Ahmed jamil (48 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Jamil, Shaykha Aamina (illustrator).

Paperback. Zustand: Brand New. 100 pages. 11.69x8.27x0.23 inches. In Stock.

Zustand: New.

Zustand: New.

Paperback. Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New. Jamil, Shaykha Aamina (illustrator).

Zustand: As New. Unread book in perfect condition. Jamil, Shaykha Aamina (illustrator).

Zustand: New.

Hardcover. Zustand: New. Contents: Introduction. 1. Performances related to Krsna and Caitanya. 2. Performances related to Ramacandra. 3. Performances related to Siva and Kali. 4. Performances related to Manasa. 5. Performances related to Buddhism and Natha cult. 6. Performances related to Muslim saints and legendary heroes. 7. Secular performances. 8. Hybrid performances. Conclusion. Bibliography. Glossary. Index. "Acinpakhi Infinity combines a wide range of theoretical learning and understanding of the indigenous theatre in Bangladesh and describes fully the way in which the tradition lives in Bangladesh today. It studies over eighty genres, which are related to various religions, (such as Islam and Buddhism), and cults (such as Krsna and Caitanya, Ramacandra, Siva and Kali, Manasa and Natha). It also includes a number of secular performances. The methodology adopted for major part of the study is based on fieldwork which includes witnessing performances in actual condition, interviewing the performers and the spectators, and studying written texts, audio recording and photographs of performances. In a few cases, performances, which no longer exist, have also been studied from published accounts. Excepting the minor cases, most of the genres have been studies in terms of : (i) background information of the genre, its performers and sponsors, (ii) performance space, (iii) text, (iv) structure of performance and (v) miscellaneous information related to the genre. Plans of performance space and photographs of performance have also been provided. Art forms tend to go through perpetual changes but it is hoped that the book will help the readers journey into an art form rooted in endogenity.".…

Zustand: New. pp. xxii + 252 Figures Map.

Zustand: New.

Paperback. Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Hardcover. Large 8vo. pp 135. Original publisher's brown paper covered boards, lettered white at spine, front and rear. Inscribed by the author at front flyleaf to Jonathan Fryer, writer and broadcaster: "To my friend Jonathan, in appreciation and best wishes. Jamal Nasir, 12/4/2010." About fine.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. The Rising Trend of Obesity in Pakistani Children | The way forward | Jamil Ahmed (u. a.) | Taschenbuch | Englisch | LAP Lambert Academic Publishing | EAN 9783848409754 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | "Pen & Brush" brings to life the dramatic struggle for Philippine independence through the eyes of national heroes Jose Rizal, Juan Luna, Antonio Luna and Andres Bonifacio. From European cafes to the battlefields in the Philippines drenched in blood, their voices echo in art, in books, in revolution, in sacrifices. A sweeping, emotional portrait of a nation's fight for freedom--- and the brave men who dared to dream.…

Zustand: New.

Hardback. Zustand: New. Extends the study of China's "soft power" into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.2016 Thalia Prize of the International Association of Theatre CriticsChina is the main focus of this volume, and articles consider the way it is using "soft power" in its extensive engagement with South Africa, and, through its support for theatre festivals, with Lusophone countries in Africa. China's involvement with the construction of theatres, opera houses and cultural facilities as part of its foreign aid programmes in such countries as Algeria, Cameroon, Mauritius, Ghana and Senegal, provides the background to the playscript from this volume, Blickakte (Acts of Viewing) by Daniel Schauf, Philipp Scholtysik and Jonas Alsleben, that explores Chinese impact in Somalia. Issues also emerge around what China is "importing" culturally fromAfrica. In 2012, Soyinka's The Lion and the Jewel was produced there, and a season of Fugard's work was enjoyed in Beijing during 2014. During 2016 Brett Bailey's Macbeth Opera will be performed in Macao. In recent years courses in African theatre have been started in Beijing by Biodun Jeyifo, and also taught by Femi Osofisan whose well-known Esu and the Vagabond Minstrels and Once Upon Four Robbers have been translatedinto Mandarin, along with Soyinka's The Lion and the Jewel. The volume also includes contributions on exchanges between other Asian countries and Africa such as articles on the production of African plays in Bangladesh and onthe persistence of African performance traditions among African migrants in India. Attention is paid to the syncretic theatre traditions that have evolved wherever African and Asian populations have been in close and extended contact, as in Mauritius and Durban. Unusual exchanges and globalized theatre surfaces in the course of the volume. For example, while the Guangdong Provincial Puppet Art Theatre Group performed at the 41st Grahamstown Festival (2015), Chinese puppeteers are being trained to manipulate the War Horse for a Beijing production. Volume Editors: JAMES GIBBS and FEMI OSOFISAN FEMI OSOFISAN Thalia Laureate of the International Association of TheatreCritics 2016 Series Editors: Martin Banham, Emeritus Professor of Drama and Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor ofDrama, University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre and Performance Studies, University of Warwick.…

Paperback. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. Extends the study of China's "soft power" into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.2016 Thalia Prize of the International Association of Theatre CriticsChina is the main focus of this volume, and articles consider the way it is using "soft power" in its extensive engagement with South Africa, and, through its support for theatre festivals, with Lusophone countries in Africa. China's involvement with the construction of theatres, opera houses and cultural facilities as part of its foreign aid programmes in such countries as Algeria, Cameroon, Mauritius, Ghana and Senegal, provides the background to the playscript from this volume, Blickakte (Acts of Viewing) by Daniel Schauf, Philipp Scholtysik and Jonas Alsleben, that explores Chinese impact in Somalia. Issues also emerge around what China is "importing" culturally fromAfrica. In 2012, Soyinka's The Lion and the Jewel was produced there, and a season of Fugard's work was enjoyed in Beijing during 2014. During 2016 Brett Bailey's Macbeth Opera will be performed in Macao. In recent years courses in African theatre have been started in Beijing by Biodun Jeyifo, and also taught by Femi Osofisan whose well-known Esu and the Vagabond Minstrels and Once Upon Four Robbers have been translatedinto Mandarin, along with Soyinka's The Lion and the Jewel. The volume also includes contributions on exchanges between other Asian countries and Africa such as articles on the production of African plays in Bangladesh and onthe persistence of African performance traditions among African migrants in India. Attention is paid to the syncretic theatre traditions that have evolved wherever African and Asian populations have been in close and extended contact, as in Mauritius and Durban. Unusual exchanges and globalized theatre surfaces in the course of the volume. For example, while the Guangdong Provincial Puppet Art Theatre Group performed at the 41st Grahamstown Festival (2015), Chinese puppeteers are being trained to manipulate the War Horse for a Beijing production. Volume Editors: JAMES GIBBS and FEMI OSOFISAN FEMI OSOFISAN Thalia Laureate of the International Association of TheatreCritics 2016 Series Editors: Martin Banham, Emeritus Professor of Drama and Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor ofDrama, University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre and Performance Studies, University of Warwick.…

paperback. Zustand: Very Good.

paperback. Zustand: Very Good.

paperback. Zustand: Good.