Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. Original title: Illustration for 'Mickle' German: Abbildung für 'Mickel' French: Illustration pour 'Mickle' Spanish: Ilustración para 'Mickle' High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1808). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.
Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. Original title: Sir George Beaumont, Bart. German: Sir George Beaumont, Bart. French: Sir George Beaumont, Bart. Spanish: Sir George Beaumont, Bart. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.
Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. Original title: Lady Katherine Sophia (née Manners) Heathcote German: Frau Katherine Sophia (geborene Manners) French: Lady Katherine Sophia (née Manners) Heathcote Spanish: Lady Katherine Sophia (nacida Manners) Heathcote High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.
Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. Original title: Lady Dalrymple Hamilton German: Lady Dalrymple Hamilton French: Lady Dalrymple Hamilton Spanish: Lady Dalrymple Hamilton High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.
Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. Original title: Anne (née Bermingham) Caulfield, Countess of Charlemont German: Anne (geborene Bermingham) Caulfield, Gräfin von Charlemont French: Anne (née Bermingham) Caulfield, comtesse de Charlemont Spanish: Anne (nacida Bermingham) Caulfield, Condesa de Charlemont High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1812). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.
Verlag: Contentum Ltd., Larnaca, Cyprus
Anbieter: Contentum, Nicosia, Zypern
Kunst / Grafik / Poster
Loose Leaf. Zustand: New. Reproduction. None. No.
Verlag: Premium Pictures, Los Angeles, 1959
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Fotografie
Vintage studio still photograph from the 1959 film. Lunar aliens begin occupying corpses in order to take control of the earth, leading a scientist, his daughter, and an Army major to join forces to stop them. 8 x 10 inches. Very Good plus, with a short closed tear at the top edge.
Verlag: London: John Murray., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. George Gordon Byron, 6th Baron Byron (1788-1824), poet. Line engraving measuring 8 x 7 inches. Mold and stains, corner piece missing top right. Fair.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1813
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 29 x 35 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1813
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1813
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 28.5 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 28 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 29 x 35 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 27.5 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1813
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 27.5 x 35 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1814
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 28 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: London: R. Ackermann's 'History of Oxford'., 1813
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Hand-colored engraving. 35 x 29 cm (sheet). Very Good, a few, light specks of foxing.
Verlag: Stafford Place 59 Stafford Place Pimlico London 24 January, 1822
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
EUR 264,56
Anzahl: 1 verfügbar
In den Warenkorb2pp., 4to. Bifolium. Addressed on reverse of second leaf, with two postmarks (one of Pimlico), to 'R. Ackermann Esqre | 101. Strand -'. On aged and worn paper, with one short closed tear. A good letter, full of content revealing of Ackermann's business and the art trade in general. The first paragraph reads: 'I am extremely sorry the last Fashions have not met your approbation. The inflamed state of my eye rendered it impossible for me to engrave them myself, and I calculated on the known talent of Mr. Chsman [i.e. Thomas Cheesman (1760-1834)] to be my substitute. I lament much that he has failed, and quite ashamed he should have returned the drawings so very dirty for which I hold my pupil [i.e. his eye, not his student] much to blame. My eye is now much better and I trust in future to do them myself and give you that gratification which has given stability to our long friendship Believe me ever zealous to fulfil your commissions however difficult I may find them sometimes to execute.' The second paragraph concerns 'the head of the King Modelled by Pistrucci' (i.e. George IV's initial coinage bust), which Agar asked 'Mr. Gindall' to tell Ackermann about. He suggests that he 'had better write or call on Vendramini in Brompton Row and learn the direction and further particulars - He [i.e. Pistrucci] is in hot water at the Mint but that may make no difference should you like the head - it was modelled immediately from the King, and Vendramini promised it if I would undertake to engrave it -'. He ends by reporting that he 'drank tea with Mr. Morant of Bond Street', whom he thinks 'would lend you some of his prints or pictures for your intended publication should you be still in the same mind'. The publication he is referring to is the first of the literary annuals, The Forget-Me-Not, first published in 1823.