after holbein (18 Ergebnisse)

Schönes original Kupferstich-Portrait aus dem 18. Jh. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 10,5 cm. -- gut erhalten. || Original copper engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

No Binding. Zustand: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.Charles Pye Jr. (1777 - 1870) Was An Engraver In England. His Engraving Work Was Included In Cadell & Davies' "Britannia Depicta".

Zustand: Good. Engraving. Image size: 12.5 x 9.5 cm. on larger sheet. Good with rubbing to image, losses, tears, staining.

Zustand: Good. Engraving, 15 x 10 cm. Good with loss to lower left corner dry mold, marginal tear, some creasing. Likely from a periodical such as "Universal Magazine.".

Zustand: Very Good. Hardback. Octavo. xxiv, 223pp. Original dark brown cloth with gilt spine titles and gilt vignette to front, top edge gilt. Slight rubbing and fading around spine, offsetting to endpapers, otherwise very good indeed. No jacket.

Zustand: Good. Line engraving on laid paper. 37.5 x 23 cm (sheet). Very Good, sheet trimmed to the image, black tape at sheet corners, loss to lower left sheet corner.

Zustand: Good. Original mezzotint engraving. 27 x 18.5 cm (sheet). Very Good.

Hardcover. Zustand: Very Good. No Jacket. 2nd Edition. Declamatiunculae aliquot, eaedemq[ue] Latinae, per Des.Erasmum Rot. Cum duabus orationibus Lysiae itidem versis, incerto interprete, & aliis nonnullis. Basel, Johann Froben, March (at end: 1st May) 1522. 4to. [114]f. Greek text with Latin translation on opposite pages. With ornamental woodcut borders and historiated initials after Hans Holbein; ornamental title woodcut border signed by U[rs] G[raf]. Large printer's device at end. Contemporary blind-tooled half pigskin over oak boards. Erasmus proved his linguistic skills in his Latin version of the collected speeches on set topics by the 4th century Greek rhetorician Libanius, his first attempt at translating a classical text. Working from a Greek manuscript at Louvain University, he corrected several errors and omissions, for the first printing in 1519. The remaining errors were eliminated for this 2nd edition prepared by Froben, in which a number of passages were given a more accurate form. Libanius, who taught at Antioch and Constantinople, was regarded as a model of style both in Christian Byzantium and in Renaissance Europe. He was advisor to both the pagan emperor Julian (362-3) and the Christian emperor Theodosius I (379-393). The volume additionally contains Latin versions of Isocrates' Orations (by Petrus Mosellanus), the declamations of Lucian of Samosata by Erasmus, and the orations of Lysias. The Latin translations are printed facing the Greek texts on parallel pages. The splendid woodcut title border is illustrated in Walter Lüthi, Urs Graf, Zürich 1928. A good copy with a contemporary manuscript entry on title and contemporary manuscript notes in Greek in a few blank margins; occasional light traces of waterstaining in blank margins, otherwise well preserved in its original binding. Adams L-630. Hoffmann II, 519; VD16-L1480. Signed by Author(s).

F. Forster, after Hans Holbein the Elder (illustrator). 'MALEREI. / MARTYRIUM DES H. SEBASTIAN / VON HANS HOLBEIN D. J. / 1. / T. O. WEIGEL, LEIPZIG / DRUCK V. J. WILHELM, MUNCHEN. / F.FORSTER GEZ. / H.WALDE GEST.'St. Sebastian bound to a tree, pierced with arrows, surrounded by archers and onlookers in medieval dress. Background includes architecture and trees. A highly detailed devotional scene.Made by H. Walde after F. Forster, after Hans Holbein the Elder.Medium: Etching and engraving on wove (vellin) paper.Sheet size: 24.5 x 32 cm (9.65 x 12.6 inch). Image size: 16 x 22.5 cm. (6.3 x 8.86 inch).ST. SEBASTIAN, MARTYRDOM, HOLBEIN THE ELDER, GERMAN ENGRAVING, 19TH CENTURY, WEIGEL, DEVOTIONAL ART | PCO-E15-2-30BACKGROUND INFORMATIONT. O. Weigel, Leipzig.Biography engraver: H. Walde was a 19th-century engraver active in Germany, known for reproducing historical and religious compositions, often in collaboration with major publishers such as Weigel.Biography artist: F. Forster was a 19th-century draftsman who created compositions after Old Masters. Hans Holbein the Younger (German: Hans Holbein der Jungere; c.1497-1543) was a German painter and printmaker of Swiss descent who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Condition: very good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Etching. 17 x 11.5 cm (sheet). Very Good, sheet trimmed to or within the plate mark, light surface soiling.

Zustand: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas."Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Zustand: Good. Engraving on wove paper. 59 x 45.5 cm (sheet). Very Good, minor surface soiling in the margins.Literature: Thieme-Becker. Vol. XII, p. 350).

Zustand: Good. Woodcut on laid paper. 9.5 x 7 cm (sheet). Possibly cut by Hans Lutzelburger (active 1517-1526). Very Good, small loss at bottom sheet edge.

Portrait of Sir Thomas More; half length, to the left, wearing cap and fur robes with large chain and rose pendant; in oval frame on pedestal with emblems;after Adriaen van der Werff after Holbein;illustration to Isaac de Larrey's "Histoire d'Angleterre" (Rotterdam: 1697-1713).Signed at bottom: Adr.n vander Werff pinx / P. à Gunst Sculps.[NL] Thomas More, humanist en Lord Chancellor van Engeland gedurende de vroege regeringsperiode van Hendrik VIII. Zijn wapenschild staat onder het portret. De prent heeft als onderschrift een Frans gedicht over zijn relatie met Hendrik VIII. Antieke prent door Pieter van der Gunst. Engraving on laid paper, with wide margins; total: 418 x 258 mm; despite some minor damages on the outer margins, in very good condition.

Half-length portrait of Hans Holbein slightly turned to the left, dressed in a doublet with an open collar. Lettered below image "Giovanni Holpein Pittore di Storie, di Miniature e di Ritratti nacque in Basilea l'anno 1498. mori l'anno 1554." Signed "Giu. Menabuoni del." "Nic. Billiy scolpi," lettered above "Ioannes Holpenius sui ipsius effigiator" and "Basilensis Ae. XLV." Published in "Ritratti De' Più Celebri Professori Di Pittura Dipinti Di Propria Mano Esistenti Nell'Imperial Galleria Di Firenze. " published by Francesco Moücke in Florence, in 1748. Engraving on paper, with broad margins; plate mark: 272 x 172 mm, total: 459 x 317 mm; some foxing and smudges along the most external margins, some scribbling in pencil on the bottom right margin. In very good condition. Hans Holbein de Jonge was een kunstschilder die werkte in de stijl van de Noordelijke renaissance. Holbein werd geboren in Augsburg in Beieren, in een familie van kunstschilders, onder wie zijn vader, Hans Holbein de Oude en zijn oom Sigismund Holbein.

Portrait of Charles de Solier de Morette (1480-1552), head and shoulders to front, looking towards the viewer; wearing a dark cap and fur-lined overgown; in a roundel.Inscribed at bottom: "Mr. MORETT." Made by Wenceslaus Hollar, aka Wenzel Hollar.Signed: Holbein pinxit W: Hollar fecit, ex Collectione Arundeliana, Ao. 1647. 31 Dec:. Published in Antwerpen.The 2 on the bottom right corner scratched from the paper.[NL] Portret van de Franse diplomaat en heer (Sieur) van Morette, Charles de Solier. Etching on paper trimmed within the plate; total: 133 x 106 mm; II/2 state; some rubbing, otherwise in fair condition; Pennington 1470.

Portrait of Lady Margaret Butts, bust-length to right, wearing a dark hood over headdress with pearl edge, fur stole, small jacket, bodice, and blouse with frilled collar. Lady Butts is the wife of William Butts, physician of king Henry VIII.Signed: HHolbein inu: / WHollar fecit 1649, / Adam Alexius Bierling exc:. Published in Antwerpen, Antwerp.[NL] Portret van Lady Margaret Butts, echtgenote van Sir William Butts, lijfarts van koning Hendrik VIII. Etching on paper trimmed within plate, mounted on cardboard; total: 133 x 93 mm; I/2 [?] state; some rubbing, otherwise in fair condition; Pennington 1553.

Portrait of Hans Holbein, half-length, slightly turned to the left, dressed in a patterned gown over his doublet and shirt with a wide-brimmed soft hat on his head, pillars on either side supporting an arch with flowers above, his arms below; inscribed below: "Johannes Holbein I: F: Pictor Celeber Civis Basiliensis immortale Patriae Britanniaeque Decus" "Natus Anno Domini 1498." "Denatus Londini Anno 1554." and the group portrait of Elsbeth Holbein and her children, Philipp and Katharina, behind a lettered parapet; after Hans Holbein the Younger. Lettered on parapet with the title followed by "Ad Tabulam Joh: Holbenii in Biblioth: publ: Basil: adservatam" and below image with further details: "Joh: Holbein pinx.t", "Basileae apud Chr: a Mechel Chalcogr." and "B. Hübner sculp: 1790". Engraving on paper with margins; plate mark: 320 x 258 mm, total: 383 x 270 mm; some light foxing on Holbein's portrait; traces of previous mounting on verso of both prints, otherwise in good condition.