after william hogarth (45 Ergebnisse)

Zustand: Good. Steel Engraving. 6.75" x 6". Good with light staining.

Zustand: Good. Steel Engraving. 6.75" x 6". Good with light staining, perforations at margins.

No Binding. Zustand: Near Fine. 1st Edition. Original Engraving, 22.5 X 14.8 Cm. Hogarth's Depiction Of The Imprisoned Wilkes, A Satirical Depiction Responding To Wilkes' Attacks On Hogarth In The North Briton. This Is The Original Print Of 1763, "W. Hogarth Del. 1763" And R. F" In Cursive Writing Just Beneath The Lower Corners Of The Image; Not The 1822 Reprint . Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Two Semicircular Dampstains At Top Edge.

Zustand: Good. Engraving. 12 x 7.5 cm (sheet). Good, light specks of foxing, minor surface soiling.

Zustand: Good. Stipple and line engraving. 27 x 23.5 cm. (sheet). Very Good. Tape staining at top and bottom sheet edges. Book stitch holes at left and right sheet edges.

Zustand: Good. Steel engraving. 29 x 22 cm. (sheet). Very Good. Minor soiling in the margins. Tears at bottom sheet edge.

Zustand: Good. Print: 12 x 15 cm. Plate: 16 x 16 cm. Spot in lower marigin.Theatre ticket design for The Mock Doctor, a benefit at the 'Theatre Royal', designed by William Hogarth. Text under the image reads: 'Theatre Royal, April, a comedy with the Mock Doctor for the Benefit of the Author of the Farce'. Presumably the author referred to is Henry Fielding who wrote the English translation of Moliere's play. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 11.2 x 13 cm. Plate: 16 x 16 cm. Spot in lower marign.Theatre ticket: a stage scene with seven performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736 The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 9 x 11 cm. Plate: 11 x 12cm. Subject:Related to John Gay (British, Barnstaple, Devon 1685-1732) spot in upper margin. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Print: 14 x 18 cm. Plate: 19 x 16.5 cm. Paper: 25 x 22 cm. Oblong.above, a man with a sword to either side and an inscription plaque with weapons below. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Etching and engraving wove paper. 24.5 x 18.5 cm (plate). Very Good.The plate was originally published by Jane Hogarth. This version is from the 1822 Heath Edition.

Zustand: Good. Hand-colored etching. 21 x 13 cm (sheet). Very Good, tape along sheet edges on verso.Provenance: From the collection of the late Frederick Ruffner, Jr., founder of Gale Research, Detroit.

Zustand: Good. Hand-colored etching. 21 x 13 cm (sheet). Very Good, tape along sheet edges on verso, missing area of margin at bottom of sheet.Provenance: From the collection of the late Frederick Ruffner, Jr., founder of Gale Research, Detroit.

Zustand: Good. Print: 16.5 x 12 cm. Plate: 19 x 16.5 cm. Paper: 25 x 22 cm. Spot in right margin.Forgery purporting to be a trade-card for James Figg, prize fighter and instructor in sword and quarter-staff; portrait of Figg standing full-length, one hand on his hip, the other on the hilt of his sword, with another man to left of him holding a quarter-staff, in a raised fighting ring with spectators; in a decorative border with crossed swords above, a man with a sword to either side and an inscription plaque with weapons below. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.

Zustand: Good. Two engravings on one sheet. 63 x 48 cm.James Caulfield 4th Viscount and since 1763 1st Earl of Charlemont, (1728-1799), son of James Viscount Charlemont, became commander in chief of the Irish Volunteers in 1780. Equally important, however, as collector of paintings, sculptures, and books of which he sent home a large number already during his Grand Tour 1746-55, and patron of the arts. In 1785 he became first president of the Royal Irish Academy.Impression on strong paper from the plate retouched by the royal engraver James Heath (1757 London 1834) about 1822.

Zustand: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

Zustand: Good. Two engravings on one sheet, 25 x 19 inches. Few marginal tears.The top iamge is a copy of Paulson, 44.William Kent had painted at altarpiece for St. Clement Danes' church, depicting a celestial choir with five singing angels, a crowd of attendant cherubs, and the Holy Spirit in the shape of a Dove. The parishioners had commissioned the piece, because they were impressed by Kent's Court connections, however, they were greatly disappointed when the painting was unveiled, perhaps seeing a likeness in one of the angels to Priness Clementina Sobieski, wife of the Old Pretender, but more probably because Kent was, at times, a spectacularly bad painter. The congregation petitioned the Bishop of London, Edmund Gibson, to remove it; and it was duly removed to the vestry during September 1725, although it was borrowed from time to time by the Crown & Anchor Tavern for its Music Room. In a numbered, satirical key beneath the design, Hogarth highlights Kent's appallingly bad draughtsmanship and his out of proportion figures. The painting was destroyed by bombing in 1940. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Two engravings on one sheet, 25 x 19 inches. Few marginal tears.Two prints, on one sheet. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Three engravings on one sheet, 25 x 19 inches. Few marginal tears."Sarah Malcolm" is a copy of Paulson, 129."Boys Peeping at Nature" is a copy of Paulson, 120b.When 22-year-old Sarah Malcolm was arrested for a triple murder in 1733, Hogarth visited her in prison shortly before she was hanged and had a print on the market within three days. By October of that year he had announced his next project, a sequel to the best-selling Harlot's Progress so obviously aimed at exactly the same audience that it would make the most unimaginative producer of Hollywood blockbusters blush: The Rake's Progress. The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

Zustand: Good. Medium: Etching and engravingDimensions: Plate: 16 3/4 x 22 7/16 in. (42.5 x 57 cm)Small lower plate: 2 1/4 x 22 7/16 in. (5.7 x 57 cm)Sheet: 19 1/8 x 23 3/4 in. (48.6 x 60.3 cm)Engraver:Simon Francis Ravenet, the elder (French, 1706-1774)Engraver: Jean Marie Delattre (French, Abbeville 1745-1840 Fulham, London)Artist:after William Hogarth (British, London 1697-1764 London)Publisher:John Boydell (British, Shropshire 1720-1804 London)Date:February 24,1772Marginal tears.

Zustand: Good. 33.9 × 26.2 cm (image) 38.5 × 29.2 cm (plate) 39.4 × 29.5 cm (sheet)printed in ink l.l.: Painted by W. Hogarth.printed in ink l.r.: Engraved by T. Cookprinted in ink l.c.: GULIELMUS HOGARTH. / Published June 1.st (st in superscript above . ) 1801 by G.G. & J.Robinson Paternoster Row London,-printed (diagonally) in ink (in image) l.r.: The / Line of Beauty. Marginal tears and some foxing & dampstains in margins.copy of Paulson, no. 181.

Zustand: Good. Engraving. 18.5 x 21 inches with margins.

Zustand: Good. Engraving. 18.5 x 21 inches with margins.The Pool Of Bethesda. The Curative Pool At Jerusalem's Sheep's Gate, Visited By The Sick And Healthy With Jesus As Good Samaritan In The Center.

Zustand: Good. Etching and engravings wove paper. 58 x 44 cm (sheet). Very Good, light scattering of foxing in the margin areas.

Zustand: Good. Etching and engravings wove paper with J. Watman watermark. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning along sheet edges, some tears along bottom sheet edge.

Zustand: Good. Etching and engravings on wove paper. 43 x 58 cm (sheet). Very Good, light scattering of foxing in the margin areas, toning along sheet edges.

Zustand: Good. Etching and engraving wove paper. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning and water staining along sheet edges.

Zustand: Good. Two engravings on one sheet 23 x 16.25 inches.

Illustration of the Cock-Pit Royal in St. James, London.View of a crowd of people gathered around a circular cock fighting ring. Two small birds face-off at the left. The shadow of a man holding a coin purse looms large over the ring. At the center of the crowd is a a man who appears to be blind with a pile of money in front of him. The man to the right of him is stealing one of the bills.After a work by William Hogarth.From an illustrated German vocabulary or Encyclopedia. Wood engraving on paper with text in letterpress; total: 238 x 208 mm; despite some rubbing and light staining, in good condition.