after peter lely (13 Ergebnisse)

No Binding. Zustand: Very Good. 1st Edition. Original Engraving. Foxing. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. James Thomson (1788-1850) Was An English Engraver, Known For His Portraits. He Completed His Apprenticeship In Engraving And Then Established Himself Independently, Following The Dot And Stipple Style. His Engravings And Paintings Featured Both Leading Figures Of His Day And Those Of Previous Periods.

Zustand: Good. Engraving, 16 x 12 cm. Good with dry mold, some staining, light creasing. Likely from a periodical such as "Universal Magazine.".

Original Aquatinta-Portrait. -- Blatt-Maße: ca.22,5x17 cm -- im Außenrand angerändert - sonst gut erhalten. || Beautiful mezzotint engraved portrait. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Zustand: Good. Sitter: Anthony Ashley-Cooper, 1st Earl of Shaftesbury (1621-1683), Statesman. Engraver: Jacobus Houbraken (1698-1780).Artist: Sir Peter Lely (1618-1680), Portrait painter. Engraved portrait. 253 mm x 410 mm.

Zustand: Good. Line engraving on laid paper. 40 x 28 cm (sheet). Very Good, minor soiling and foxing in the margin areas.

Zustand: Good. Line engraving on laid paper. 37.5 x 25 cm (sheet). Very Good, sheet trimmed to the platemark, black tape at sheet corners.

Zustand: Good. Stipple and line engraving. 37.5 x 26 cm. (sheet). Very Good.

Zustand: Good. Stipple and steel engraving. 23.5 x 17 cm. (sheet). Very Good. Minor toning and foxing along sheet edges.

Zustand: Good. Original copper engraving after painting by Peter Lely (1618-1680). 37 x 23.5 cm. in the plate. Signed and dated in the plate, with inscr. "In the possession of General Tyrrel at Shotover in Oxfordshire." Matted and framed. NF.

Bust portrait of king Charles II (1630-1685), set into a classical frame in robes of state and with arms below; plate from Paul de Rapin-Thoyras, 'The History of England'. Lettered in composition, and with "From a Picture in Bridewell Hall, London; the original painted by Sr Peter Lely Kt / Geo.Vertue sculp. 1736." Etching and engraving on paper with margins; plate mark: 303 x 196 mm, total: 395 x 227 mm; despite some light browning on the most external margins, rather frail, in very good condition. Alexander 2008, nr. 751.

Portrait of John Maitland, Duke of Lauderdale (1616-182), bust directed to left but looking at the viewer, wearing a neckerchief and brocaded jacket with star of the Order of the Garter; in an ornamental oval; an owl and books below.According to the British Museum record, Maitland was a Scottish statesman; created Marquis of March 1672, Duke of Lauderdale 1673, Viscount of Petersham and Earl of Guildford 1674, member of Privy Council, Knight of Garter; exercised chiefly power in Scotland from 1660 to 1680 then fell into disgrace on accession of James II and died shortly afterwards.Inscribed on the frame: IOHN DUKE OF LAUDERDALE.Signed, dated and with the address of the publisher at bottom: In the Collection of the Right Hon the Earl of Dysert / P. Lely pinx / J. Houbraken sculps. Amst. 1740 / Impensis I & P Knapton Londini 1740.[NL] Portret van de Schotse staatsman John Maitland, hertog van Lauderdale. Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.Scotland - Schotland - Schotse staatsman - Scottish Statesman Engraving on laid paper, with some margins; total: 426 x 261 mm; state II/2; some rubbing due to handling, some foxing and light staining on the outer margins especially; overall in good condition. Ver Huell 58.

0. S.l. s.d. , published 1697, original engraving, portrait of James Scott, 295 x 172 mm, mounted on a large thick 19th century paper leaf . Some tiny indentations in the right margin resulting in a small of paper. (see NPG item D16773).

Portrait of Admiral Cornelis Tromp (1629-1691), bust turned slightly to the right, facing viewer; wearing a neckerchief and an embroidered sash; within laurel oval on a pedestal with coat of arms below. After a painting by Peter Lely.Under the portrait is the coat of arms of the sitter, with motto: Fortes Creantur Fortibus.Lettered on pedestal with five lines of Dutch description: d. ed. H. Cornelis . / . / . Maÿesteÿt Van Deenemarcke.Signed and dated: P. Lelij Pinxit./ A. Blooteling. Sculp. et ex. 1676.Dutch admiral and second son of the Admiral Martin Van Tromp. He visited England in 1675 when he was created a baronet by Charles II.[NL] Portret van Admiraal Cornelis Tromp; luitenant-admiraal van Holland en West-Friesland.; Admiraal-generaal en admiraliteitsraad van Denemarken, drager van de Orde van de Witte Olifant. Portret in ovaal met lijst in vorm van samengebonden lauwerkrans, boven plint. Gemaakt door Blooteling naar Lely. Gemerkt linksonder: 'P.Lelij, Pinxit.' Gemerkt rechtsonder: 'A, Blooteling, Sculp, et, ex, 1676.' Onderschrift in sierletters (ter weerszijden van wapen): 'd Ed. H/r CORNELIS TROMP Ridder / Baronnet L' Admirael van Hollandt en / West-vrieslandt DomHeer tot Uytrecht / Admirael Generael en Secrete Raedt van / Sijn Conincklijcke Maije: steijt van Deenemarcke.' Opschrift (wapenspreuk op banderol): 'FORTES / CREANTUR / FORTIBUS'. Engraving on laid paper, cut on plate mark; total: 456 x 318 mm; somewhat aging paper, some smudges due to handling, traces of folding, some hanwritten notes on verso, though overall in good condition; traces of previous mounting on verso. Hollstein 49, Muller 5419.