Adler evan (5 Ergebnisse)
- Hardcover
Anbieter: Books From California, Simi Valley, CA, USABooks From California
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Sehr gut
EUR 53,10
EUR 4,28 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: Fine. Suckow, Will (illustrator).
Dr. Cluck's Backyard Chickens
Adler, Dr. Evan (Author)/ Pitesky, Dr. Maurice (Author)/ Suckow, Will (Illustrator)
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 46,79
EUR 11,69 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 228 pages. 11.00x8.50x1.50 inches. In Stock. Suckow, Will (illustrator).
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 53,90
EUR 9,00 VersandVersand innerhalb von USAAnzahl: 20 verfügbar
Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland. Suckow, Will (illustrator).
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 40,25
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Gebunden. Zustand: New. KlappentextA colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prize-winning author William FinneganIf you were there, even just for some of it--Hawaii, California, surfing, the 70s-.
Weitere BilderThe Birds (Archive of three original title card maquettes for the 1963 film)
[Film] [Art] Harold Adler (letterer); Alfred Hitchcock (director); Daphne Du Maurier (story); Evan Hunter (screenwriter); Tippi Hedren, Suzanne Pleshette, Rod Taylor (starring)
Verlag: Universal Pictures, Universal City, CA, 1986
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 3.972,37
EUR 8,57 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbArchive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters, both elaborately designed and executed in a calligraphic style, from Adler to author, illustrator, and editor Fridolf Johnson relating to Adler's work with Hitchcock. Harold Adler was a call…igrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" (1963), his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "In the Heat of the Night" (1967), and "Justine" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. In the first letter, dated May 16, 1986, Adler describes, after touching on other topics, meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill, stating that Hitchcock "was amazed" by this answer, and after that would "request 'to be sure to bring that nice you[ng] man along" (meaning Adler) whenever he had a job for Adler's firm. The second letter, dated June 10th, 1986, focuses almost exclusively on Adler's work on "The Birds," going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did, knew what he wanted [and] smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. The letters themselves are works of art, executed in a variety of inks in Adler's detailed penmanship, with Johnson's name on each in particular receiving full calligraphic treatment. Also included are draft title cards for the film, stylistically similar to each other, but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil, with titles executed in white paint on black board. The third card, photo stat on black paper, which accompanied the June 10th letter, has been annotated by Adler on both the recto and verso, explaining the in more detail the technical process of putting the lettering on film. Overall, a significant collection of material illuminating a little explored aspect of film design, with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. Each letter 19 x 24 inches, single leaf, rectos only. May 16th letter folded twice for mailing, June 10th letter folded. Two long diagonal creases to the May 16th letter, else both are Fine. Original mailing envelope for the May 16th letter included. "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.
