museum of art. Solomon served as the museum's first director until 1961, whilst simultaneously pursuing his doctorate, which he received from Harvard University in 1962.In 1962 Solomon was hired by the Jewish Museum in New York, New York, and immediately began to take the institution in a more contemporary direction, mounting Robert Rauschenberg's first retrospective in 1963, and a major Jasper Johns retrospective in 1964. .Also, in 1963, Solomon was appointed the United States Commissioner for the 1964 Venice Biennale. He was determined to show "the major new indigenous tendencies, the peculiarly America spirt of the art" in works by two consecutive generations of artists, including Jasper Johns, Morris Louis, Kenneth Noland, and Robert Rauschenberg. With this in mind, and given the inadequacy of the existing space to house the installation he envisaged, Solomon secured a verbal agreement from Biennale officials to approve additional space for the American exhibition in an annex at the former American Consulate. The agreement was never formalized, however, and a series of administrative problems and controversies over the eligibility of the American submissions threatened to undermine Solomon's efforts. Nevertheless, Robert Rauschenberg became the first American to take the Grand Prize for foreign artist, and the attention garnered by the American exhibition monopolized press coverage of the Biennale. In response, Solomon stated publicly that "it is acknowledged on every hand that New York has replaced Paris as the world art capital.". …

First edition. Signed by Robert Rauschenberg. Original pictorial card covers. Artist monograph. Illustrated with 30 full page plates in black and white, one folding. With a chronology, exhibition checklist and bibliography. A very near fine copy, the binding square and tight, just a hint of rubbing at the folds. The contents with the bookplate of the artist's friend, art collector, consultant and gallery owner Connie Lembark to the inside front cover remain clean and bright throughout. An excellent example of this important early catalogue, scarce in signed state. Boldly signed by the artist "Bob Rauschenberg" in black ink to the inside rear endpaper. A beautifully designed catalogue, produced by Elaine Lustig and published in conjunction with Rauschenberg's first major Museum retrospective organised in 1963 by The Jewish Museum, New York. Only the third monograph publication on the artist, it features an insightful ten page essay by curator Alan D. Solomon and reproductions of several important early works. Provenance: Collection of Connie Lembark (1934 - 1911); acquired by Arcana, Culver City; private UK collection. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers.…