adolf meyer baron (11 Ergebnisse)

First Edition. First edition. Hardcover. First printing of 5000 copies. 113 pages. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII. A near near fine copy in cloth boards with a sepia toned plate affixed to the front cover with some slight sunning to the base of the front panel and some small spots and a cloth blemish to the rear cover. No dust jacket as issued. A nicely printed book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. De Meyer, Baron Adolf (illustrator). First Edition. 51pp.Black cloth, blind stamp Text is clean. minor shelf-wear. Size: Folio - over 12" - 15" tall. Z4.

Zustand: Very good. New York: Alfred A. Knopf, 1976., 1976. Very good. - Quarto, 12-3/4 inches high by 9-7/8 inches wide. Hardcover, bound in black boards with the title stamped in blind on the front cover and in gilt on the spine. The book is housed in its sienna-toned pictorial dust wrapper. The dust jacket is slightly rubbed and there is a short serrated tear to the top edge of the dust jacket's front panel. 50 numbered pages with 10 full-page photographic illustrations, plus 51 plates and [4] pages of notes and credits. Near fine in a very good dust wrapper. First edition. Edited by Robert Brandau. With a Biographical Essay by Philippe Julian. It was in the 1920's that Baron Adolf de Meyer influenced the development of a new genre of photography. His portraits captured the "beauty and elegance" of the period and set the stage for fashion photography.

hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. Baron Adolf de Meyer (illustrator). First. With a Bibliographical Essay by Philippe Jullian. Illustrated with 51 sepia plates and 21 other photographs by Baron Adolf de Meyer. 50 pages of text. Slim 4to, black boards, very slightly edgeworn dust wrapper. New York: Knopf, 1976. First Edition. A fine copy. Baron de Meyer's camera defined the beauty and elegance of the 1920's and helped establish the new genre of fashion photography.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover. 4°, Originalheft mit 34 Seiten und vielen einfarbigen Abbildungen. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Keller438161.

in-quarto, 50 pages de texte72 photographies en noir et blanc, reliure cartonnée, de chez l éditeur, sous jaquette illustrée Très bon état.

Hardcover. Zustand: Very Good. Dust Jacket Included. First Edition. London, Thames and Hudson, 1976. Large quarto, [106] pages with 72 illustrations from photographs by de Meyer. Synthetic cloth; edges lightly foxed; an excellent copy with the lightly sunned price-clipped dustwrapper. The biographical essay runs to some 34 pages.

Zustand: Bon. 1 vol. in-4 reliure demi-maroquin brun, dos à 5 nerfs, couvertures d'origine contrecollées en plat, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 1908, 10 pp. et 113 planches / 4to, half morroco leather binding, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 10 pp. et 113 planches Nice copy with its great morocco binding (binding very slightly rubbed, slight foxing) ! With photographs by James Craig Annan, Alvin Langdon Coburn, Frank Eugene, Baron Adolf de Meyer, Frances Stebbins Allen, Mary Electa Allen, Dwight Arthur Davis, Robert Demachy, Rudolf Dührkoop, David Octavius Hill, Gertrude Käsebier, Clarence H. White, Alexander Keighley, Joseph Turner Keiley, Guido Rey, Eva L. Watson-Schutze, George H. Seeley, Alfred Stieglitz, Heinrich Kühn, Malcolm Arbuthnot, Anne W. Brigman, J. Dudley Johnston, or Charles Job. De la bibliothèque Henry Frugès avec son bel ex-libris arabisant signé "Abd En Nor". Passionné d'art, l'industriel sucrier Henry Frugès (1879-1974) tenait de sa grand-mère maternelle née Bentajou que sa famille descendait d'une certaine Zohra, fille de l'émir El Hadj Abd En Nor El Maimouny, général de Boadbil, le dernier roi de Grenade ; il restera profondément attiré par l'art musulman, comme le montre son amusant ex-libris avec sa devise "Je m'éclaire !". Langue: Français.

De Meyer, Baron Adolf (illustrator). Hand-pulled photogravure, 8 5/8 x 6 7/16 inches [21.90 x 16.35 cm] printed on tissue and tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 40, 1912. Adolf Meyer (1868 - 1946) a Parisian, was educated in Dresden, Germany. By the mid 1890s, he was a member of the Royal Photographic Society living in London, making portraits of the fashionable set. He exhibited widely with the Pictorialists in Paris, London, New York, among others, and was a Fellow of the Council of the Photo-Secession. By 1914, living in New York, he was appointed as the official fashion photographer for Vogue. At the end of the first world war, he returns to Paris, only to returned to the United States at the outbreak of World War II.

De Meyer, Baron Adolf (illustrator). Hand-pulled photogravure, 7 3/4 x 6 inches [19.69 x 15.24 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 40, 1912. Adolf Meyer (1868 - 1946) a Parisian, was educated in Dresden, Germany. By the mid 1890s, he was a member of the Royal Photographic Society living in London, making portraits of the fashionable set. He exhibited widely with the Pictorialists in Paris, London, New York, among others, and was a Fellow of the Council of the Photo-Secession. By 1914, living in New York, he was appointed as the official fashion photographer for Vogue. At the end of the first world war, he returns to Paris, only to returned to the United States at the outbreak of World War II.