Ahern maureen (16 Ergebnisse)

Zustand: Good. 0th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, "The Eternal Feminine".

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work. In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern presents the first comprehensive study of Castellanos' work as a sign or signifying system. This approach through contemporary semiotic theory unites literary criticism and translation as an integral semiotic process. Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico. Describing this process in The Eternal Feminine, Castellanos observes, ".it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own. It isn't even enough to discover who we are. We have to invent ourselves." . The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780292770362.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. 1988. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 378 pages. 9.25x6.00x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. A Rosario Castellanos Reader | An Anthology of Her Poetry, Short Fiction, Essays, and Drama | Rosario Castellanos | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1988 | University of Texas Press | EAN 9780292770362 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by University of Arizona Press, 1999. Folio. Hardcover. Book is like new. No dust jacket.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2500grams, ISBN:0816517207.…

Ed Albatros. Valencia 1980. 174 pp(0.29312).

Encuadernación de tapa blanda. Zustand: Muy bien. In-8. #2 Mar 1967. Wrappers. Haravec: A Literary Magazine from Peru published five issues in Lima between 1966 and 1968. Founded by Richard Greenwell and Maureen Ahern, the journal remained under the editorship of Ahern and other rotating editors for the entirety of its run, with Greenwell departing after the second issue. The bilingual journal took its name from harawek, "the Quechua word for the minstrel who sang the traditional lyric songs or harawi." Haravec featured poetry and prose, and its notable contributors included Charles Olson, José María Arguedas, Mario Vargas Llosa, Raquel Jodorowsky and Cecilia Bustamante, among others. As Ahern writes in the editors note to the first issue, Haravec followed El Corno Emplumado in disseminating recent "itinerant writers" traversing the hemispheric Americas and the UK. Begun, in part, from the materials Clayton Eshleman had gathered toward an unrealized little magazine project to be entitled Quena, Haravec's importance in the Limeño literary scene relied not least on its distribution of US writers, including an important translation of Olsons Projective Verse by José Coronel Urtecho. Reciprocally, the journal offered an outlet for younger Peruvian writers, such as Rodolfo Hinostroza, Mirko Lauer, and Jorge Pimentel, to appear in print in English. It ended its run after five issues due to difficult economic conditions following the collapse of the Peruvian sol. Many of the Peruvian writers published in Haravec would be published in translation in the journal Tri-Quarterly in 1969, as well as Peru: The New Poetry, an anthology edited by Maureen Ahern and David Tipton, published by London Magazine Editions in 1970. CodWas.…