adam sol (14 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Paperback. Zustand: Brand New. 206 pages. 8.50x5.50x0.50 inches. In Stock.

Zustand: New. ADAM SOL is the author of three previous books of poetry, including Jeremiah, Ohio, a novel in poems that was shortlisted for Ontario s Trillium Award for Poetry and Crowd of Sounds, which won the award in 2004. He has published fiction, sch.

Taschenbuch. Zustand: Neu. Neuware - A dazzling and exhilarating new collection of poetry from an award-winning Canadian poet. For fans of Ken Babstock, A.F. Moritz, and Karen Solie. Award-winning poet Adam Sol's fourth collection is a meditation on complicity. By turns intimate and lyrical, experimental and outlandish, the collection focuses us on how we cannot escape the troubling structures that determine our lives. How do we identify ourselves with communities - national, cultural, or local - while aware of the violence which underlies their arrangements How do we pursue love when we know how fraught and imbalanced gender politics is How do we continue to value art despite the prevailing rhetoric that considers it a marginal discourse The poems are funny, allusive, off-kilter, and sonically rich, while crucially interrogating, lit with, the contemporary ethos.

Soft cover. Zustand: Near Fine. 1st Edition. Substantial publication accompanying retrospective exhibition of the wide-ranging work of the American conceptual artist. Faint wear to covers and slight wear to heel of spine. Otherwise a fine paperback copy without marks, inscriptions or fading. Binding is firm with no creasing to spine. Not ex-library. Not a remainder. 416 pages. s36.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30, 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber, and Adam D. Weinberg. Includes close to 400 color and black and white images, an extensive bibliography, a list of previous exhibitions, and a checklist. A clean and tight near fine copy in black cloth boards and in a very near fine dust jacket. A very nice copy of what remains one of the best books on Lewitt. This is a heavy and oversized book and will require extra shipping.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30, 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber, and Adam D. Weinberg. Includes close to 400 color and black and white images, an extensive bibliography, a list of previous exhibitions, and a checklist. A clean and tight very near fine copy in black cloth boards and in a very near fine dust jacket. Signed by Lewitt on the half title page. This is a heavy and oversized book and will require extra shipping. Signed.

143 (1) pages on thick paper, partly cpoulour-illustrated throughout. - Publisher's colour-illustrated glossy softcover; large-4to.(ca. 33 x 25 cm, ca. 1,2 kg.). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um 40% REDUZIERTER PREIS / PRICE-REDUCTION of 40%; ehemaliger Preis / previously EUR 120,-] --- FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL OF THE RARE DOCUMENTARY EXHIBITION CATALOGUE OF BERLIN-WALL-ART from original stone fragments, on the occasion of South Korea 60th Annual of freedom from Japanese occupation and being the guest-country at the Frankfurt Bookfair in Germany. - Lower sharp-corner slightly bumped; A VERY GOOD COPY.

Softcover. Zustand: Very Good. Vol. IV, No. 11. Small octavo. 98pp. Stapled wrappers. Wrappers with rubbing and wear, very good or a bit better. A single issue from this important and influential digest, which was the foundation of the Johnson Publishing empire. In addition to excerpting articles by and about African-Americans from other publications, there was also much original content written expressly for the magazine. This issue prints "Sidney Hillman's Last Message to Negroes"; a roundtable discussing the question "Is Labor or Business Fairer To The Negro?"; "The Rape of Justice" by Adam Clayton Powell, Jr. (condensed from *Everybody's Digest*); "How I Beat Jim Crow" by Chatwood Hall (pen name of African-American journalist Homer Smith, Jr.); "Iron Men of Baseball," an article on the Negro league by George C. Morse; "My Father Had 16 Wives" by Okechukwu Ikejian (condensed from *Magazine Digest*); "Jim Crow on the Band Stand" by African-American band leader Phil Moore; "African Beauty Parlor" by Ernest Henry Shrenzel (condensed from *Fascination*); "He Lost 10,000 Years," by Allen Rankin (about African-American artist Bill Traylor, condensed from *Colliers*); "How I Discovered Marian Anderson" by Sol Hurok with Ruth Goode (condensed from their book *Impresario*); and a condensation from the book *Trumpet to the World* by Mark Harris, among other material. Early issues are uncommon.