Adler curtis (76 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. January Colours This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very Good. Good clean copy with some minor shelf wear. Previous owner's inscription on FFEP. With CD! Books ship from the US and Ireland.

Zustand: Good. 2003. Paperback. Good copy with some shelf wear. Ex-libris with minimal stamps. . . . . Books ship from the US and Ireland.

Zustand: Very Good. Good clean copy with some minor shelf wear. Previous owner's inscription on FFEP. With CD.

Zustand: Good. 2003. Paperback. Good copy with some shelf wear. Ex-libris with minimal stamps. . . . .

Paperback. Zustand: Very Good.

Paperback. Zustand: UsedAcceptable. Paperback. Fair. Remainder.

paperback. Zustand: Fine.

Paperback. Zustand: New. With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a "resident alien" married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasite's mansion, Bong's films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bong's films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 76 pages. 7.25x4.50x0.18 inches. In Stock.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a "resident alien" married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasite's mansion, Bong's films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bong's films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice.…

Paperback. Zustand: Brand New. 336 pages. 7.50x5.00x0.75 inches. In Stock.

Paperback. Zustand: New. What becomes of life, experience, and truth in the hyperconsumeristic culture of the twenty-first century? What happens to the phenomenological call to go "back to the things themselves" when these things, to an ever greater degree, involve a televised life that is not ours to live, celebrities who are utterly like us yet infinitely untouchable, and uncannily pluripotent electronic gadgets? Combining sustained philosophical inquiry with fragmentary and experimental theoretical interventions, Anthony Curtis Adler rethinks Marxist materialism and the Heideggerian project in terms of the singular experiences of late capitalism. In doing so, he reveals how the disarticulation of life via the commodity fetish demands at once a new notion of phenomenological method and an ontology oriented toward the radical contingency of being itself as transcendental ground.…

Zustand: New.

Paperback. Zustand: Brand New. 208 pages. 8.50x5.43x1.00 inches. In Stock.