after rowlandson (18 Ergebnisse)

Zustand: Good. Hand-colored Aquatint. 10.5" x 8". Very Good. In mylar protective sleeve.

Zustand: Good. Color reproductive print. 27 x 39 cm (sheet). Very Good.

No Binding. Zustand: Very good. Stipple engraving, in sepia, from 'An Academy for Grown Horsemen, and Annals of Horsemanship', trimmed, Geoffrey Gambado is the pseudonym of Henry Bunbury.

Hardback. Zustand: Good. Multiple, including illustrations after Pugin and Rowlandson, Robert Cruikshank, and engravings from William Bond, James Bretherton. (illustrator). An uncommon edition of this work by Hackney-carriage-born John Thomas Smith, offering a nostalgic recollection of London. This edition is acknowledged by Wilfred Witten, the editor, to be the first thus annotated edition of the work. The first two editions of this work appeared in 1845, the third in 1861.Uncommon.Quarter paper vellum bound with gilt titles. Heartily illustrated with 47 plates, both monochrome and colour, including a frontispiece of the author (also, a plate missed from the work's 'List of Illustrations' titled 'Perdita Robinson' by J. T. Smith, on an unnumbered page [pp. 82-83]). Collated complete.Composed by a previous keeper of prints for the British Museum who was born in the back of a Hackney carriage, this work offers a nostalgic recollection of London, abounding with references to some of the city's best known areas and buildings. In the publisher's original quarter paper vellum binding. Externally, some marks and dulling to the colour of the boards and to the spine. Gilding bright. Some bumping to the head and tail of the spine, joints, and corners, which has resulted in a minor closed tear to spine's binding at rear joint, and minor loss of paper cover at corners. Hinges somewhat tender. Gift Inscription on first free endpaper. Internally, pages have spotting and toning throughout, not impacting readability. The odd minor closed tears to bottom edge; these are on plates between pp. 212-213, between pp. 302-303, between pp. 308-39, and between pp. 316-317, not to illustrations in any instance. Good. book.

Hardcover. Zustand: Very Good. No Jacket. Green cloth bound, hardback book with gilt decoration on front board, and gilt titles on spine. This wonderful old book, is in good condition, and as its a used book, normal wear, marks and tear apply consistent with use and age. 354 pages, all intact and a good binding, all pages, text and beautiful illustrations are in good, clean, readable order. Corners of boards slightly worn and bumped. Previous owners own label, with name pf owner and black & white drawing printed. Pencil signature on title page. "The Original Edition, Complete and Unabridged, With the Life and Adventures of the Author, Now First Written, By John Camden Hotten". No specific published date, assuming its around 1868 to 1869 as the back of the book, is "a list of very important new books, special list for 1869". 80 x stunning illustrations by Rowlandson. A fabulous book that has stood the test of time and deserves to be preserved for future literary generations.

Hardcover. Third Edition. Quarto, iv, [2], 319 pages. With 20 hand-colored engraved plates, including frontispiece and title page. In Very Good minus condition. Bound in full mottled calf with gilt ornamentation to boards, board edges, turn ins, and spine; green leather labels bearing gilt titling to spine. Light plus bumping and rubbing to corners of boards and light plus rubbing to joints; splits starting at joints. Spine labels sunned almost to brown. All text block edges gilt and still bright. Text block lightly age toned. Pencil annotations to first and second front free endpapers. Moderate offsetting to blank sheets inserted opposite plates. EH Consignment. Shelved Room G. 1381642. Special Collections.

Zustand: Good. Hand-colored engraving taken from the Tours of Doctor Syntax. Image measures 19 x 11 cm.

Goldgeprägter Leder-Einband mit Buchschließe und Goldschnitt [ca. 25,5 x 30 cm]. -- Format der Fotos: von ca. 13 x 12,5 cm bis zu ca. 15 x 19,5 cm. -- Einband nur leicht berieben, sonst gut erhalten. || Leather binding with metal book clasp and gold trim. -- Binding only slightly rubbed, otherwise in very good condition. || Sehr seltenes Fotoalbum aus dem 19. Jahrhundert mit Orig.-Fotos der schon damals sehr seltenen erotischen Kupferstiche Rowlandsons. // // Very rare photo album with original photos from the 19th century from the at that time also rare erotic engravings by Rowlandson. -- -- Thomas Rowlandson (17571827) was an English artist and caricaturist known for his satirical depictions of 18th and early 19th-century British society. Born in London, he studied at the Royal Academy and spent time in Paris, where he honed his skills in both classical art and caricature. Rowlandson gained widespread fame for his humorous, often exaggerated portrayals of everyday life, politics, and social customs. His work often featured vibrant, expressive lines and a keen eye for character. Rowlandson's illustrations, widely published in print, helped shape the visual culture of Georgian England. His erotic illustrations are very rare. They were often created privately or published anonymously, and depicted scenes of sexual encounters with a humorous, exaggerated style typical of his broader work. Rowlandson's erotic art, like his social satires, poked fun at the customs and hypocrisies of Georgian society, though with a much more explicit focus. His illustrations often combined humor, bawdiness, and a playful approach to sexuality. They were circulated among collectors and the upper classes, who appreciated his wit and the risqué nature of the drawings. || Thomas Rowlandson (17571827) war ein englischer Künstler und Karikaturist, bekannt für seine satirischen Darstellungen der britischen Gesellschaft des 18. und frühen 19. Jahrhunderts. Geboren in London, studierte er an der Royal Academy und verbrachte Zeit in Paris, wo er sowohl seine Fähigkeiten in der klassischen Kunst als auch in der Karikatur weiterentwickelte. Rowlandson erlangte breite Berühmtheit für seine humorvollen, oft übertriebenen Darstellungen des Alltagslebens, der Politik und der gesellschaftlichen Sitten. Seine Werke zeichneten sich häufig durch lebendige, ausdrucksstarke Linien und ein scharfes Auge für Charaktere aus. Rowlandsons Illustrationen, die weit verbreitet im Druck erschienen, prägten die visuelle Kultur des georgianischen Englands. Seine erotischen Illustrationen sind sehr selten. Sie wurden oft privat angefertigt oder anonym veröffentlicht und stellten Szenen sexueller Begegnungen in einem humorvollen, übertriebenen Stil dar, der typisch für seine breiteren Werke war. Rowlandsons erotische Kunst, wie auch seine sozialen Satiren, verspottete die Sitten und Heucheleien der georgianischen Gesellschaft, wenn auch mit einem viel expliziteren Fokus. Seine Illustrationen verbanden oft Humor, Derbheit und einen spielerischen Umgang mit Sexualität. Sie wurden unter Sammlern und in den oberen Gesellschaftsschichten verbreitet, die seinen Witz und den anstößigen Charakter der Zeichnungen zu schätzen wussten. -- // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Good. Hand-colored aquatint after a drawing by Rowlandson. Image measures 14 x 22 cm.

Sole edition. A thin man in shabby clothes kneels in prayer before a candle on a chair, his toes poking through his worn shoes. The window panes above a heavy locked strongbox are broken. 'The miser confesses he owns nine houses, estates in Essex, mortgages in Hertford, large landed speculations in Russell Square and the neighbourhood, reversions of estates, trading ventures, "Mermaid" sloop, funded property, Government securities, &c. &c. he is beseeching an increase in his means, success in investments, and a rise in the "Stocks"' (Grego). Rowlandson produced a series of such 'Prayers' as squibs in 1801. Single sheet (400 × 253 mm) with hand-coloured etched print and letterpress text. Cut close as often (image just touched at head), small repair to lower right hand corner and couple of very small nicks at the head. Remains of old blue paper mounting to an album leaf on verso. [Grego, Rowlandson the Caricaturist, II, 30.].

Zustand: Good. Color aquatint. Sheet 33 x 39cm. Mounted on a support sheet. Central text beneath the image missing part of title and publisher's imprint.Walpole Library, Yale: In the center of a book-lined room the bookseller, with a pen behind his ear, his hands in his pockets, glasses pushed to the top of his head, stands looking down disdainfully at a manuscript being offered to him by a thin, timid looking man who stands nervously with his hat tucked under his arm. A clergyman with spectacles, his back to the two other gentlemen, perusing the shelves, stops to examine a volume. In the left foreground on the floor, in front of a library step stool, is a pile of books. Another pile of books lies in the right foreground in front of a door with a glass panel and curtains in the top half. To the left of the door is a sloping writing table with paper, ink stand, and pen.From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.

Original publication, 260 x 210 mm. In good condition except for frayes on the edges.[NL] Spotprent op Napoleon na de verloren slag bij Leipzig, 16-19 oktober 1813. Napoleon zittend op een trommel en de Dood als skelet, tegenover hem zittend op een kanon, beiden verslagen met de ellebogen op de knieën en het hoofd rustend in de handen. Het Franse veldteken met een adelaar ligt gebroken op de grond. Links de oprukkende troepen van de bondgenoten met de vlaggen van Pruisen, Rusland en Oostenrijk, rechts het vluchtende Franse leger. Bij de prent behoort een afzonderlijke verklaring. Waarschijnlijk een Nederlandse uitgave van een Engelse plaat, de verklaring bij de prent is namelijk in het Nederlands. Prent aanwezig in Rijksmuseum in de Engelse versie naar Thomas Rowlandson onder de titel De twee koningen der verschrikking 1813: The two kings of terror.battle (+ land forces), Death as skeleton, Slag bij Leipzig, 1813-10 - 1813-10, Napoleon I (keizer der Fransen) .

Original publication, 260 x 210 mm. In good condition except for frayes on the edges.[NL] Tekstblad met een verklaring op rijm van de voorstelling van de spotprent op Napoleon. Naar het origineel door Thomas Rowlandson.

An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol III, 1811 Bluck after Pugin and Rowlandson St Margaret's Westminster An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol III, 1811 275 x 230 mm. PS125.

An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol II 1809 Bluck after Pugin and Rowlandson Magdalen Chapel An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol II 1809 Landscape 225 x 270 mm PS125.

An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol III, 1811 Sunderland after Pugin and Rowlandson Horse Armoury An original hand-coloured aquatint for Ackermann's 'Microcosm of London' Vol III, 1811 235 x 285 mm PS155.

A set of four charming watercolours taken from Rowlandson's Dr Syntax series. "Dr Syntax losing his way". "Dr Syntax copying the wit of the Window". "Rural Sports". "Dr Syntax disputing his bill with the landlady". Each image is 113x195mm. Mounted on cream card but unframed.

London, J. Johnston, no date (1820), 3rd ed. (part 1-2)/ 2nd ed. (part 3-7)/ 1st ed. (part 1), in 8 separate parts as originally published, (6 advert.),319,(3)p., handcoloured aquatint title-page.