Verlag: George Kearsley, United Kingdom, 1776
Anbieter: Welsh Bridge Books & Collectables (PBFA), Shrewsbury, SHROP, Vereinigtes Königreich
Verbandsmitglied: PBFA
Kunst / Grafik / Poster
EUR 29,53
Anzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Very Good. No Jacket. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). (illustrator). 'THE DEPARTURE OF TELEMACHUS FROM EGYPT.' Original 1776 Copper-plate Engraving. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). Published by George Kearsley, No. 46, Fleet Street. Original 18th Century plate, from 'The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints.' Sheet measures approx. 10.5" x 8.5" (26.5cm x 21.5cm). Plate mark measures approx. 9.5" x 7" (23.75cm x 17.5cm). Blank rear. Narrow tanning marking down gutter margin. Plate pressed skew. Remains a nice original image nonetheless. Please see photos for further condition detail.
Verlag: George Kearsley, United Kingdom, 1776
Anbieter: Welsh Bridge Books & Collectables (PBFA), Shrewsbury, SHROP, Vereinigtes Königreich
Verbandsmitglied: PBFA
Kunst / Grafik / Poster
EUR 29,53
Anzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Very Good. No Jacket. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). (illustrator). 'Meleager presents to Atalanta the head of the Callydonian Bear.' Original 1776 Copper-plate Engraving. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). Published by George Kearsley, No. 46, Fleet Street. Original 18th Century plate, from 'The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints.' Sheet measures approx. 10.5" x 8.5" (26.5cm x 21.5cm). Plate mark measures approx. 8" x 6" (20.25cm x 15cm). Blank rear. One or two small marginal spots here and there, with a little faint tanning, though quite innocuous. Remains a nice original example. Please see photos for further condition detail. Please see other listings for similar items.
Verlag: George Kearsley, United Kingdom, 1776
Anbieter: Welsh Bridge Books & Collectables (PBFA), Shrewsbury, SHROP, Vereinigtes Königreich
Verbandsmitglied: PBFA
Kunst / Grafik / Poster
EUR 29,53
Anzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Very Good. No Jacket. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). (illustrator). 'THE NYMPH ECHO, CHANGED INTO A SOUND.' Original 1776 Copper-plate Engraving. Engraved by William Walker (1729-1793) after French artist Charles Monnet (1732-1808). Published by George Kearsley, No. 46, Fleet Street. Original 18th Century plate, from 'The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints.' Sheet measures approx. 10.5" x 8.5" (26.5cm x 21.5cm). Plate mark measures approx. 8" x 6" (20.5cm x 15.25cm). Blank rear. A few small faint marginal marks here and there, with a little light tanning, though quite innocuous. Remains a nice original example nonetheless. Please see photos for further condition detail.
Verlag: [Paris: Buchdaten & Bucherhaltung de l'imprimerie de Monsieur]., 1788
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Stipple and line engraving. 21 x 14 cm. (sheet). Very Good. A tiny tear at top sheet edge.
Verlag: [Paris: French Publisher, circa 1786]., 1786
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Steel engraving. 15 x 9 cm. (sheet). Good, sheet trimmed to the borderline, some tiny holes, some water staining.
Verlag: Paris: chez Le Pan, rue S. Guillaume la premiere porte cochere a? droite en entrant par la rue S. Dominique, circa 1791, 1791
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Signiert
Zustand: Good. 8vo. 4 vols. 15 cx 22cm. Printed on laid paper. 4 engraved title pages, 2 portraits and 202 plates. Marbled art nouveau calf bindings signed by A. Cretin-Pellion [Beaune, France]. (v. 1) [1 f.] xvi, 99 pp., plus 48 plates; (v. 2) [1 f.] 112 pp., plus 49 pls.; (v. 3) [1 f.] 106 pp., plus 50 pls.; (v. 4) [1 f.] 168 pp., plus 61 pls.; .OCLC Number / Unique Identifier:1097847182; For the earlier edition published by Lattré in 1789: Landwehr VI, 349 ; Cohen-De Ricci. pp. 456-457 ; Praz 357; Gordon Ray, Art of the French Illustrated Book, no. 23.À partir de 1765, Hubert-François Bourguignon d'Anville, dit Gravelot (1699-1773), donne des dessins sur le thème des emblèmes et allégories destinés à paraître chaque année sous la forme d'Almanachs iconologiques. À sa mort, en 1773, l'éditeur Lattré fait appel à Charles-Nicolas Cochin (1715-1790) qui, jusqu'en 1781, poursuit l'entreprise selon l'esprit voulu par Gravelot. L'ensemble des planches est ensuite repris pour former le traité qu'avait annoncé Gravelot dès la parution du premier Almanach de 1765 et publié sous le titre d'Iconologie par figures, d'abord au format in-12, chez Lattré, en 1789, puis au format in-8, chez Le Pan, en 1791.L'illustration se compose de deux portraits des artistes interprétés par Gaucher d'après La Tour et Monnet, quatre titres-frontispices et 202 jolies figures hors texte de Gravelot et Cochin gravés par Choffard, Aliamet, Bacquoy, de Ghendt, Legrand, Masquelier, Saint-Aubin, etc.Cohen, 456 - Gordon N. Ray, pp. 25-30 et 49-50 - Ch. Michel, Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle, Genève, Droz, 1987, pp. 311-317.