after jan velde (22 Ergebnisse)

Bust portrait of the printer Laurens Janszoon Coster (1370-1440) with the type of A in his hand.Lettered with title at top: 'LARENTIUS COSTERUS HARLEMENSIS/ Primus Artis Tijpographicae Inventor circa Annum 1440'. Signed at bottom left and right of lower margin: 'J.V. Campen pinxit/ J.V.Velde. sculpsit' And lettered there with four lines of Latin verse by Petrus Scriverius: 'Vana quid archetijpos .'[NL] Portret van Laurens Jansz. Coster, drukletter in de hand. Engraving on paper, cut on plate mark; total: 160 x 120 mm; state I/2; browning paper, mounted on another sheet of paper, smudges and some soiling; Hollstein 391, Franken 487, Muller 3013.

Half-length portrait of Cornelis Danckaert (1510-1568) at the age of 51; he was a teologian in Amsterdam. He is portrayed in an oval with a book in his hands. Inscribed in the oval frame: 'MR. GRATIANVS CORNELY.S. THEOLO. BACCALAVREVS FORMATVS. AETA. LI', in a banderol underneathfive lines Dutch text: 'Diet al. hieten. JJ' at the bottom of this cartouche signatures:'W.C. heda pinx.', 'J.V.Velde sculp.' and 'C. Koning Excudit' l Engraving trimmed to plate mark; total: 245 x 166 mm; state II/2; Franken 19; Hollstein 394, v. Someren 1206.

View on the Delfshaven, as an allegory of the month of December.In the middle in the background a wooden bridge over a canal. In the foreground, a schoolmaster walks with his class. On the right before the bridge two women selling goods. On the stone bridge on the left, two men. Last picture from a series of twelve.Titled and numbered at the bottom: 'DECEMBER / 12'. Anonymous impression.[NL] Gezicht op Delfshaven, voorstellende de maand december. In het midden op de achtergrond een houten brug met overkapping over een gracht. Op de voorgrond rechts loopt een schoolmeester met zijn klas. Links twee vrouwen bij een groentenkraampje. Op de stenen brug linksvoor lopen twee heren. Bovenaan het bij deze maand behorende sterrenbeeld: steenbok. Laatste prent uit een serie van twaalf. Etching on paper, trimmed to plate; total: 96 x 134 mm; some repairings on the verso, some staining, small blue stain on the house in the background.

Half-length portrait of Peter Goetthem, capitain of the Amsterdam militia, in oval frame. Oval frame inscribed: PETRVS GOETTHEM PRIMIPILARIS VEXILLI CIVIVM AMSTELODAMENSIVM ATAT LII A MDCXXIX , signed below: P. Saenredam / delineavit ; J.V. Velde Sculp. / ARoman exc. ; above inscribed: DOMINVS PROVIDEBIT l Engraving on paper trimmed within plate mark, pasted on thicker paper; total: 226 x 147 mm; state I/2; Hollstein 397, Franken 18, van Someren 1892.

Bust portrait Peter Scriverius (1576-1660) at the age of 50, in an oval frame, holding gloves in his right hand. Scriverius was a writer and scholar on the history of Holland. Inscribed in the oval frame: PETRVS SCRIVERIVS. LEGENDO ET SCRIBENDO , on the bottom inscription in Latin: ILLIVS ORA. DEXTERA PANGET OPVS , signed at the bottom: Harlemi Fr. Hals pinxit. I. v. Velde sculpsit. On pedestal also the age and the date: Aetatis 50 / A. 1626. l Engraving on paper, with small margins; plate mark: 268 x 157 mm; total: 282 x 164 mm; state III/3; Hollstein 407, Franken 33, Muller 4901.

Half-length portrait of Albert Harmensz Dingsteden, capitain of the Amsterdam militia, in oval frame. Oval frame inscribed: ALBARTVS HERMANNI DINGSTEDEN CIVIS AMSTELODAMENSIS AETAT XXV ANNO MDCXXIX , signed below: P. Saenredam / delineavit ; J.V. Velde Sculp. / ARoman exc. ; above inscribed: POST TENEBRAS LVX . [NL] De Amsterdamse burger Albert Harmensz Dingsteden op 25-jarige leeftijd. Dingstede werd in 1629 verbannen wegens Remonstrantse sympathieën. Engraving on paper trimmed to plate mark; total: 193 x 141 mm; state II/2; on the verso traces of previous mounting; Hollstein 395, Franken 16, van Someren 1442.

View on the banks of a river, with ships and merchants unloading boats. On the right, a bastion with soldiers and cannons. Inscribed at bottom: 'G.V.H. In. I.V.V. fe. CJVisscher ex.'. From a set of five prints. Numbered on the bottom right: '5'. Late impression. Etching on paper with margin; plate mark: 197 x 288 mm; total: 238 x 335 mm; state II/2; some dirt due to printing; traces of pencil scribbling on the bottom margin. Hollstein 332; Franken 371.

Bust portrait of the painter Jacob Matham (1571-1631). Inscribed above: IACOBVS MAETHAM HARL SCVLPTOR , signed below on the right: P. SOVTMAN / PINXIT ; sculp. atq. exc. / J.V.Velde. ; below the portrait inscription in Latin by Scriverius: Gratus in eximij. habere manus . Above left: AETAT SVA 59 .[NL] Portret van de Haarlemse graveur Jacob Matham. Engraving on paper with small margins, remargined;plate mark: 204 x 135 mm; total: 230 x 157 mm; state III/3; some dirt and a crease to the left; Hollstein 401, Franken 25, van Someren 3519.

Tower on the river Niers: tower on the left, bridge in the middle foreground and on the right two peasants. Further in the background a city. Low clouds.Numbered on bottom right: '12' and on the top: '5'.On eighteenth century British paper: Watermark with crown and monogram GR. Etching on paper with broad margins; plate mark: 121 x 188 mm; total: 185 x 246 mm, state III/3; nice impression; Hollstein 291, Fr. 330.

Half-length portrait of Jan Willemsz. Bogaert in oval frame, holding gloves. Oval frame inscribed: IOHANNES GVGLIELMI BOGAERT, EXSCHABINVS AMSTELODAMENSIS ETC. AETAT. LI ANNO 1629 , signed below: P. Saenredam / delineavit ; ARoman exc. ; above inscribed: POST TENEBRA LUX ; below the portrait double inscription in Latin and Dutch: Illius. Vaderland! . [NL] Portret van Jan Willemsz Bogaert, oud schepen van Amsterdam en verbannen wegens verzoekschrift tegen de Remonstranten. Engraving with margins, on he botom margin notes in brown ink, possibly from the 17th century; plate mark: 236 x 145 mm, total: 273 x 180. only state; Hollstein 388, Franken 6, van Someren 584.

Engraving inspired by the portrait at the Frans Hals Museum (Haarlem, inv. 1-511). Under the portrait an anonymous Latin poem. "Ad: m. Rdo. Amplissimusq. D.D. JACOBUS ZAFFIUS Cathedral Eccles [.] Memento Æternitatis". Signed left: 'FHals / pinxit'; right: 'J.V. Velde / sculpsit anno / 1630'; bottom left: 'J.J. Proost excudit'. l Engraving, margins; plate mark: 265 x 170 mm; total: 272 x 178 mm; state III/3 some dirt on the borders; Hollstein 416; Franken 44, van Someren 6263.

View of the St. Bavo Church in Haarlem, from the South East side; very detailed etching.Signed on the bottom right, above the text: 'P. Saenredam Jnvent. / J.V.Velde sculp.' on the bottom left 'Ian Kraalinge Excudit'Twelve lines of Dutch text below: 'Dit is'dat Groote vat. kerke staet!'.The address of the print publisher suggests that this is the third state. In our stock is available also the first state (62015). This plate with other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem. Etching on paper with small margin; plate mark: 159 x 237 mm; total: 167 x 242 mm; state III/3; thin paper, some smudges, some dirt on the corners, but in great condition; Hollstein 420; Franken 480.

Frontispiece to the second volume, a set of 26 etchings with various landscapes.In this frontispiece, a market scene, with women attending to the fruits and vegetables.Titled above: 'IAN VANDEN VELDE / fecit / CLAES IANSZ VISSCHER / excudebat / TWEEDE DEEL'.Numbered on the bottom right: '1' and on the top: '2'.[NL] Figuren bij een groentekraam op een markt in een stad. Titelprent van deel twee van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten. Etching on paper, trimmed within plate; total: 124 x 192 mm, state III/4; evenly yellowed paper, notes in pencil on the verso, damp stain visible on the verso, some staining also visible in the front; Hollstein 244, Fr. 283.

Frontispiece to the set of fifteen plates with invented landscapes and ruins.The title of the series is on a curtain hanging on the wall in the background. Ten figures in the front with fruits and vegetables.On the left, is a rather licentious scene: the man standing and pointing at the title with a finger is having an erection that has attracted the attention of the young woman seated just beside him.The title reads: 'Vetustae Ruinae et Venustissimae aliquot Re:/ giones, ad oculorum oblectamentum, et Picturae adjumentum, á Ioanne Veldio de:/ lineatae, ác formis expressae et a Roberto / Baudous iam primum publicatae. / AMSTELODAMI / Anno MDCXVI.' and at the bottom: 'Joannes vanden Velde Fecit. Robb. de baudous excudit 1616'. Further numbered: '1'.[NL] Figuren bij manden met vruchten en groenten, onder een doek waarop de titel. Titelprent van een serie van zestien; Ruïnes in landschappen (series title). Etching on paper, trimmed close to plate; total: 138 x 210, state II/6; evenly yellowed paper, traces of previous mounting on the verso; beautiful etching; Hollstein 216, Fr. 255.

View of the city center of Haarlem, showing a busy Grote Markt (central square) with the St. Bavo church at the end of the square. Signed on the bottom right corner: 'P. zaenredam Jnvent. / J.V.Velde sculp.' ; twelve lines of Dutch text below: 'Hier siet gy dat Paleys. het leven van een land.'. This plate with other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem. Etching on paper with margin, mounted on cardboard through the left margin; plate mark: 162 x 237 mm; total: 167 x 248 mm; state II/4; light stains, a tear at the bottom left corner, where attached to the mount; Hollstein 421; Franken 481.

Interior of the church of St. Bavo in Haarlem. Twelve lines of Dutch text below. Signed on the right: 'P.Zaenredam jnuent / I.v.velde sculp.'. This plate with other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem. Etching on paper with margins; plate mark: 159 x 236 mm; total: 197 x 276 mm; state I/3; two sheets of paper joined in the middle; yellowing margins, otherwise in good condition; Hollstein 426; Franken 486.

Interior of the workshop of a book printer.In the background a man seated, shoulders towards the viewer, is working at the boxes containing the types; in the middle of the composition the press and in the foreground the master piling the printed sheets on a table.Inscribed above: 'Bockdruckeye te Haarlem gevonden ontrent het Jaer 1440'; and on the bottom: 'Ovat is de Druckery een konst. snoert den mond.'Signed on the bottom: 'P. Zanredam jnuent. / J. v. Velde Sculpsit.'; used as illustration in Samuel Ampzing's: 'Beschryvinge ende lof der stad Haerlem in Holland [.]' published by Adriaen Roman in Haarlem in 1628.[NL] Uitvinding van de boekdrukkunst te Haarlem, ca. 1440. Interieur van een boekdrukkerij, leggen van papier en verzamelen van drukletters. Etching on paper with some margin; total: 180 x 132 mm; only state; some light soil due to handling on the margins, otherwise in very good condition; partial watermark visible: LB in a circle. Hollstein 424; Franken 484. In fine cardboard passepartout.

View of the landscape surrounding Haarlem, showing a family of farmers walking in the foreground, fields with cattle in the middle ground and the ruins of the Brederode castle in the background. Very detailed etching.Signed on the top left: 'P. zaeneedam Jnvent. / J.V.Velde sculp.' ; twelve lines of Dutch text below: 'Hier siet gy Bredero. dicht by Bredero'.This plate with the other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem.[NL] Boerenfamilie op een landweg met op de achtergrond de ruïne van Kasteel Brederode te Haarlem. Onderaan een gedicht van drie verzen van vier regels in het Nederlands.  Etching on paper with margin; plate mark: 159 x 236 mm; total: 178 x 262 mm; only state; yellowing paper on the margins, in good condition; Hollstein 422; Franken 482.

View of the landscape surrounding Haarlem, showing a family of farmers walking in the foreground, fields with cattle in the middle ground and the ruins of the Brederode castle in the background; very detailed etching; signed on the top left: 'P. zaeneedam Jnvent. / J.V.Velde sculp.' ; twelve lines of Dutch text below: 'Hier siet gy Bredero. dicht by Bredero'. This plate with other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem.On the left portion of the sky, on this impression is visible a very light mirrored image of the ruins. Such ink transfer may be explained by the fact that this plate was folded in the middle while resting in the book (a sort of counterproof).[NL] Boerenfamilie op een landweg met op de achtergrond de ruïne van Kasteel Brederode te Haarlem. Onderaan een gedicht van drie verzen van vier regels in het Nederlands.   Etching on paper with margin; plate mark: 159 x 236 mm; total: 185 x 249 mm; only state; yellowing paper on the margins, in good condition despite some dirt traces in the middle; signs of some previous mounting on verso; Hollstein 422; Franken 482.

View of the St. Bavo Church in Haarlem, from the South East side; very detailed etching; signed on the bottom right, above the text: 'P. Saenredam Jnvent. / J.V.Velde sculp.' twelve lines of Dutch text below: 'Dit is'dat Groote vat. kerke staet!'.This plate with other eleven was meant to decorate Samuel Ampzing's "Beschryvinge ende Lof der Stad Haerlem in Holland." published in 1628 in Haarlem.For a later state see 65961. Etching on paper with some margin; plate mark: 159 x237 mm; total: 183 x 263 mm; state I/3; slightly cooked paper, some ink stains and light soil on the bottom right corner; Hollstein 420; Franken 480.

Landscape with peasants walking. A standing man with his horse is urinating in the foreground. On the right, a ruined church. Inscribed at bottom: 'G.V.H. In. I.V.V. fe. CJVisscher ex.'.From a set of five prints. Numbered on the bottom right: '4'.As from the Hollstein: "The horseman, the walkers, the pissing man and his horse are copied in reverse on a print (5,1 x 15,4 cm) with ee2 published by Claes Jansz. Visscher as part of a series: "Occupations of Man and Views in the surroundings of Amsterdam". This composition appears also in the form of a painting on the lid of a harpsichord, now at the Rijksmuseum in Amsterdam (in. SK-A-4288). The direction of the painted landscape is the same of Visscher's print, thus reversed in respect to Van de Velde's. Etching on paper with margin; plate mark: 199 x 285 mm; total: 212 x 300 mm; only state; toned paper, some stains and foxing, especially in the sky; small hole on the road; Hollstein 331; Franken 370.

Landscape with figures on falcon hunt representing the element of air. At a countryside crossroad peasants are conversing, a group of falcons around them. Second plate of a series of four with landscapes as illustrations of the four elements.Titled at bottom: 'AER', inscribed in four lines of Latin text: Aer jam seguitur animæ vitalis origo: / Quo sine nil vivit quicquid in orbe datur. // Mobilis aßiduo fæcundat semine terram, / Hic regnantq? Noti, Pennigeriq? greges. WB 2', WB monogrammed. Signed within plate: 'J.V. Velde fecit.'On verso collector's mark L.2871 belonging to the painter and printmaker Christian Gottfried Mathes (1738-1805). The print is described in the catalogue of the of his art collection in Berlin, 20 January 1862, lot 1902.Printed on 18th century paper, this etching still preserves its original freshness. Etching on paper, trimmed to plate; total: 191 x 291 mm; state III/3; top corners damaged, otherwise very beautiful impression; Hollstein 19, Franken 135, H.B. CP 34, cat. Buytenwech 178.